First things' first......
You MUST calibrate your meter to your camera!
A quick and simple way to do this is to get a calbration target that has "White, Balck & Grey" on it..... If you don't have that readily available, then a white sheet of paper will have to do for now. Put you camera's ISO on 100, then put your meter on 100. Do a meter reading with you lights at least 6-8 feet from the subject. Place both lights at a 45 degree angle to the white card and make sure that they are both set to the same power (let's say 100ws for instance). Take a meter reading and adjust the power until you get an (exact even f-stop) something like EXACTLY f/5.6 or f/8.0 (personally, I just like using the "main" f/stops) Anyway, let's use f/5.6 for example. Now, open up 1 f-stop from f/5.6 which would be f/4.0 and do an exposure with your camera in 1/3 stop increments all the way to f/8.0. Now take all of those images and open them up in photoshop and measure the white using the eye dropper tool until you get an average of 245 across the board (I doubt that the reading will be even due to color consistancy) , but you want an average of about 245. Now, let's say that when you do this reading, the exposure that gave you that reading just so happens to be the image that you shot at f/5.0..... then you know that whenever you get ready to shoot something, you really need to set your meter to ISO 80, but your camera will still be on ISO 100. So, in layman's terms, your meter compared to your camera's "TRUE" ISO is off by 1/3 of a stop. So, no mater what ISO you set you camera at, you will always need to set your meter 1/3 of a stop brighter. Now there are more detailed and more proper ways to TRUELY calaibrate your Camera and Meter, but this is the Fast Low Down Dirty Quick way to do it. BTW, the reason you want to use a a white card or even the white portion of a calibration card is to see the what is the brightest or "whitest" white that you can get while still retaining detail in the white...... which just so happens to be 245, some may even say 235 or 240, I have found it to be 245 for my needs.
Now, regarding your lighting technique, if your main light is set to f/5.6 and your fill light is set to f/8..... then you are going about this TOTALLY wrong! If we go by your standards, then your fill light will now actually become your main and your main is now actually your fill. Anyway, regardless, after your meter your lights indivdually and get your "Ratios" (meaning one at f/5.6 then the other at f/8) you will still need to do a meter reading of them together, because then you will find that both flashes combined will up your exposure by 1/2 stop. So instead of setting your camera to f/8 (your main light reading) you actually need to set your camera to f/9 or f/10 (because there are no half stops any longer with digital cameras) so you'll have to settle for 1/3 stop under or 1/3 stop over.
But anyway, try these exercises and see what you come up with..... And last but not least, I believe that the 7D flash sync is 1/200, but it's probably best to use 1/125 and make sure that you are pointing the "DOME" of your meter towards the camera when doing meter readings.
Good Luck!