Go for it but you should be doing it free since your not equiped or experienced.
I already said I was doing it for free. Read my original post again and you will see that. 
Apr 04, 2011 18:52 | #16 Daship wrote in post #12157809 Go for it but you should be doing it free since your not equiped or experienced. I already said I was doing it for free. Read my original post again and you will see that. Canon 6D, & Sony α6000
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nasnurse Member 41 posts Joined Dec 2010 Location: SE MN More info | Apr 04, 2011 19:29 | #17 If you look through the menu system of the XSi you will see a Kodachrome setting that when paired with a cloudy day white balance along with your 55-250 and the 50 I think you could come up with some neat shots. Otherwise just use your standard settings but still manipulate your white balance inside under flourescents. If you happen to have some clip on shop lights you could slip them inside a white pillow case and use them to add light as well. For that matter you could also go to our local fabric store and probably find a fabric remnant (approx $4 to 10) of a thin white muslin or better yet white poplin to cover the lights with for a cheap lighting set up. Canon 5D, 60D, Canon 24-105 L, 70-200 L 2.8, 55-250, 50mm 1.8, 18-200, Tamron 28-300 VC
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gonzogolf dumb remark memorialized More info | Apr 04, 2011 21:32 | #18 Dirty Murd wrote in post #12157738 So have her back to the light source and have the reflector behind me pointing at her? And shallow depth = low f/ right? Yes, that should be your starting point. That way she isnt looking into bright light. You can also look for open, but full shade, mottled shade from a tree is not good. You'll probably want to work around f2 to 2.8 on the 50mm to ensure adequate depth and the lens is sharper stopped down a little bit.
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Apr 04, 2011 22:22 | #19 nasnurse wrote in post #12158196 If you look through the menu system of the XSi you will see a Kodachrome setting that when paired with a cloudy day white balance along with your 55-250 and the 50 I think you could come up with some neat shots. Otherwise just use your standard settings but still manipulate your white balance inside under flourescents. If you happen to have some clip on shop lights you could slip them inside a white pillow case and use them to add light as well. For that matter you could also go to our local fabric store and probably find a fabric remnant (approx $4 to 10) of a thin white muslin or better yet white poplin to cover the lights with for a cheap lighting set up. I did not see the so-called "kodachrome" setting. I'll take a more in-depth look later and maybe look online if I can't find this. Canon 6D, & Sony α6000
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gonzogolf dumb remark memorialized More info | Apr 04, 2011 22:25 | #20 Dirty Murd wrote in post #12159439 I did not see the so-called "kodachrome" setting. I'll take a more in-depth look later and maybe look online if I can't find this. And what do you mean use standard settings but still manipulate the WB? Shoot in Raw and skip all those "picture style" settings.
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aemravan Goldmember 1,622 posts Likes: 420 Joined Jun 2010 More info | Apr 04, 2011 23:57 | #21 ^+1 Canon 5Diii - Canon 24-70 2.8L - Canon 100 2.8L Macro - Sigma 50 1.4
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Apr 05, 2011 00:38 | #22 gonzogolf wrote in post #12159459 Shoot in Raw and skip all those "picture style" settings. I always shoot RAW, thats a no-brainer Canon 6D, & Sony α6000
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ConverseMan Senior Member 766 posts Likes: 3 Joined Dec 2010 Location: Kansas City, MO More info | Apr 05, 2011 04:02 | #23 My advice is this: run to walmart and buy a piece of white foam board, which can be found in the craft section, and use that for your reflector. If you want, you could bring a lamp along with you and maybe pick up a daylight bulb from walmart just incase she really ends up wanting some inside shots. There should be an outlet somewhere in the lab. With which ever lens you decide to use, just be careful to shoot at a small enough aperture to get both eyes in focus. Nathan W.
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Morto Senior Member 579 posts Likes: 2 Joined Oct 2008 More info | Apr 05, 2011 09:38 | #24 Try bringing some props with you to an outside shoot. Unless you or the model demanded in indoor shoot. Bring anything from a laptop to a Ipad that you or the model can carry. That is your best bet not to spend on lighting equipment when you're on a budget.
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3nder Mostly Lurking 19 posts Likes: 1 Joined Mar 2011 More info | Apr 05, 2011 10:44 | #25 Shoot during the “golden hour”. If you are smart about where your model is standing (in correlation to the sun) this will solve most of your lighting issues outside. Canon EOS 7D -- 28-135mm 3.5-5.6f -- Overactive Imagination.
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apixelintime Goldmember 2,123 posts Likes: 1 Joined Dec 2008 Location: Dee Eff Dubb! (N. Texas) More info | Apr 05, 2011 15:34 | #26 I have a hot link to a posing PDF in my sig. Christopher Cross | Apixelintime.com | Nightographer.com (coming soon)
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Apr 05, 2011 17:44 | #27 apixelintime wrote in post #12164288 I have a hot link to a posing PDF in my sig. Everyone as hit on all of the stuff I have or do. Oh - remember - with people there are 2 very important things. (1) nail focus on the eyes or throw the shot away. (2) if it bends, tell her to bend it. This is a senior photo shoot. Most of those shots look like yoga stretching shots or sex position shots, sorry! Haha. Plus it was only loading the first page so some of the shots might have gotten better as the pages went on. From what I can see, not everyone that wants pictures is a dancer and can stretch like that girl who's posing. Canon 6D, & Sony α6000
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Kechar Goldmember 1,699 posts Likes: 3 Joined Mar 2011 Location: Atlanta, Georgia More info | Apr 05, 2011 17:58 | #28 apixelintime wrote in post #12164288 I have a hot link to a posing PDF in my sig. Everyone as hit on all of the stuff I have or do. Oh - remember - with people there are 2 very important things. (1) nail focus on the eyes or throw the shot away. (2) if it bends, tell her to bend it. Actually that PDF is not bad...it goes into stand up poses and poses using a chair. flickr
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Apr 05, 2011 20:27 | #29 First, this kind of advice on the fly is very hard to give. I'd read a book on portrait photography. There you'll see some of the subtle nuances of lighting indoors. It also depends on what your client wants and likes. You two need to discuss the shoot in more depth than you have and I'd practice in the lab where you'll be shooting. There is a lot of good advice given above...take it. Good luck. One last thing that I didn't see above is watch your white balance...
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apixelintime Goldmember 2,123 posts Likes: 1 Joined Dec 2008 Location: Dee Eff Dubb! (N. Texas) More info | Apr 06, 2011 08:59 | #30 Dirty Murd wrote in post #12165063 This is a senior photo shoot. Most of those shots look like yoga stretching shots or sex position shots, sorry! Haha. Plus it was only loading the first page so some of the shots might have gotten better as the pages went on. From what I can see, not everyone that wants pictures is a dancer and can stretch like that girl who's posing. I didn't create it so I can't talk to that. This is not just a senior pose chart, but an overall pose chart. She is wearing that outfit to show 'where to put what'. I sometimes bring the pages with me to a shoot. It is often times easier to point and say "do that" than try to direct a non-model senior from behind the camera. I do agree that there are a lot that are not appropriate for a 17 year old. But there are a lot that are. If you can use it, please do. If not, okay. Christopher Cross | Apixelintime.com | Nightographer.com (coming soon)
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