I like the car but I'm not shure I like the framing between the tree and the lightpole.
Michiel>=-
mikeeagle Goldmember ![]() More info | I like the car but I'm not shure I like the framing between the tree and the lightpole. Canon 1d MKIV - Canon 70D gripped - Canon 50D gripped (ex) 50mm II - 17-40mmL 70-200mmL 100-400mmL
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Oct 22, 2018 16:10 | #6332 ![]() I love the pic of the Mercedes - really nicely done. If possible though, I would airbrush the water off the road. It's distracting, messy and makes it look as though the car has sprung a leak! 5D3, 7D2, EF 16-35 f/2.8L, EF 24-70 f/2.8L II, EF 24-105 f/4L, EF 70-200 f/2.8L II, EF 100-400 f/4.5-5.6L II, EF 1.4x III, Sigma 150mm macro, Lumix LX100 plus a cupboard full of bags, tripods, flashes & stuff.
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saea501 ... spilled over a little on the panties ![]() More info | Man.....haven't heard 'airbrush' for a while. Remember what the DorMouse said.....feed your head.
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jwcdds Cream of the Crop ![]() More info | Oct 22, 2018 17:33 | #6334 Spencerphoto wrote in post #18734371 ![]() I love the pic of the Mercedes - really nicely done. If possible though, I would airbrush the water off the road. It's distracting, messy and makes it look as though the car has sprung a leak! ![]() don't think that's water. looks more like that asphalt/tar they put over the cracks like a cheap bandaid to delay repaving. Julian
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Oct 22, 2018 17:45 | #6335 ![]() jwcdds wrote in post #18734454 ![]() don't think that's water. looks more like that asphalt/tar they put over the cracks like a cheap bandaid to delay repaving. Yes, you're right. Spoils the shot, IMO. 5D3, 7D2, EF 16-35 f/2.8L, EF 24-70 f/2.8L II, EF 24-105 f/4L, EF 70-200 f/2.8L II, EF 100-400 f/4.5-5.6L II, EF 1.4x III, Sigma 150mm macro, Lumix LX100 plus a cupboard full of bags, tripods, flashes & stuff.
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PhotosGuy Cream of the Crop, R.I.P. ![]() More info | Oct 22, 2018 20:45 | #6336 I agree, not the best location, but the Merc does look pretty good! FrankC - 20D, RAW, Manual everything...
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Spencerphoto Goldmember More info Post edited over 4 years ago by Spencerphoto. | Oct 22, 2018 21:10 | #6337 ![]() That 'stain' on the road is exactly the sort of thing that's almost impossible to spot through the viewfinder, much like a fencepost sticking out of a person's head. Of course, you see the darn things immediately, when you get home. 5D3, 7D2, EF 16-35 f/2.8L, EF 24-70 f/2.8L II, EF 24-105 f/4L, EF 70-200 f/2.8L II, EF 100-400 f/4.5-5.6L II, EF 1.4x III, Sigma 150mm macro, Lumix LX100 plus a cupboard full of bags, tripods, flashes & stuff.
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timlair Member ![]() 149 posts Likes: 320 Joined Apr 2011 More info | Oct 23, 2018 07:40 | #6338 The responses in this thread are always funny to me. 99% of the pictures posted are snapshots that could have come from a Palm Pre, but a strip of tar on the road 'ruins the photo' of someone who took the time to care about the photo they were taking. 6D, Canon 70-200 2.8L, Canon 24-70 2.8L, Canon 17-40 4L, Rokinon 14mm 2.8, , AB800
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PhotosGuy Cream of the Crop, R.I.P. ![]() More info | Oct 23, 2018 08:36 | #6339 timlair wrote in post #18734775 ![]() ... I try and not clone out too much because it leaves a blurry spot usually, and it's hard to make it look perfectly natural. FrankC - 20D, RAW, Manual everything...
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TRhoads Cream of the Crop ![]() More info | Oct 23, 2018 10:57 | #6340 timlair wrote in post #18734775 ![]() The responses in this thread are always funny to me. 99% of the pictures posted are snapshots that could have come from a Palm Pre, but a strip of tar on the road 'ruins the photo' of someone who took the time to care about the photo they were taking. But I digress. Honestly I didn't even noticed the tar spot! Thanks for pointing it out, i think while brushing in one of the CPL layers it must have become more pronounced. I try and not clone out too much because it leaves a blurry spot usually, and it's hard to make it look perfectly natural. Feel free to take a look at the rest of the set here and give me CC: https://www.flickr.com/photos/tim_lair/ ![]() I don't care about the tar spot on the road...for me the warmth difference between the car and the background is the detrimental element of the image, it looks cutout and stuck into that scene. Part of the character of that light is how it works on the car and it is a bit lost in this image. It is pretty noticeable in the rest of the set too IMO. Website
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timlair Member ![]() 149 posts Likes: 320 Joined Apr 2011 More info | Indeed, the separation from the background is the main thing I have heard about this set, and something I will try and improve on in the future. 6D, Canon 70-200 2.8L, Canon 24-70 2.8L, Canon 17-40 4L, Rokinon 14mm 2.8, , AB800
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Jared62 Mostly Lurking ![]() 19 posts Likes: 22 Joined Dec 2013 Location: France (62-NPDC) More info | Oct 29, 2018 16:12 | #6342 I havent posted here since a while. I neither did shoot anything for more than one year. ![]() ![]() ![]() IMAGE LINK: https://flic.kr/p/2bpqt6s ![]() ![]() ![]()
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Beautiful. Canon 6D l 35L
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el lobo Senior Member ![]() More info | Nov 01, 2018 14:55 | #6344
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PKmode Senior Member 510 posts Likes: 309 Joined Mar 2011 Location: Milwaukee More info Post edited over 4 years ago by PKmode. | Nov 04, 2018 18:26 | #6345 I was making sales calls on a Friday. The car was clean and I had time to pull over at this seminary and snap a shot. They are jerks here and will demand you have a permit even if you're not using the photo for profit. I managed to pull into the shade with a little dappled light, jump out, snap the shot and jump back in without a soul to notice. Pretty happy with the result for no shot at recomposing. Only slightly cropped for straightness. Becoming a gear junkie.
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