What do you think is the sweet spot? For me the 105.
Source: http://petapixel.com …28/camera-adds-10-pounds/![]()
vinmunoz Cream of the Crop More info Post edited over 7 years ago by vinmunoz. | Jul 28, 2016 16:13 | #21406 What do you think is the sweet spot? For me the 105. | SONY A7SIII(2) | A73 | A6000 | Sony A7IV | Sigma105 | FE1635F4 | Tamron 70-180mm F2.8 | Tamron 17-28 Tamron 28-75 | FE50F1.8 | Sony 16035F4PZ | SEL30mm F3.5 Macro | Canon 24mm TSE | Laowa 15mm Shift
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Eddie xpfloyd lookalike More info | Jul 28, 2016 16:34 | #21407 vinmunoz wrote in post #18080390 What do you think is the sweet spot? For me the 105. Source: http://petapixel.com …28/camera-adds-10-pounds/ I honestly don't see too much difference between 50 and 105. 150 he looks wider than he should and below 50 it looks too narrow. I think any focal length in the 50-105 window is fine Leica M11 | Leica Q2 | Sony α7RV
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bpaulette Senior Member More info | Jul 28, 2016 16:40 | #21408 Personally (and speaking as, primarily a headshot photographer), I definitely like 100mm-135mm. BUT.... and this is a big but. Compression happens because of distance, not the focal length of your lens. So, if you feel like your 85 is giving you too much distortion when you frame a headshot right in camera, all you need to do is just increase the distance between you and the subject. Then crop it in tighter later in post. - BP -
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bpaulette Senior Member More info | Jul 28, 2016 16:55 | #21409 It's also not just about compression of the face... look at the way his shoulders drop and broaden out as well. Sometimes if I'm shooting a guy who spends time in the gym, I may pull out the seldom-used 70-200 and shoot him at 185mm'ish because it keeps all his features nice and broad. Conversely, if it's a gal who's maybe a bit weight conscious, she might actually appreciate the compression that naturally happens with a 70mm (and shoot from above). - BP -
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Jul 28, 2016 20:03 | #21410 EverydayGetaway wrote in post #18080196 Saying "on an APS-C sensor" like they're all the same is just not a good way of looking at it. The a7R I had was significantly worse than my X-E2 at any ISO above 1600... there may have been less actual grain in the images, but the colors were totally off, there were color casts, color noise all over and weird color shifts, those files were WAY harder to deal with in post than anything I get from my X-E2 or even my old T2i honestly (though they were definitely sharper than what I got from my T2i, the X-E2 is a wash in terms of sharpness and detail at high ISO in my opinion). I've looked at quite a few files from the X-Pro2 and to my eyes the shots are very useable at ISO12800 in full color. Well, in a way they are "all the same" to me as in "they are all unacceptable above ISO 800-1600 when the light levels get low". I have a folder called "Samples" on my SSD which is filled with RAW files from cameras which look interesting at launch (APS-C + fullframe and from various brands). So I pixelpeep them and try out noise reduction. So yeah, I know what I'm talking about. But hey, I've said it before that I'm allergic to noise. 550D | EF-S 18-55mm F/3.5-5.6 IS | EF 50mm F/1.8 II | EF 70-200mm F/4L IS | Speedlite 580EX II | LumoPro LP180 | Gitzo GT3541XLS | Arca-Swiss Monoball Z1 SP | ONA Bowery (black, non-leather)
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jocau Goldmember More info Post edited over 7 years ago by jocau. | Jul 28, 2016 20:17 | #21411 vinmunoz wrote in post #18080390 What do you think is the sweet spot? For me the 105. Source: http://petapixel.com …28/camera-adds-10-pounds/ It starts to look very good from 105mm and upwards. But my favorite ones are 135mm and 200mm. 550D | EF-S 18-55mm F/3.5-5.6 IS | EF 50mm F/1.8 II | EF 70-200mm F/4L IS | Speedlite 580EX II | LumoPro LP180 | Gitzo GT3541XLS | Arca-Swiss Monoball Z1 SP | ONA Bowery (black, non-leather)
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EverydayGetaway Cream of the Crop More info | Jul 28, 2016 21:35 | #21412 Charlie wrote in post #18080242 you previously mentioned in a post: Ok, so show me the Sony 18mm f2, 35mm f1.4, 16mm f1.4, 56mm f1.2, 90mm f2, 10-24mm f4, etc... if you think the crop factor is OK, then with the A7rii and something like batis 25, can replace 16, 18, 35. 56 1.2 + 90f2 replaced by batis 85 or EF 100, simply crop in post. CV 15 replaces 10-24, crop in post. I certainly wouldnt be comfortable with those types of crops, but since you say it's hyperbole, then you can certainly deal with it. 3 sony lenses replaces 6 fuji lenses. You can't be serious... this next post from Vinz came at the perfect time jocau wrote in post #18080554 Well, in a way they are "all the same" to me as in "they are all unacceptable above ISO 800-1600 when the light levels get low". I have a folder called "Samples" on my SSD which is filled with RAW files from cameras which look interesting at launch (APS-C + fullframe and from various brands). So I pixelpeep them and try out noise reduction. So yeah, I know what I'm talking about. But hey, I've said it before that I'm allergic to noise. I think the X-Pro2 images at ISO 12800 look atrocious. The A7R comparison also isn't the best comparison since it's one of the weakest fullframe sensors I know regarding high ISO performance. If you want good/great high ISO performance on the Sony fullframe side, you have to look at the A7S/A7SII/A7RII. With all do respect, you shoot with a T2i and complain about literally every other camera in existence and continue to wait for the perfect camera... it's hard to take anything you consider "atrocious" as such. Fuji X-T3 // Fuji X-Pro2 (Full Spectrum) // Fuji X-H1 // Fuji X-T1
