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FORUMS Cameras, Lenses & Accessories Sony Digital Cameras 
Thread started 27 May 2015 (Wednesday) 18:49
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TRhoads
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Sep 26, 2016 13:15 |  #25036

eriet30 wrote in post #18141007 (external link)
Thanks.... thats the Superstition Mountains..... If you have ever heard the story of the "Lost Dutchmans Gold".... it is behind these mountains. About 3 people die each year looking for it without being prepared for the desert

I have seen them...we had a view of them from our hotel when the wife and I were in Phoenix...never got out to photograph them though...


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lapino
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Sep 26, 2016 13:23 |  #25037

How do you guys get more correct skin tones, especially indoors? I have been testing a Fuji XT2 the last few days and while there are certain things that my Sony's do quite a bit better, the way this camera renders skintones is just amazing. On my a6300 they often look dull, or too harsh, or too orange but never right on spot. The Fuji seems to nail it a lot more. I have been trying to replicate this in RAW but cannot seem to get the same results. Maybe I miss something. Any help?


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invi2003
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Sep 26, 2016 13:23 |  #25038

On Broadway and 40th Street. NYC

IMAGE: https://photography-on-the.net/forum/images/hostedphotos_lq/2016/09/4/LQ_816152.jpg
Photo from invi2003's gallery.
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Charlie
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Sep 26, 2016 13:39 |  #25039

lapino wrote in post #18141056 (external link)
How do you guys get more correct skin tones, especially indoors? I have been testing a Fuji XT2 the last few days and while there are certain things that my Sony's do quite a bit better, the way this camera renders skintones is just amazing. On my a6300 they often look dull, or too harsh, or too orange but never right on spot. The Fuji seems to nail it a lot more. I have been trying to replicate this in RAW but cannot seem to get the same results. Maybe I miss something. Any help?

gray card, save settings into a WB custom setting?

these days, I dont even go that far, I tend to get the correct white balance with the dropper tool, then adjust the tint manually just a tad, and it gets me there. I find that with darker complexions it can get a little tricky, but lighter complexion is more forgiving. Also, my preset for post processing humans has vibrance -5 and contrast -5, and that plays a role, too much color/contrast in the face can look bad. YMMV, that's how I like to process people. Turning down contrast and vibrance is almost counter intuitive when processing, but works for me because I deal with curves that tend to add that stuff. Just a really old preset I use, and I'm happy with it.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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David ­ Arbogast
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Sep 26, 2016 13:50 |  #25040

xrite colorchecker passport: make your own camera profiles in LR and neutralize differences between cameras.


David | Flickr (external link)
Sony: α7R II | Sony: 35GM, 12-24GM | Sigma Art: 35 F1.2, 105 Macro | Zeiss Batis: 85, 135 | Zeiss Loxia: 21, 35, 85

  
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eriet30
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Sep 26, 2016 13:59 |  #25041

David Arbogast wrote in post #18141086 (external link)
xrite colorchecker passport: make your own camera profiles in LR and neutralize differences between cameras.


When I read things like this I feel like that kid on the simpsons (police chiefs son)......."my cats breath smells funny"

I can barely get through the menu on the camera let alone figure out the ins and outs of LR and my spyder color checker. You and Vinz amaze me with your studious and studioness.


"Vision is the art of seeing that which is invisible"
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nekrosoft13
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Sep 26, 2016 14:05 |  #25042
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The president of Sigma Mr. Kazuto Yamaki just openly said that they will make Sony FE lenses in the future! In an interview with Focus Numerique (translation here) he stated:

“The future of EF mount is beaming. So yes we will come out of FE mount objectives in the future.”

