About to pull the trigger on one. Is the b1600 worth the extra money for the power?
paintballkidz Senior Member 757 posts Likes: 4 Joined Jan 2010 Location: VANCOUVRE BC More info | Apr 13, 2011 01:53 | #1 About to pull the trigger on one. Is the b1600 worth the extra money for the power? 6D
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Lichtwerk Goldmember 1,372 posts Joined Apr 2010 Location: Berlin, Germany More info | Apr 13, 2011 02:17 | #2 As with everything in photography: it depends. Dennis
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paintballkidz THREAD STARTER Senior Member 757 posts Likes: 4 Joined Jan 2010 Location: VANCOUVRE BC More info | Apr 13, 2011 02:19 | #3 I only own 2 other speedlites 430's. I will be doing a lot of outdoor shooting and also indoors. Portraits etc. 6D
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Lichtwerk Goldmember 1,372 posts Joined Apr 2010 Location: Berlin, Germany More info | Apr 13, 2011 02:40 | #4 I'd say get the 1600, especially with a 5D Mark II Dennis
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Apr 13, 2011 08:27 | #5 Why would camera model dictate strobe power ratings? Fuji XT-1, 18-55mm
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dmward Cream of the Crop More info | Apr 13, 2011 09:22 | #6 It appears that the Einstein backlog is gone. David | Sharing my Insights, Knowledge & Experience
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Player9 Senior Member 658 posts Joined Mar 2007 More info | Apr 13, 2011 09:41 | #7 The larger format camera will have less depth of focus. For example, a 7D using a 50mm lens at, say, six feet from the subject will have more depth of focus than a 5D shooting the exact same picture with a 80mm lens from six feet from the subject. Thus, if you used f/8 for the 7D shot, you might want to use f/11 for the 5D shot. You would want more powerful lights for the 5D. If you moved up to medium format, you would want even more light so that you could use smaller apertures (of course, medium format is great for those really shallow DOF shots that just have the eyes in focus and tons of blur on the ears). RP, 60D, RF 24-105mm f/4-7.1 IS, RF 35mm f/1.8 IS, RF 50mm f/1.8, EF-S 10-22mm f/3.5-4.5, EF-S 18-135mm 3.5-5.6 IS, EF-S 55-250mm f/4-5.6 IS, Tamron 17-50mm f/2.8, EF 28mm f/1.8, EF 50mm f/1.8, EF-S 60mm f/2.8 macro, EF 85mm f/1.8, El-100, 430ex, 220ex, Alien Bee B400 (2), Alien Bee B800 (2)
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kickmaster Senior Member More info | Apr 13, 2011 09:42 | #8 Einstein for sure. Canon Forever! 5D III, 1DX, L Primes & Zooms, Kino-Flo, Einsteins, Interfit's, Diva Ringlight, Phottix Indra 500 TTL, Interfit S1's..... Full studio....
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gonzogolf dumb remark memorialized More info | Apr 13, 2011 09:44 | #9 Player9 wrote in post #12213293 The larger format camera will have less depth of focus. For example, a 7D using a 50mm lens at, say, six feet from the subject will have more depth of focus than a 5D shooting the exact same picture with a 80mm lens from six feet from the subject. Thus, if you used f/8 for the 7D shot, you might want to use f/11 for the 5D shot. You would want more powerful lights for the 5D. If you moved up to medium format, you would want even more light so that you could use smaller apertures (of course, medium format is great for those really shallow DOF shots that just have the eyes in focus and tons of blur on the ears). Overthinking the problem.
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Apr 13, 2011 10:14 | #10 Player9 wrote in post #12213293 The larger format camera will have less depth of focus. For example, a 7D using a 50mm lens at, say, six feet from the subject will have more depth of focus than a 5D shooting the exact same picture with a 80mm lens from six feet from the subject. Thus, if you used f/8 for the 7D shot, you might want to use f/11 for the 5D shot. You would want more powerful lights for the 5D. If you moved up to medium format, you would want even more light so that you could use smaller apertures (of course, medium format is great for those really shallow DOF shots that just have the eyes in focus and tons of blur on the ears). That guy said with 5dmk2, like 5dmk2 required more light power than say 5d, or 1ds models. And OP never mentioned anything about his camera. Fuji XT-1, 18-55mm
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sigmapi Cream of the Crop 11,204 posts Likes: 6 Joined Apr 2010 Location: Los Angeles More info | Apr 13, 2011 10:33 | #12 Not really. I had to shoot a car in a studio. I borrowed a 5DII and I have a 7D at f9 the back end was falling off pretty bad with the 5DII, I tested on my 7D and it was barely there. I had to go to f11 and turn the ISO up. bobbyz wrote in post #12213500 That guy said with 5dmk2, like 5dmk2 required more light power than say 5d, or 1ds models. And OP never mentioned anything about his camera.
Don't try to confuse me with the facts, my mind is already made up.
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anlenke Senior Member 575 posts Joined Mar 2011 More info | Apr 13, 2011 10:42 | #13 Bottom line, the extra power does make a difference outdoors, if you can pony up the difference, do it. If you find the 1600 too powerful indoors, which you likely may, use the 430's... The Einsteins are great, truly, and offer you a lot more flexibility (like using both indoor and out much easier) and worth it to many for the jump in price, but you know what you can afford/want. If you're solely looking B800/B1600, go 1600. Hi. I'm Anton.
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sigmapi Cream of the Crop 11,204 posts Likes: 6 Joined Apr 2010 Location: Los Angeles More info | Apr 13, 2011 10:43 | #14 anlenke wrote in post #12213697 Bottom line, the extra power does make a difference outdoors, if you can pony up the difference, do it. If you find the 1600 too powerful indoors, which you likely may, use the 430's... The Einsteins are great, truly, and offer you a lot more flexibility (like using both indoor and out much easier) and worth it to many for the jump in price, but you know what you can afford/want. If you're solely looking B800/B1600, go 1600. I agree. Don't try to confuse me with the facts, my mind is already made up.
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Apr 13, 2011 12:28 | #15 sigma pi wrote in post #12213636 Not really. I had to shoot a car in a studio. I borrowed a 5DII and I have a 7D at f9 the back end was falling off pretty bad with the 5DII, I tested on my 7D and it was barely there. I had to go to f11 and turn the ISO up. It is in his sig.Can't you use higher ISO in the studio? Fuji XT-1, 18-55mm
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