These were lit with my fluorescent continuous softboxes, against white seamless backdrop. My lighting skills have improved since then, but I'm still quite the novice at Photoshop.
I went to the Scott Kelby Light it-Shoot it-Retouch it LIVE! training in Orlando on Friday. I picked up some pretty good tips on quickly editing a variety of portrait styles. I took some of the editing techniques from that class, and applied them to these photos from several months ago.
Constructive advice is welcomed, especially regarding the processing.
1. Buttercup Sunset. Only some basic edits on this one - a bit of blemish removal (her skin is fantastic but she had some clumps of glitter here and there), cleaned up the eyebrows, some levels adjustment on the eyes and lips, very low-opacity skin smoothing, and a curves adjustment layer to brighten the background (was previously dull light-gray since the continuous lights couldn't blow it out). I should have done a little Liquify to clean up that odd curve on her upper arm. Also tried a new sharpening techniquethat Kelby recommended, sharpening the red channel only - not really happy with the results, so I suppose I'm not doing it right. You can see a few red artifacts from the sharpening, especially in her eyelashes.
Buttercup_Sunset.20110417.5520.jpg
2. Topaz le Tease. Similar edits as above, more blemish removal this time. Lightened the dark spots under her eyes. Also did a little more enhancement on the hair, though I wish I had a technique to clean up the stray hairs (not the flyaways, just the ones that aren't combed in the same direction, like that very noticeable highlighted hair on the right side of her head)
IMAGE LINK: http://www.flickr.com …/nathancarter/6020010170/
Topaz_le_Teaze.20110417.5556.jpg
3. Roxie Fatale. Similar edits as above. She needed a lot more skin cleanup; she has severe acne and scars over much of her cheeks and a little in her forehead. I wanted to clean up the worst of it and smooth it just a bit, without turning her into plastic. I think I accomplished that, though I think I still have room for improvement. Also, this one really tested my skills in building the adjustment curves layer mask to brighten the background without blowing out the subject... feather boa, ack.
IMAGE LINK: http://www.flickr.com …/nathancarter/6020013412/
Roxie_Fatale.20110417.5601.jpg
4. Roxie Fatale again. Focus wasn't quite perfect, but it'll do. The background needed a lot of work on this one; I only have the 5-foot-wide seamless from Adorama, and the edges were quite noticeable on both sides, and her head went up off the top of the background. I pieced together the full background by copying and pasting and Transforming the good parts. Otherwise, similar edits as above. Looks like I missed healing some of the scuff marks on the paper.
IMAGE LINK: http://www.flickr.com …/nathancarter/6019463197/
Roxie_Fatale.20110417.5639.jpg





