
...and they all know very well the one obvious deficiency which is fixed and improved significantly in the successor

So then how do you explain the success of the 5DII with such a "deficiency"? You're constantly attempting to avoid my questions.
Nov 02, 2013 22:24 | #286 kin2son wrote in post #16419794 ![]() ...and they all know very well the one obvious deficiency which is fixed and improved significantly in the successor ![]() So then how do you explain the success of the 5DII with such a "deficiency"? You're constantly attempting to avoid my questions. SONY A7RIII | SONY A7III | SONY RX10 IV | SONY RX100 | 24-70 2.8 GM | 70-200 2.8 GM | 16-35 F/4 | PZ 18-105 F/4 | FE 85 1.8 | FE 28-70 | SIGMA 35 1.4 ART | SIGMA 150-600 C | ROKINON 14 2.8
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Nov 02, 2013 22:27 | #287 gabebalazs wrote in post #16419651 ![]() Unfortunately, there is a tendency on this forum to sometimes imply that if a newer and better camera comes out (5DIII), all of a sudden an older one, even if it is still world class, becomes an unusable pile of junk, incapable of taking decent photos. Noticed that did you.... EOS 6d, 7dMKII, Tokina 11-16, Tokina 16-28, Sigma 70-200mm F/2.8, Sigma 17-50 F/2.8, Canon 24-70mm F/2.8L, Canon 70-200 F/2.8L, Mixed Speedlites and other stuff.
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OuttaCtrl Senior Member ![]() 381 posts Joined Oct 2012 Location: San Jose, CA More info | Nov 02, 2013 22:27 | #288 EverydayGetaway wrote in post #16419757 ![]() ^If that last sentence is how you feel, why is it you feel the need to come into every 6D thread and talk about how horrible it's AF is (which it isn't)?... Maybe because he is a troll. Cameras: 5D III Gripped | 1D MK 3 | 70D
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kin2son Goldmember 4,546 posts Likes: 3 Joined May 2011 Location: Sydney, Australia More info | Nov 02, 2013 22:29 | #289 ![]() I just had a look and here's my humble opinion. 5D3 Gripped / 17-40L / Σ35 / 40 Pancake / Zeiss 50 MP / Σ85 / 100L Macro / 70-200 f2.8L II IS / 430 EX II / 580 EX II / Canon 2xIII TC / Kenko Ext. Tubes
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kin2son Goldmember 4,546 posts Likes: 3 Joined May 2011 Location: Sydney, Australia More info | Nov 02, 2013 22:30 | #290 ![]() gabebalazs wrote in post #16419816 ![]() So then how do you explain the success of the 5DII with such a "deficiency"? You're constantly attempting to avoid my questions. Times have passed, things have moved on, technology advances... 5D3 Gripped / 17-40L / Σ35 / 40 Pancake / Zeiss 50 MP / Σ85 / 100L Macro / 70-200 f2.8L II IS / 430 EX II / 580 EX II / Canon 2xIII TC / Kenko Ext. Tubes
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dscri001 Senior Member More info | Nov 02, 2013 22:36 | #291 kin2son wrote in post #16419826 ![]() I just had a look and here's my humble opinion. First of all these weren't critically focused shot. What I mean by that is from that distance, the outer point in the vf will probably cover the whole player, and because the player as a whole has lots of contrast (notice the pattern on their jerseys?), it's not challenging the point. Secondly, the shots were all stopped down. As I've mentioned before, shots at smaller aperture (combined with high ISO in your case) hides all the flaws. The fact that the players are so tiny within the whole frame means all the fine details are non-present. What bobbyz, Charlie and me have been saying are nailing critical focus on people at large aperture, namely eyes. With your set I bet ever a 550D's outer points would have no issue. Wow. Just wow. You're really stuck on tracking eyeballs at f/0.00012 aren't you? -Tyler I II
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Nov 02, 2013 22:37 | #292 kin2son wrote in post #16419829 ![]() Times have passed, things have moved on, technology advances... It was a success because it was the best thing out there back then. Simple as that. Can't believe I have to type that out loud ![]()
SONY A7RIII | SONY A7III | SONY RX10 IV | SONY RX100 | 24-70 2.8 GM | 70-200 2.8 GM | 16-35 F/4 | PZ 18-105 F/4 | FE 85 1.8 | FE 28-70 | SIGMA 35 1.4 ART | SIGMA 150-600 C | ROKINON 14 2.8
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kin2son Goldmember 4,546 posts Likes: 3 Joined May 2011 Location: Sydney, Australia More info | Nov 02, 2013 22:39 | #293 ![]() dscri001 wrote in post #16419841 ![]() Wow. Just wow. You're really stuck on tracking eyeballs at f/0.00012 aren't you? Of course not. Besides at 400mm, you can't as the point easily covers the whole player. 5D3 Gripped / 17-40L / Σ35 / 40 Pancake / Zeiss 50 MP / Σ85 / 100L Macro / 70-200 f2.8L II IS / 430 EX II / 580 EX II / Canon 2xIII TC / Kenko Ext. Tubes
