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FORUMS Cameras, Lenses & Accessories Canon Digital Cameras 
Thread started 30 Jul 2020 (Thursday) 11:17
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clipper_from_oz
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Jul 22, 2021 11:36 |  #4546

local rainbow bee eater

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R5, 5DSR, Fotoman 6x17cm Large Format Panorama Camera,Mamiya Universal 6x9
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clipper_from_oz
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Jul 22, 2021 11:38 |  #4547

final one egret in flight

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Clipper
R5, 5DSR, Fotoman 6x17cm Large Format Panorama Camera,Mamiya Universal 6x9
Canon EF 16-35mm f4 L, 17mm TSE f4 L,50mm f1.4, 24-70 f2.8 L, 70-200mm F4 L, 85mm f1.8, 100-400mm II L,
EF 400mm f2.8 IS II L, RF 600mm f4 IS L
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Eastcoast
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Jul 22, 2021 12:26 as a reply to  @ post 19262837 |  #4548

Wow! Definitely worth the money to repair when this is the result. These are stunners.

Thanks for sharing.


John
Canon R5 and some Canon glass
Be careful out there!

  
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KEDDY
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Jul 22, 2021 13:09 |  #4549

Sunset Montauk NY 7/21/21

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-R5 -7D MKII-5d MKII 5D MK IV...Canon lens 17-40, 24-105, 70-200, 300, 100-400 II, 100, 85, 50. Sigma 150-600 Sport

  
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LoneRider
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Jul 22, 2021 14:46 |  #4550

A few from this morning’s walk

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Wayne...
~I don't suffer from gear ADD, I embrace and enjoy it...~
Canon EOS R5, R6, R7, and a bunch of glass...

  
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KEDDY
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Jul 22, 2021 17:41 |  #4551

Replaced Sky…Montauk NY

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-R5 -7D MKII-5d MKII 5D MK IV...Canon lens 17-40, 24-105, 70-200, 300, 100-400 II, 100, 85, 50. Sigma 150-600 Sport

  
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Magnus3D
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Jul 22, 2021 17:54 |  #4552

Two photos from today..

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Jul 22, 2021 19:54 |  #4553

Egrets

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robamy
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Jul 23, 2021 04:17 |  #4554

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Mike ­ Martin
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Jul 23, 2021 09:09 |  #4555


Mike Martin: MMartinPhotography.com (external link)flickr (external link) 500px (external link)
Canon R5, Canon 80D, Tamron 35mm f/1.4, Sigma 50 1.4 EX, Canon 85mm f/1.8, Tamron 70-200 2.8 G2, Sigma 150-600 C, Godox AD200 x2, Flashpoint R2 Zoom x2

  
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Tom ­ in ­ Arizona
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Jul 23, 2021 09:40 |  #4556

Cactus Wren...

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The sound of birds stops the noise in my mind.” - Carly Simon

  
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Magnus3D
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Post edited over 2 years ago by Magnus3D.
     
Jul 23, 2021 15:51 |  #4557

Today's experiment was performed by shooting 8K RAW and also 8K C-Log3 video, then pulling still frames from both videos and edit these in post. I wanted to see if the workflow would be usable and relatively fast to use during sports and other fast events. It is not quite as fast as having pure RAW files to work with, but when you do need 30fps then it is absolutely useable.

Extracting the frames was quite easy, just export from Final Cut Pro as 16-bit TIFF files in this case, editing was done in Capture One Pro. But i guess it would be even faster just to keep it even simpler by shooting 8K ALL-I with a Canon picture profile already applied in camera, then simply extract the frames i want to keep and ditch the videoclips afterwards. I'll be testing that tomorrow. :)

Still frame extracted from 8K RAW video, then processed.

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Still frame extracted from 8K C-Log 3 video, then processed.

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Jul 23, 2021 16:24 |  #4558

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robamy
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Jul 23, 2021 16:45 |  #4559

Too much lens at 800mm, clipped the wing

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rndman
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Jul 23, 2021 18:17 |  #4560

JayLT wrote in post #19262677 (external link)
Thanks!

It's a process of inevitable frustration, but can give good results on occasion.

Obviously you need a subject that stays still. Any movement can cause odd ghosting issues that can be difficult, or impossible to fix. Sometimes I never notice the movement until I'm going over the pictures, and something on the subject was moved like a leg or an antennae.

For settings, I'm usually using the following (with a flash)

1/200 SS
f/16
ISO 200

One-Shot AF
Spot Focus
Low-Speed Continuous shooting (anything faster than this causes issues with my flash cycling 100% at times)

I adjust flash power as needed to regulate exposure, preferably keeping the flash power at 1/16th or less, as you need it to cycle pretty quickly, and the more power you push the more likely it'll not be able to cycle.

With the R5 I use back-button-focus and have one of the buttons set to use spot-focus. I find spot-focus best for these things. I also have the AF method set to One Shot, you cannot use Servo AF to focus bracketing.

I focus of the part of the subject that I want to be the main feature, usually the eye(s), and then look at the scene. I slowly rock back just enough to to where the closest part (usually a leg or foot) is in focus then I move back just a touch more. Once I'm in that position (everything will look out of focus) I start shooting and slowly move forward towards the subject. You need to do you best to keep the focus point on the same spot as you move forward.

It's a learned process to understand how fast you can move forward with the settings, and sometimes you get it, and sometimes you miss a "slice" and the image looks a bit off. For me, one of the reasons I shoot at f/16 is that the DoF is not too horribly small, so I have some extra room and depending on the subject one of the shots might be good on it's own if for some reason the stack doesn't work out.

Things like that cicada barely move, so they are great subjects, but because they're pretty large you need quite a few shots to get them all, or mostly, in focus. Normally I only do around 5-8 shots, but on that guy I was doing close to 20. To be honest I was surprise they turned out well!

That's one complex process to get hang of..


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