roseyposey wrote in post #18253938
Maybe this isn't as natural as I thought initially. One shot, four virtual copies Lightroom, one stop apart, sns-hdr to process, back to LR for some contrast, clarity, slight vibrance, and fixing histogram
A couple of things to consider. First - make sure you fix chromatic aberrations and fringing before you start combining and processing images - the evergreen needles against the sky are a classic set up for fringes (here, purplish-magenta) that get amplified as you start to add in a lot of local contrast and saturation.
Second - this image has a nice sense of distance to it, but the tone mapping process has removed all of that natural contrast. The peaks in the distance should be hazy, and lighter in tone than the grass in the foreground. The trees and topography in the middle and foreground should get progressively darker and have more contrast the closer they get to the camera. The tone mapper does not know this, so it tends to compress and equalize the scene, on a larger scale, and then attempts to add local detail back in on a much smaller scale. So, you end up with a flat image that has strong wiggles and bumps.
Try adding some haze back into the background and sky and try adding some more large-scale contrast into the foreground to re-establish this natural separation that occurs with distance. Also, this is a sunny scene, so shadows can be dark, like black dark, and highlights can be close to white in some select places.
Looks like a beautiful place to be!
kirk