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dscri001 Senior Member More info | Nov 02, 2013 22:40 | #294 gabebalazs wrote in post #16419842 ![]() ![]() And what about the 1DsIII? Wasn't that the "best thing out there back then"? Maybe because 5DII users did not need the super duper AF of the 1Ds and the 5DII was sufficient enough for their work. Now, why can't the 6D be sufficient for us 6D owners? I think it just bothers him that we're really happy with the 6D. The football shots look great and he is only dismissing them because they're aren't shot wide open, 2 inches away. -Tyler I II
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Nov 02, 2013 22:45 | #295 kin2son wrote in post #16419826 ![]() I just had a look and here's my humble opinion. First of all these weren't critically focused shot. What I mean by that is from that distance, the outer point in the vf will probably cover the whole player, and because the player as a whole has lots of contrast (notice the pattern on their jerseys?), it's not challenging the point. Secondly, the shots were all stopped down. As I've mentioned before, shots at smaller aperture (combined with high ISO in your case) hides all the flaws. The fact that the players are so tiny within the whole frame means all the fine details are non-present. What bobbyz, Charlie and me have been saying are nailing critical focus on people at large aperture, namely eyes. With your set I bet even a 550D's outer points would have no issue. 3 out of 4 were not stopped down, shot wide open at f/5.6, which admittedly has a nice deep DoF at that distance. But so does a 400mm f/2.8, whose DoF also covers the whole player at that distance. But isn't that the point of taking a photo of a player? Show me a lens that has such shallow DoF that only the player's eyes are in focus from 50-60 yards away. Nope, you can't. Even my 300 2.8 keeps the whole player (in soccer) in focus from 30-40 yards away. SONY A7RIII | SONY A7III | SONY RX10 IV | SONY RX100 | 24-70 2.8 GM | 70-200 2.8 GM | 16-35 F/4 | PZ 18-105 F/4 | FE 85 1.8 | FE 28-70 | SIGMA 35 1.4 ART | SIGMA 150-600 C | ROKINON 14 2.8
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dscri001 Senior Member More info | Nov 02, 2013 22:46 | #296 kin2son wrote in post #16419846 ![]() Of course not. Besides at 400mm, you can't as the point easily covers the whole player. I was merely trying to explain why the outer points on the 6D could lock on in Gabe's example. And isn't that what you guys are after? He clearly showed that the outer points work. But you dismissed it. Which is why I pointed it out. You're clearly not happy with anybody's opinion accept your own. You turn down every explanation and ask for indisputable evidence, but can't site any of your own. All of your arguments are subjective and based off nothing. -Tyler I II
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kin2son Goldmember 4,546 posts Likes: 3 Joined May 2011 Location: Sydney, Australia More info | Nov 02, 2013 22:46 | #297 ![]() gabebalazs wrote in post #16419842 ![]() Now, why can't the 6D be sufficient for us 6D owners? I've never said that and that wasn't what I've been saying sigh.... 5D3 Gripped / 17-40L / Σ35 / 40 Pancake / Zeiss 50 MP / Σ85 / 100L Macro / 70-200 f2.8L II IS / 430 EX II / 580 EX II / Canon 2xIII TC / Kenko Ext. Tubes
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kin2son Goldmember 4,546 posts Likes: 3 Joined May 2011 Location: Sydney, Australia More info | Nov 02, 2013 22:53 | #298 ![]() dscri001 wrote in post #16419857 ![]() And isn't that what you guys are after? He clearly showed that the outer points work. But you dismissed it. Which is why I pointed it out. I'm sorry what did I dismiss? 5D3 Gripped / 17-40L / Σ35 / 40 Pancake / Zeiss 50 MP / Σ85 / 100L Macro / 70-200 f2.8L II IS / 430 EX II / 580 EX II / Canon 2xIII TC / Kenko Ext. Tubes
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Nov 02, 2013 22:56 | #299 bobbyz wrote in post #16419612 ![]() So I pulled my 6d and 35L and did some quick tests. Center is very good no question but top most and the left to it plain suck IMHO. Here is my test subject. #1 ISO6400, f1.4, 1/100, with the problem points no AF in AI servo, lens keeps trying to AF #2 ISO1600, f1.4, 1/250, Same issue here when trying to AF on "brother". One shot works much better than AI servo mode, #3 ISO1600, f1.4, 1/250, Trying to focus on the edge (canon red bar), Top most point yes as vertical sensitive. Left to top most, forget it. Hi Bobby,
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Nov 02, 2013 22:57 | #300 Just for the heck of it, here is a 100% crop of one of the photos so the player isn't "tiny" SONY A7RIII | SONY A7III | SONY RX10 IV | SONY RX100 | 24-70 2.8 GM | 70-200 2.8 GM | 16-35 F/4 | PZ 18-105 F/4 | FE 85 1.8 | FE 28-70 | SIGMA 35 1.4 ART | SIGMA 150-600 C | ROKINON 14 2.8
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![]() | x 1600 |
y 1600 |
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