Sony A7x lounge

wallstreetoneil wrote in post #18342089
You can easily do an entire wedding with a 24-70 F2.8 - add an 85 1.4 on a high megapixel camera (reasonable cropping alone replicates 135mm) and you are then only missing specialty lenses (not 100% necessary - but macro, wide angle for scenic shots venue permitting, fast 28/35 or 50 for extreme low light receptions)

Thanks for your input bro. Now i am more confident with my existing gears. I like to buy the PK Design lens exchangers. There's a knock off brand with even capable of three lenses.

vinmunoz wrote in post #18342271
Thanks for your input bro. Now i am more confident with my existing gears. I like to buy the PK Design lens exchangers. There's a knock off brand with even capable of three lenses.

Vinz, I wouldn't hang my lens on a knock-off product. Buy the peak design version lol.

I do find it handy when shooting weddings and events as it makes it very easy, though nerve racking, to quickly change lenses in the field without digging through a camera bag all the time.

That's what i'm thinking too. The GMs are expensive.

vinmunoz wrote in post #18342271
Thanks for your input bro. Now i am more confident with my existing gears. I like to buy the PK Design lens exchangers. There's a knock off brand with even capable of three lenses.

I would also look into the Think Tank Retrospective Lens Changer bags as well. When I used to shoot quick moving events, I would place my lenses into the LC3, carry around the body with 24-70 on a strap, and place a 35, 85 into two of the slots. I'd leave one slot empty to place the lens that I had on the camera in quickly. Carry it around with the flap tucked over and you have very quick access to your lenses. I find it much quicker than using a traditional camera bag. And when you're done you can transfer your gear back into your bag of choice.

While the lens changer idea of the PD is interesting, not sure I want to take the chance of your lenses getting hit while you move around and something about it declicking from the mount would scare me. unless it has a mount lock like on camera bodies (it might, I never looked at it), if it's a simple rotation that secures the lens, I'd be scared that a simple accidental rotation of the lens would send it flying.

Editorial style PP I've been using on some engagement shoots lately.

^^^These are excellent. ^^^Care to elaborate on "editorial style" PP?
Thanks

mystik610 wrote in post #18342549
Editorial style PP I've been using on some engagement shoots lately.

Hosted photo: posted by mystik610 in
./showthread.php?p=183​42549&i=i260386929
forum: Sony Digital Cameras

Hosted photo: posted by mystik610 in
./showthread.php?p=183​42549&i=i7885601
forum: Sony Digital Cameras

Wonderful Carlo. The composition of the first one is exceptional. Both are excellent.

David Arbogast wrote in post #18342642
Wonderful Carlo. The composition of the first one is exceptional. Both are excellent.

I completely agree. Really like the PP style as well Carlo.

Great job Carlo! Love the editing on both.

idsurfer wrote in post #18342592
^^^These are excellent. ^^^Care to elaborate on "editorial style" PP?
Thanks

Thanks! I basically drew inspiration from the types of photos you'd see in printed media...fashion magazines and what not.

David Arbogast wrote in post #18342642
Wonderful Carlo. The composition of the first one is exceptional. Both are excellent.

joonrhee wrote in post #18342649
I completely agree. Really like the PP style as well Carlo.

digital_AM wrote in post #18342787
Great job Carlo! Love the editing on both.

Thanks guys!

TMaG82 wrote in post #18342440
I would also look into the Think Tank Retrospective Lens Changer bags as well. When I used to shoot quick moving events, I would place my lenses into the LC3, carry around the body with 24-70 on a strap, and place a 35, 85 into two of the slots. I'd leave one slot empty to place the lens that I had on the camera in quickly. Carry it around with the flap tucked over and you have very quick access to your lenses. I find it much quicker than using a traditional camera bag. And when you're done you can transfer your gear back into your bag of choice.

While the lens changer idea of the PD is interesting, not sure I want to take the chance of your lenses getting hit while you move around and something about it declicking from the mount would scare me. unless it has a mount lock like on camera bodies (it might, I never looked at it), if it's a simple rotation that secures the lens, I'd be scared that a simple accidental rotation of the lens would send it flying.

i would look into the thinktank. thank you.

mystik, good job dealing with all those people in that a9: canon doomed thread..

Spent my weekend rearranging furniture in apt. .. and building some ikea stuff we bought..
going to have to re-do all my wires from my desk ,, don't usually have them hanging out like that but I had to let it all out in order to move properly .. what a rats nest

anyway while I was at it I dusted off the old pixm pro 100 that I got in a package deal when I bought a 5d3..
put that thing to work.. I find it a different experience looking at my pictures printed out large..
(although seems like for printing I need to expose them a bit brighter)
actually inspiring to go out and shoot more..

^ That's great that you're using the printer. There is nothing like holding a print in your hand.

---------------

Here is a cloud series that I took before a storm rolled in. I took these through a window on the 2nd floor of my house. The clouds were moving fast and were transforming into some cool shapes. Loxia 85 for all three.

Sony α7R II / ILCE-7RM2 • 1/160 • f/8 • ISO 100

IMAGE LINK: http://www.alfredomora​photo.com …capes/n-LWMGC/i-58rSVdZ/A

Sony α7R II / ILCE-7RM2 • 1/100 • f/8 • ISO 100

IMAGE LINK: http://www.alfredomora​photo.com …capes/n-LWMGC/i-V2v7xdR/A

Sony α7R II / ILCE-7RM2 • 1/100 • f/8 • ISO 100

IMAGE LINK: http://www.alfredomora​photo.com …capes/n-LWMGC/i-vkspsTh/A