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Thread started 13 Jan 2009 (Tuesday) 22:17
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Benji
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Jan 16, 2009 11:42 |  #31

RandyMN wrote in post #7089163 (external link)
I don't know whose rules you are living by...

I do most of my image making rules incorporating the rules that were established several hunded years ago by the old master painters and later on with the advent of photography some of those rules were adapted to photographers who wanted to retain the classical approach to image making. Today it seems most image makers want to whip the camera up (with their on camera flash ready to go) and they fire off three or four hundred captures in the hope that they get one or two good ones. I guess it works if one has six or eight hours to spend with each client.

I am aware that men use stronger lighting and lines to show strength and masculinity while women show softer lighting with curved 'S' lines to show softness and Femininity.

The rule is you only use harder lighting if there is not a female in the image. If there is you use softer lighting on both. You always sacrifice the lighting of the male for the female because men look better with softer lighting than women do with hard lighting.

If one needs to choose lighting, then both bride and groom should be considered. "Best lighting" as you put it, is the job of the photographer and that includes all subjects in the photograph.

Sure is if you can, but usually you can only get "best" lighting on one individual at a time. The "new" way to do this is to photograph each individual with the absolute best lighting and then combine them into one image in Photoshop.

Photographic lights have a sweet spot, and individuals positioned within that sweet spot will be "perfectly" lit. Those on the periphery of that sweet spot will not be perfectly lit as the first person but will look good, just not as good as the other. This "other" had better be the female.

If I live by your rules, then the bride gets the best lighting and also the best poses. The groom is just a piece of meat that some how must be dealt with because he has to be included!

Not quite. The best lighting yes, but not the best posing. But why light for the bride? The bride is the one who probably originally contacted you, the bride is the one who came in to look at the album, the bride is the one who probably paid for the album and as the old saying goes, it is the bride's day. In about 2/3rds of my weddings I have never seen the groom until the wedding day. So who is my client? The bride. So who do I want to look the best? The bride. Why is it we NEVER hear of a "groomzilla, but we hear of bridezillas nearly every day? Because most grooms couldn't care less about a bunch of pictures. You keep the bride happy and you will be a happy wedding photographer.

And just something for thought here, your statement "So since the bride is the most important person in the groom's life, he is supposed to be at the right hand of the groom", let me just ask who the most important person is in the bride's life? So why then is the groom to her left?

Obviously BOTH can't be on the right hand side. Since the man is the head of the household he is the "boss" so she gets to be at the right hand of the boss!

Another question?

Why does the bride always stand on the left and the bride's side of the church where family and parents sit is always the left side?

Ya got me, I didn't write the wedding traditions I just follow them.

Tradition says this goes way back to Medieval times when the bride stood on the groom's left so that he could draw his sword, which he wore on his right side, if he needed to protect her from enemies.

Only if the groom was right handed, otherwise she had better be on his right side.

So how does this fit in with the "Right Hand Man" tradition?

As I stated earlier I didn't write the traditions, I just follow them. If you want to position the groom on the other side go ahead it ain't no skin off my nose, but be prepared for the possibility of a mad mother and a mad bride, especially if they are traditionalists. Why risk it just to be a rule breaker?

Traditions vary as do religions, others feel that as a bride walks down the aisle, she should be on her escort's right. Why? Because this is the position of honor and as he steps away from her, he doesn't have to navigate around her train, and lastly because he brings her to the correct position next to her groom. ( who of course is on her right). But in your defense, once pronounced Man and Wife, they turn around and he now has the bride on his right.

The traditions I have spoken of are traditions passed down from "Christian" England and early America. If I were to shoot a wedding of someone from a different religion I would certainly familiarize myself with their traditions.

Benji




  
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RandyMN
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Jan 16, 2009 13:51 |  #32

I don't know what else to say Benji...

You have your rules to live by and that's fine...

There is a lot more to photography than tradition and rules and from seeing the arrogance displayed in this thread; I question whether your attitude doesn't show itself to potential clients as well.

Tradition varies, rules are meant to be broken and the business of photography is not so clear cut when it comes to what is right or wrong.

