Its not necessarily boring...you've got several nice layers of pastel colors to play off with the composition. It could use some punching up with contrast and some sharpening, and maybe a slight exposure boost. Unfortunately, I think in this case it has too much foreground...overpowers the composition and makes the rest of the image seem rather small...IMO, the main subject should have been the layers of distant hills and the sky...all that foreground diminishes the more important aspects of the image, which are the various shades of blue, purple, and orange. If the foreground was interesting, the use of a gradient filter, or blending of multiple exposures, could have helped to balance out the exposure and pull out more of the foreground. A longer focal length could have helped to "isolate" the distant hills by pulling them in, while minimizing or eliminating the amount of black foreground.
When shooting an image, try exposing to the right...this will maximize the amount of data that your sensor will capture, allowing you to avoid blown highlights and blocked shadows. The more data you capture, the more effective processing you can do. If there's no data to manipulate, you're stuck...you can't make something out of nothing. As far as processing goes, the first thing you should do is set the black and white points (white first, followed by black). From there, its just a matter of doing what you see fit. OTOH, an image that's been properly composed and exposed should require very little in the way of processing...some basic sharpening, maybe a little tweak here or there, but in general there shouldn't be much of a need for any heavy-duty processing. Don't fall into the trap of shooting with the aim of "fixing" in Photoshop. With too much processing, its easy to turn a good image into a POS, but no amount of processing will turn a POS into a good image.