David Arbogast wrote in post #18094308
Ok, that's good...it could be valuable at Disney.
Depends on your goals, of course, but if I were going (and I've never been, so my thoughts = grain of salt) I would rather have 18mm than 25mm for shooting wide. But, that's just me, an architecturally focused shooter who is frequently frustrated by the limitations of 24mm and longer.
I like that idea but think 18 is too wide for family shots so I would be constantly changing lenses. That's why I keep considering the a6300. I'm on a bit of a loop with those thoughts at the moment. I could always try it at one park and if it doesn't work change it up for the next.
mystik610 wrote in post #18094310
Redundant b/c they're so close in FL. You could crop the Batis 25 slightly to get the FOV of the FE28.
It was more a size thing although today I started using my B25 without the hood and seem to be liking it a lot more as its not that much bigger than the FE55, just fatter. For info the Batis lenses are the only ones I ever use hoods on. The B25 was feeling a tad big at times so was considering adding the FE28 to allow me the option of a small kit however a hood-less Batis may be the answer. Only slight niggle is it feels too wide at times but I suppose cropping would sort that. I just prefer framing at the final FL mainly but could try shooting a bit looser