Sigma recently launched new Cine lenses with E-mount. But what Mr. Kazuto Yamaki is referring in the interview are special FE designed “normal photography” lenses.

http://www.sonyalpharu​mors.com …says-will-make-fe-lenses/ (external link)


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nekrosoft13
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Sep 26, 2016 14:09 |  #25043
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Irix 45 mm f/1.4

IMAGE: http://www.optyczne.pl/upload2/167247_nbigmini__9210730.JPG


Irix ILA-FE2EF

IMAGE: http://www.optyczne.pl/upload2/167250_nbigmini__9210738.JPG

IMAGE: http://www.optyczne.pl/upload2/167253_nbigmini__9210742.JPG

http://www.optyczne.pl …wnia_kolejne_no​wosci.html (external link)

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MedicineMan4040
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Sep 26, 2016 14:12 |  #25044

Love the processing/period effect on the last one.


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MedicineMan4040
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Sep 26, 2016 14:13 |  #25045

eriet30 wrote in post #18140967 (external link)
Some evening shots east of Phoenix


Hosted photo: posted by eriet30 in
./showthread.php?p=181​40967&i=i200934274
forum: Sony Digital Cameras

Hosted photo: posted by eriet30 in
./showthread.php?p=181​40967&i=i58990599
forum: Sony Digital Cameras

Very very nice. I usually don't like B/W but a wonderful exception.
The one is color is just beautiful.


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nekrosoft13
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Sep 26, 2016 14:16 |  #25046
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Laowa 24mm f/14 Relay 2x Macro Lens

and the award for the weirdest lens ever, goes to....

IMAGE: https://www.ephotozine.com/articles/laowa-24mm-f-14-replay-2x-macro-lens-29966/images/1000-OI000069_1474458927344_1474462633.jpg

https://www.ephotozine​.com …al-shape-announced--29966 (external link)

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eriet30
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Sep 26, 2016 14:24 |  #25047

nekrosoft13 wrote in post #18141112 (external link)
Laowa 24mm f/14 Relay 2x Macro Lens

and the award for the weirdest lens ever, goes to....

QUOTED IMAGE

https://www.ephotozine​.com …al-shape-announced--29966 (external link)


WTH!!!????!!!


"Vision is the art of seeing that which is invisible"
http:// … flickr (external link) www.paulvanderveen.net (external link)

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jocau
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Sep 26, 2016 14:35 |  #25048

nekrosoft13 wrote in post #18141112 (external link)
Laowa 24mm f/14 Relay 2x Macro Lens

and the award for the weirdest lens ever, goes to....

QUOTED IMAGE

https://www.ephotozine​.com …al-shape-announced--29966 (external link)

Reminds me of Pinocchio.  :p


550D | EF-S 18-55mm F/3.5-5.6 IS | EF 50mm F/1.8 II | EF 70-200mm F/4L IS | Speedlite 580EX II | LumoPro LP180 | Gitzo GT3541XLS | Arca-Swiss Monoball Z1 SP | ONA Bowery (black, non-leather) (external link)

  
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eriet30
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Sep 26, 2016 14:38 |  #25049

I have my next GAS and its not sony.

I have longed for the long from sony for too long.

In Feb or so depending on if i have a job still.... I will be looking at the new Olympus OM-D E-M1 Mark II and 300/4 which is a 600/4 on the 4/3rs system

http://www.stevehuffph​oto.com …s-review-by-craig-litten/ (external link)

the combo will set me back about 3800 but for a 600/4 that is really good. Plus since i shoot with an Oly guy I dont need to get any other lenses for this system cause I can just borrow his lol.

It will be a dedicated 600 set up in my bag next to my sony stuff. I will probably lock the 90 macro to the 6300 in that case..... not sure if I would keep the 70-300 or not.

Sigh been done with GAS for a while... probably the longest I have gone but oh well.


"Vision is the art of seeing that which is invisible"
http:// … flickr (external link) www.paulvanderveen.net (external link)

A1 / A7R4 -CV10, FE14GM, CV21 3.5, FE35GM, Sig 24-70 art FE85G, FE 70-200v2GM, FE 200-600 G, Rok 8mm Fish, Sony 1.4x
FOR SALE: FE85G

  
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nekrosoft13
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Sep 26, 2016 14:43 |  #25050
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Look at this lens as well

http://www.stevehuffph​oto.com …ens-review-by-bob-towery/ (external link)


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