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Jul 28, 2016 22:10 | #21413 Batis 18 - Alfredo -
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Jul 28, 2016 22:34 | #21414 EverydayGetaway wrote in post #18080614 You can't be serious... this next post from Vinz came at the perfect time ![]() Vinz post doesnt do anything to debunk what i posted earlier. Bpaulette explains this in his post following vinz's post. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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Jul 28, 2016 23:05 | #21415 to all:
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Jul 28, 2016 23:28 | #21416 Agree! Can we all get back to posting images and helping each other out instead of the constant battles over which brand is better or which format is better? - Alfredo -
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Jul 28, 2016 23:41 | #21417 EverydayGetaway wrote in post #18080614 With all do respect, you shoot with a T2i and complain about literally every other camera in existence and continue to wait for the perfect camera... it's hard to take anything you consider "atrocious" as such. No, I do not. I just like to look at cameras and decide which are in my opinion the "weak" and "strong" points (e.g. I've said before how much I like IBIS and Eye AF). The opposite could be said of you too. I know you are very tolerant regarding high ISO noise (which is fine by the way), so I know I have to take things with a bag of salt when you say a camera's high ISO performance is good/great. EverydayGetaway wrote in post #18080614 I take pictures because I enjoy it. I don't pixel peep because I've never understood the point... when I print pictures (even at 20x30 from my 8mp EOS 20D) I never view them with that amount of scrutiny, when I view and share them on the web I never view them with that amount of scrutiny (even when viewing in full resolution on a 65" 4K display from 10' away)... so why would I obsess over detail at 1:1 or even further magnification? Welcome to the digital age, where pixelpeeping is a normal thing to do for various people. I pixelpeep or look at prints from a close distance because I like doing it, just like you like taking pictures. EverydayGetaway wrote in post #18080614 I have an a7S, I have an X-E2, I've owned an a7R and a Canon 6D... below ISO1600 there ain't a whole lot of difference between them. Your blanket statement about how noisy APS-C sensors are probably should've been more specific, which was my entire counter point to your statement about noisy APS-C cameras in the first place... I should not have been more specific since every APS-C camera I've examined RAW files from since I got my 550D/T2i (beginning of 2011) is too noisy for me past ISO 800-1600 when the light levels get low (and I've examined various brands). That's of course my personal and very subjective opinion. EverydayGetaway wrote in post #18080614 You can keep chasing your unicorn camera, I'll keep taking pictures with all of my cameras and enjoying the photos they produce ![]() You can keep thinking I'm chasing a unicorn camera, but you couldn't be more wrong to be honest. I've accepted long time ago that the perfect camera does not exist. I could buy an A7II today and be 80% or even 90% happy with it. But I simply cannot justify it. 550D | EF-S 18-55mm F/3.5-5.6 IS | EF 50mm F/1.8 II | EF 70-200mm F/4L IS | Speedlite 580EX II | LumoPro LP180 | Gitzo GT3541XLS | Arca-Swiss Monoball Z1 SP | ONA Bowery (black, non-leather)
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DavidArbogast Cream of the Crop More info | Jul 28, 2016 23:50 | #21418 DTBaan wrote in post #18080674 to all: do we have to argue or try to make a point at every subject now? let's just drop it and support each other as we did before. please!! Just got to get through one more month. David | Flickr
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jocau Goldmember More info Post edited over 7 years ago by jocau. | Jul 28, 2016 23:50 | #21419 DTBaan wrote in post #18080674 to all: do we have to argue or try to make a point at every subject now? let's just drop it and support each other as we did before. please!! I'd love to but lately there's this guy who has to let everyone in here know how sharpness is overrated, how a fullframe sensor is overrated, how IBIS is overrated, how Sony is lacking support for their cameras and how awesome Fuji is (all of that in a Sony thread). It has come to a point where it's becoming annoying. 550D | EF-S 18-55mm F/3.5-5.6 IS | EF 50mm F/1.8 II | EF 70-200mm F/4L IS | Speedlite 580EX II | LumoPro LP180 | Gitzo GT3541XLS | Arca-Swiss Monoball Z1 SP | ONA Bowery (black, non-leather)
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