I would Keep the 7d and 10-22. Also take a look at the tamron 17-35 f2.8-4 very cheap with good reviews. Loving mine.
pkim1230 Senior Member ![]() 746 posts Joined Apr 2011 Location: Providence, RI More info | Sep 04, 2014 20:53 | #16 I would Keep the 7d and 10-22. Also take a look at the tamron 17-35 f2.8-4 very cheap with good reviews. Loving mine.
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Sep 04, 2014 23:12 | #17 I would also keep the 7D and 10-22........... it's what I did. Let your wife know who wears the pants in the family!
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Bud Spencer Mostly Lurking 18 posts Joined Mar 2012 More info | Well, where to start ?
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madhatter04 Goldmember 1,930 posts Likes: 51 Joined Oct 2006 Location: Southern California More info | Sep 05, 2014 00:57 | #19 Loved the Tokina 16-28 but it really let me down when it came to do nighttime city shots for a few clients. Talk about flare. Rainbow rings around every single light source! Couldn't go wrong with it during the day but whenever a bright light source entered, particularly at night, forget it! Designer // Art Director // Photographer
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What do you shoot? Many landscape photogs value a sharp, full frame corner to corner sharp, ultra wide zoom/prime above a faster aperture lens because they will be using a tripod 99% of the time. Is this how you used your 10-22? Is corner sharpness more valuable to you then an f/2.8 aperture? If you don't need f/2.8, and you're on a budget, the 17-40L will be perfectly capable. If you can stretch your budget, the new 16-35 f/4L IS, and if you NEED f/2.8, get the 16-35/2.8 (mk1 if budget, mk2 if money flying out your behind). Of course since none of these lenses are dirt cheap used or new, you might consider hanging on to your current setup. Yes, full-frame has advantages, but will you notice them? Is it worth it to get ride of a perfectly capable aps-c body and ef-s UWA lens, for one full frame UWA lens? Again, if selling your 7D and 10-22 is necessary to pay for the 5d3, then I think the 17-40L is your lens. It's a very capable lens.
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Sep 05, 2014 19:00 | #21 Get the 16-35mm F4 IS, it's the best wide angle zoom Canon has the moment. Canon 5D Mark III - Leica M240
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Sep 05, 2014 19:32 | #22 Do yourself a favor and save for the 16-35 F4 IS. It really is fantastic, sharp as a razor throughout. Gear: 5D3, 135L, Sigma 35, 50 1.8 STM, 16-35 F/4L IS, 85/1.8, Fujifilm X100T
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I always thought the 17-40 was equal to the 10-22 in almost all respects except weather sealing. Edward Jenner
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Sep 06, 2014 08:19 | #24 GuitarDTO wrote in post #17138140 ![]() Do yourself a favor and save for the 16-35 F4 IS. It really is fantastic, sharp as a razor throughout. I still leaning away from this. If I'm going to spend that kind of money, I'll want to have 2.8. It's more important to my kind of work that IS and sharpness.
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Sep 10, 2014 12:58 | #25 I'm still struggling to decide between the older 16-35 2.8 and the 17-40.I think I can get the 16-35 2.8 for about $925 (which seems expensive for a lens that old), or the 17-40 for between $500-600. I like the 17-40 for its size and cost...but the 16-35 for it's 2.8.
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CaliWalkabout Senior Member ![]() 337 posts Likes: 11 Joined May 2010 Location: Oakland, CA, USA More info | Sep 10, 2014 14:33 | #27 The 17-40 is a fine lens. It isn't flawless, but the corner sharpness issues aren't problems for many people. Pros who absolutely need that corner sharpness might need to get something more expensive, but for most the 17-40 is an upgrade over the 10-22. 6D, 17-40L, 24L II, 50L, 100L, 70-300L.
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Sep 10, 2014 14:56 | #28 I'm staying away from the f4 IS because for the cost, I'd definitely rather have 2.8 than IS and sharper corners. If I primarily shot landscapes, that'd be my choice.
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Sep 10, 2014 16:22 | #29 if you dont care about corners, might as well get the tamron 17-35. Gives you 2.8 on the wide end and goes to F4. Otherwise, just get the 17-40. Sony A7riii/A9 - FE 12-24/4 - FE 24-240 - SY 24/2.8 - FE 28/2 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 100-300 - Astro Rok 14/2.8 - Tamron 17-28/2.8 - 28-75/2.8 RXD, 70-200/2.8 VC
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Sep 10, 2014 16:29 | #30 Charlie wrote in post #17146624 ![]() if you dont care about corners, might as well get the tamron 17-35. Gives you 2.8 on the wide end and goes to F4. Otherwise, just get the 17-40. It's not that I don't care about corners....they're just not at the top of priority list. I'll look into it.
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