Well, in all the many Canon cameras we have owned, I had never before messed with the custom mode positions.
It took me much longer to find the page and read through the instructions than it took to actually implement the changes; it really helped when I realized I was looking at the 7DMkII manual; it all started making sense when I looked in the 7D manual.
Setting these up is simplicity itself !
Now, all three of my "C" positions are exact duplicates of my "M" Manual settings.
For anyone following along that may wish to do likewise, it basically amounts to choosing your preferred mode, Manual in my case, then setting up the camera including all customized features, such as back-button focusing (which you probably already have set up); leave the camera in the chosen mode; go into the menu and register and then save your settings into all three "C" positions; you do this all while the camera is in your chosen mode.
BuckSkin wrote in post #19527498
I always keep my cameras on RAW/Large-jpeg; somehow or other, I took about a dozen photos that, when I got them home to the computer, I discovered they were jpegs with no RAW counterparts; I still haven't figured out how I managed that; I thought the RAW/Large-jpeg choice carried through all modes, but obviously not.
I discovered the answer to this mystery.
All three of my "C" positions were set to "P" mode and Large jpeg only; when the dial got knocked over into any of the "C" positions, it only saved jpegs.
I don't know if this "P" business is the factory default, or if the previous owner had set it up this way.
NOW, as for the choice of either always returning to the initially saved settings or automatically saving any changes made while shooting; while this option is available on the 7DMkII, the feature is not available on the 7D.
Actually, I think this is going to be good in my case; as, I am much less likely to change things for a particular situation and then forget to revert back to my preferred settings; like, say, I slow the shutter down and open up the aperture for a shadowy late evening situation and the next day grab the camera as I run out the door to take a picture of a fast-flying bush plane and then discover the shutter is still on 1/60 and the aperture wide open only when I find that my pictures are all a blur.