Honestly, in all the time I've been shooting, no one has ever questioned the strobes I was using, except other photographers. As you know, photographers are like dogs at the dog park...we have to go around sniffing everyone elses behind to see what they've got. I wouldn't mind having higher-end gear, but I like that the AB stuff takes a beating and keeps working - if I break one, it's still less than a speed light to replace or repair, and Buff service is commendable. Folks often sell their AB's at relatively close to new prices, so if you get to a point where new gear can start paying for itself, or you somehow outgrow them, you will be able to recove a significant portion of your investment. Had the Einstiens been available when I bought mine (and all my units still work wonderfully) then I'd have gone that way, due to the 9 stop range. It would be a great all-purpose head for indoor and out. The AB's tend to weigh a bit less as well, compared to many other monoblocks, which matters when you are using boom arms, etc.


