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Thread started 26 Feb 2011 (Saturday) 08:30
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What F stop to get ultra sharp images?

 
gasrocks
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Feb 26, 2011 13:58 |  #16

Worst is one stop down? I think not. I do not ever remember seeing this fact on any MTF charts at Photozone.de. But, maybe I am wrong. Link please.


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egordon99
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Feb 26, 2011 14:43 |  #17

JeffreyG wrote in post #11918485 (external link)
The 24-70 will be at its sharpest at f/5.6 to f/8, but it should still be very sharp close to wide open.

I generally don't pick apertures based on sharpness, I just pick the aperture I need for the depth of field I want.

Agreed....You should concentrate more on lighting, exposure, and composition than trying to get the sharpest picture.




  
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anscochrome
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Feb 26, 2011 18:35 |  #18

One other point-sharpness chasing MUST be accompanied by a stable platform-stable tripod (not a 40 dollar special), stable tripod head (again, not a 40 dollar special), mirror lockup/or live view (mirror lockup is used with live view by default). remote release-otherwise the point of eeking the very last bit of sharpness from a lens is moot.

I would say, the stable platform is FAR more important than the sweet spot of the lens, because camera movement is a killer of sharpness. And no, IS is not a perfect substitute:)


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whiteflyer
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Feb 26, 2011 18:54 |  #19

As above each lens is different and most will say a stop or two down is best.

anscochrome make a VERY good point about a stable platform being the key to sharp images.

Also if we start to get really pedantic and technical about it there is the Diffraction Limited Aperture of the camera which varies from f/6.8 on a 60D to f/13.2 on a 5D MK I

The Digital Picture website wrote:
DLA (Diffraction Limited Aperture) is the result of a mathematical formula that approximates the aperture where diffraction begins to visibly affect image sharpness at the pixel level. Diffraction at the DLA is only barely visible when viewed at full-size (100%, 1 pixel = 1 pixel) on a display or output to a very large print. As sensor pixel density increases, the narrowest aperture we can use to get perfectly pixel sharp images gets wider.

DLA does not mean that narrower apertures should not be used - it is simply the point where image sharpness begins to be compromised for increased DOF and longer exposures. And, higher resolution sensors generally continue to deliver more detail well beyond the DLA than lower resolution sensors - until the "Diffraction Cutoff Frequency" is reached (a much narrower aperture). The progression from sharp the soft is not an abrupt one


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Manu2009
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Feb 26, 2011 19:12 |  #20

This is maybe not the best tool but it's a start.

http://the-digital-picture.com …omp=0&FLIComp=0​&APIComp=0 (external link)

Compare your lens to your lens at different mm and f stop

Good luck !


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hollis_f
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Feb 27, 2011 05:53 |  #21

BestVisuals wrote in post #11918769 (external link)
The worst f/stop is one stop down from wide open, for many lenses. Most lenses are optimized for wide-open resolution, but f/8 is generally the best compromise between sharpness, DOF and diffraction.

gasrocks wrote in post #11918809 (external link)
Worst is one stop down? I think not. I do not ever remember seeing this fact on any MTF charts at Photozone.de. But, maybe I am wrong. Link please.

I think not as well. Indeed, this is the opposite of almost every comment I've read on this subject.


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Roy ­ Mathers
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Feb 27, 2011 06:07 |  #22

BestVisuals wrote in post #11918769 (external link)
The worst f/stop is one stop down from wide open, for many lenses. Most lenses are optimized for wide-open resolution....

Where on earth did you get this from?




  
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What F stop to get ultra sharp images?
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