I'd agree with that. I shot a snooker competition over the weekend (really exciting stuff ) but the killer shot came from an experiment long after I had the assignment shots were completed.
Picturesports Senior Member ![]() 569 posts Likes: 17 Joined Sep 2005 Location: Grantham, Lincolnshire More info | Jul 23, 2007 19:46 | #16 I'd agree with that. I shot a snooker competition over the weekend (really exciting stuff
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dhlewis Member ![]() 154 posts Likes: 6 Joined Jan 2005 Location: Olmsted Falls, Ohio More info | Jul 23, 2007 19:53 | #17 I was talking to a couple of the other photographers yesterday at MidOhio and they said for an extra $100 you can get the photopass. Can anyone else verify if that is accurate information. Dale H Lewis
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ChrisLUM Senior Member ![]() 372 posts Joined Jul 2007 Location: California, USA More info | Jul 23, 2007 20:44 | #18 Love the shots... Gear List
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Jul 24, 2007 08:08 | #19 John Thawley wrote in post #3599177 ![]() It's not about what you shoot, it's about what you keep. Regarding panning... you made a reference to "how many were keepers." Again, don't worry about how many are keepers. Worry about how many are killers! I'm quite comfortable panning at 1/100 sec - 1/125 sec. and would probably easily run 70% keeper rate. But why? I couldn't possibly use that many and they're not that interesting. I rarely panned over 1/60 sec all week. Once I've got "assignment" work out of the way, I want "wow" stuff. Shoot a lot and shoot with reckless abandon. Thanks for sharing your perspective. You're right, staying within my limits I got some sharp photos, but nothing 'special'. I did click off a few hundred at 1/60, and some came out OK(small print only). They were more interesting to look at than the sharper 1/150th images. ![]() IMAGE LINK: http://farm2.static.flickr.com …79516545_2a0b8d5057_o.jpg ![]() IMAGE LINK: http://farm2.static.flickr.com …80365214_0bec7e84a3_o.jpg ![]() I just saw your thread, while adding these, and wow. I guess I have to go even slower, but it'll be worth it if I get just a couple killers. JohnC John Caputo
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Jul 24, 2007 08:20 | #20 ChrisLUM wrote in post #3599524 ![]() Love the shots... When you guys shoot these events, what settings do you guys use? (Av? Tv? M?) Thanks Chris. John Caputo
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Jul 24, 2007 08:22 | #21 dhlewis wrote in post #3599239 ![]() I was talking to a couple of the other photographers yesterday at MidOhio and they said for an extra $100 you can get the photopass. Can anyone else verify if that is accurate information. Boom, turn one, I agree. There was an available window of about 3 degrees to shoot. OTOH my best shots came from my 300 2.8. Glad you didn't listen to me, and leave the 300 home John Caputo
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boom Member 33 posts Likes: 1 Joined Sep 2005 Location: Central Ohio, USA More info | Jul 24, 2007 15:27 | #22 JC4 wrote in post #3601713 ![]() I don't know about the photopass. All we found on the mid-ohio site was No Freelancers behind the fences. I'd gladly pay $100 to get back there for AMA races. Let me know if you find anything. I know MidOhio used to do that a long time ago. If you find out anything I'd like to know too. I'll try to see if I can dig up info on it.
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MrChad Goldmember ![]() 2,815 posts Joined Aug 2004 Location: Chicagoland More info | Jul 25, 2007 19:23 | #23 boom wrote in post #3603769 ![]() I know MidOhio used to do that a long time ago. If you find out anything I'd like to know too. I'll try to see if I can dig up info on it. You need to submit a reference of work (portfolio, etc.) and have an acredited media source back you from what I recall to get a photo pass. I think they are in the $375 range for the pro races, but I could be wrong. I kaNt sPeL...
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