What is of primary importance is what the bride and groom wants. I'm not even going to ask you if you question any of them about preferences beforehand, because what has been said here makes it apparent you are the judge and jury of what is correct or not, so we'll just leave it at that.




  
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Benji
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Jan 16, 2009 14:04 |  #33

RandyMN wrote in post #7090801 (external link)
rules are meant to be broken".

Really? I always thought rules were supposed to be followed. How foolish of me.

[QUOTE=RandyMN;70980]W​hat is of primary importance is what the bride and groom wants.[QUOTE/]
Yup and it is obvious the bride and groom didn't get what they wanted from their photographer. So now the OP has a choice. Change her wedding style by adding some formal poses to go along with the PJ she now does, or continue to shoot PJ and risk having more upset clients, and the more upset clients she has the fewer clients she will have in the future. Bad PR spreads rapidly.

Benji




  
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tharmsen
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Jan 16, 2009 14:42 |  #34

I like most of the pictures the OP posted online. I think they are creative, good color, and generally well done. I would have been happy with them if they were of my wedding.

But then I'm more into the artistic side than I am into centuries old tradition. I find tradition to be boring... the last thing I want to do 30 years from now is look at pictures that look like my parents photographs... which were traditional and are quite boring.

Here's one of my favorite shots from our wedding. It's far from traditional. It's even from the back... big no-no, right?

I love it.

IMAGE: http://i104.photobucket.com/albums/m167/tharmsen/Wedding/Tim_Sara220.jpg

This was taken after we left the ceremony and were walking away from the building where we were married in our little towns downtown area. It brings all sorts of emotions and feelings back to me when I see it...

When we show pictures from our wedding, we usually gloss over the "traditional" shots and show off the more creative ones.

That's not to say you don't need some boring shots to keep the family happy... and the OP has those. Sure, they're a little over exposed, but thank God for digital pictures and RAW... that's easily fixed.

So I'm going to have to side with RandyMN here. I personally like to bend/break the rules of tradition. I want memorable, artistic, fun pictures as do most people these days... or so that's my impression. But to each their own.

A good photographer will consult with their client and show examples of their work. If they can do traditional and artsy, all the better. Then the client can pick which they want, or a hybrid.



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Jan 16, 2009 14:48 as a reply to  @ tharmsen's post |  #35

Hey tharmsen, that's a great picture...I like it alot;)



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RandyMN
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Jan 16, 2009 15:02 |  #36

Benji wrote in post #7090870 (external link)
Really? I always thought rules were supposed to be followed. How foolish of me.

:rolleyes:




  
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Damian75
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Jan 16, 2009 16:01 |  #37

Benji wrote in post #7081725 (external link)
Maybe you should get your monitor calibrated. An Info check in Photoshop shows an "R" reading of 251 in the bride's dress of the couple in the church and 244 in the outdoor bride. I assume you know that 255 or above is considered "blown out."

Benji

I am also on a fully calibrated monitor and it is a little blown out also a 255 color reading is not blown out it is pure white you can have blown out white to gray gradients below 255 alot depends on the dynamic range of your camera relative to the contrast of the subject this is one of the reasons the new 5DII has a high dynamic range setting and why a while back the Fuji S series was so liked by wedding photographers even though it wasn't as high of a resolution it had a very wide dynamic range.


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jpyeast
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Jan 18, 2009 21:55 as a reply to  @ Damian75's post |  #38

In this case, what wording should the OP have in his contact?

How do other pro wedding photographers cover this or word it in their contracts?

What wording do you use, to cover things like the color balance, toning, lighting etc?


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tonybear007
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Jan 18, 2009 23:00 |  #39

I was tempted to take one side of this debate regarding weddings and traditions but I will stay out of it since I have only shot 2 weddings. I have VHS tapes and books on shooting weddings but that alone does not qualify me to speak "authoritatively" on the subject.

However what I will contribute is a suggestion that was given to me a long time ago. If you are new to wedding photography or want to improve your work learn from one of the more experienced wedding photographer around: DENIS REGGIE.

Canon thought he was good enough to be featured here. (external link)

Denis Reggie's website (external link)

Denis Reggie Resources for the Wedding Photojournalist (external link)

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