Canon 40D
Tokina 11-16 f/2.8 @ 11mm f/4
ISO 200
164 30sec exposures (82 min) & 1 dark frame
combined with startrails.de
Color
B/W
boost_dependent Senior Member ![]() 300 posts Likes: 2 Joined Nov 2008 Location: Pensacola, FL More info | Jun 08, 2009 23:51 | #1 Canon 40D B/W +Canon 7D+|+[COLOR=Navy]Tokina 11-16 f/2.8 AT-X DX Pro+|+Canon 17-55mm f/2.8 IS USM+|+Canon 100mm f/2.8 macro[COLOR=DarkGreen]+|+Canon 70-300mm f/4-5.6 IS USM[COLOR=DarkGreen]+|+Canon 430EX Flash[COLOR=DarkGreen]+|+Slik Tripod
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Catanonia Senior Member 968 posts Joined Sep 2008 Location: UK More info | Jun 09, 2009 03:44 | #2 Can definately say you got your polarscope aligned MY NEW WEBSITE : www.portrait-universe.com
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jgrussell Looking around nervously ![]() 18,758 posts Likes: 14 Joined May 2008 Location: NJ USA More info | Jun 09, 2009 08:29 | #3 Very nicely done! -- jgr
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vseth24 Hatchling 6 posts Joined Sep 2008 More info | Jun 09, 2009 23:17 | #4 just interested in why you would need a dark frame?...i want to get into star trails too
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boost_dependent THREAD STARTER Senior Member ![]() 300 posts Likes: 2 Joined Nov 2008 Location: Pensacola, FL More info | The dark frame helps cut down on the noise. +Canon 7D+|+[COLOR=Navy]Tokina 11-16 f/2.8 AT-X DX Pro+|+Canon 17-55mm f/2.8 IS USM+|+Canon 100mm f/2.8 macro[COLOR=DarkGreen]+|+Canon 70-300mm f/4-5.6 IS USM[COLOR=DarkGreen]+|+Canon 430EX Flash[COLOR=DarkGreen]+|+Slik Tripod
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nipper Member ![]() 50 posts Joined Jan 2008 Location: ENGLAND where they tax you for breathing More info | The one thing that does come to mind with long exposures is you tend to get hot pixels show up in the dark sky, because ( I think) the sensor gets pretty warm.
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Bill Boehme Enjoy being spanked ![]() More info | Jun 10, 2009 23:47 | #7 boost_dependent wrote in post #8083151 ![]() I get people asking me why I just don't do one long exposure vs. doing the multiple short exposures. Can someone give me the pros and cons of of both ways please? Two reasons:
nipper wrote in post #8085733 ![]() The one thing that does come to mind with long exposures is you tend to get hot pixels show up in the dark sky, because ( I think) the sensor gets pretty warm. That's one of those urban legends that is based on a misunderstanding of of the term hot pixel -- the term "hot" refers to the effective analog gain and not the temperature. Each photosite on a CMOS image sensor has its own isolation amplifier that converts stored charge into a voltage. It is impossible to manufacture a sensor in which each of the ten to twenty million amplifiers have precisely the same gain -- add to this, the variation in light sensitivity between photosites and also finite differences between each of the micro lenses over each photosite. The end result is that the longer the exposure, the more apparent the differences in gain between individual photosites. Atmospheric haze in images? Click for Tutorial to Reduce Atmospheric Haze with Photoshop.
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Karl Johnston Cream of the Crop 9,334 posts Likes: 5 Joined Jul 2008 More info | Jun 10, 2009 23:50 | #8 ![]() Wow, you guys have stars down there? Adventurous Photographer, Writer
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nipper Member ![]() 50 posts Joined Jan 2008 Location: ENGLAND where they tax you for breathing More info | That's one of those urban legends that is based on a misunderstanding of of the term hot pixel -- the term "hot" refers to the effective analog gain and not the temperature. Each photosite on a CMOS image sensor has its own isolation amplifier that converts stored charge into a voltage. It is impossible to manufacture a sensor in which each of the ten to twenty million amplifiers have precisely the same gain -- add to this, the variation in light sensitivity between photosites and also finite differences between each of the micro lenses over each photosite. The end result is that the longer the exposure, the more apparent the differences in gain between individual photosites.[/QUOTE]
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dcad10 Member ![]() 211 posts Joined Aug 2008 Location: California, USA More info | Jun 11, 2009 14:01 | #10 nipper wrote in post #8090891 ![]() Now in English please.:p If you take too long of an exposure with a digital sensor, then it will turn out poorly
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Bill Boehme Enjoy being spanked ![]() More info | Jun 11, 2009 15:26 | #11 nipper wrote in post #8090891 ![]() Now in English please.:p dcad10 wrote in post #8091483 ![]() If you take too long of an exposure with a digital sensor, then it will turn out poorly ![]() Excellent job of translation! Atmospheric haze in images? Click for Tutorial to Reduce Atmospheric Haze with Photoshop.
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boost_dependent THREAD STARTER Senior Member ![]() 300 posts Likes: 2 Joined Nov 2008 Location: Pensacola, FL More info | Thanks for the answer(s)... that helped out. +Canon 7D+|+[COLOR=Navy]Tokina 11-16 f/2.8 AT-X DX Pro+|+Canon 17-55mm f/2.8 IS USM+|+Canon 100mm f/2.8 macro[COLOR=DarkGreen]+|+Canon 70-300mm f/4-5.6 IS USM[COLOR=DarkGreen]+|+Canon 430EX Flash[COLOR=DarkGreen]+|+Slik Tripod
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Bill Boehme Enjoy being spanked ![]() More info | Invite them to show you. Set up cameras side by side and the rule is that they must do a single 82 minute exposure while you do 164 half-minute exposures. Of course, the loser must buy the winner a nice expensive dinner. Atmospheric haze in images? Click for Tutorial to Reduce Atmospheric Haze with Photoshop.
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Jun 16, 2009 02:36 | #15 Nice shot. One question- do you take the dark frame prior to taking the multiple shots, or after your done with it? https://www.instagram.com/ajaygargphotography/
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