I don't think that there is such a thing as a "best setting for night shots" - there is too much variation in night lights. In this case the lighting seems to be what they call sodium vapor lighting, which is very yellow. Among the camera settins, the Incandescent lighting would have been the best choice. And, as someone else suggested, RAW mode would allow you to do that in post processing.
The effort by Tiziano was well intentioned and somewhat effective, but I think you can clearly see that once the color balance is seriously warped, just trying to make a simple adjustment of the color balance in post processing can turn ugly. The parking lot pavement now looks green in some areas and a weird shade of magenta-pink in other areas - neither of which seem natural.
The further off is the initial color balance the harder it will be to correct without bad side effects.
Recommendation - use RAW mode and try to diagnose the color balance problems before the shot - not after. We all recognize that the human eye compensates to a degree that makes it more difficult to recognize the problem. However, whenever you are confonted with outdoor night-time lighting, take it for granted that color balance was not on their minds - light efficiency was all they were thinking about, and sodium vapor is very economical.