This is in the cathedral of Amiens, France, built in the 11th century. The photo is a 1-shot HDR processed with Photomatix and Photoshop.
MikeJag Member 84 posts Joined Nov 2009 More info | Aug 16, 2011 19:39 | #1 On Flickr here, http://www.flickr.com …6042963507/in/photostream This is in the cathedral of Amiens, France, built in the 11th century. The photo is a 1-shot HDR processed with Photomatix and Photoshop.
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Woodworker Goldmember 2,176 posts Joined Aug 2009 Location: East Midlands, England More info | Aug 16, 2011 20:25 | #3 mrbubbles wrote in post #12948019 Processing looks really good. I also like the composition very much but the fish-eye kills it for me. But that's a fish-eye for you! David
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mrbubbles Goldmember 1,090 posts Joined Oct 2010 Location: NJ, USA More info | Aug 16, 2011 20:35 | #4 Fish-eyes are great to have. I have one myself and I love using it. For me personally though I think I would have rather seen it rectilinearly. That is my opinion.
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phaze1123 Mostly Lurking 15 posts Joined Mar 2011 Location: Richmond, VA More info | Aug 16, 2011 21:40 | #5 Beautiful photograph, I agree that I would have liked to see it with out the fish-eye, but very nice work
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hockeyman Member 87 posts Joined Oct 2005 More info | Aug 17, 2011 00:22 | #6 mrbubbles wrote in post #12948087 Fish-eyes are great to have. I have one myself and I love using it. For me personally though I think I would have rather seen it rectilinearly. That is my opinion. I somewhat agree... unfortunately, without the wider lens, not as many interesting components of the cathedral would have been in frame. Therefore for me, it works from this perspective in an interesting way.
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hockeyman Member 87 posts Joined Oct 2005 More info | Aug 17, 2011 00:26 | #7 Mike Jag wrote in post #12947795 This is in the cathedral of Amiens, France, built in the 11th century. The photo is a 1-shot HDR processed with Photomatix and Photoshop. Nice work! The one thing I found a bit distracting was the cylinder (light fixture) on the upper right of the image, smack in the middle of a round stained glass window. Candidate for "clone-out"?
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Drixar Senior Member 253 posts Joined Jul 2011 Location: Essex, England More info | Aug 17, 2011 06:30 | #8 From my point of view (and personal taste) i love this shot with the fisheye i think it gives much more of a dramatic feel and gives the impression of immense scale, im left wondering how high that ceiling actualy was? on the upper right of the image, smack in the middle of a round stained glass window. Candidate for "clone-out Canon 400D(Rebel XTi) | 15-55mm kit lens | 50mm 1.8 MII |Raynox 250 macro conversion | Cheap Extension Tubes | 55-250 IS II.
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argyle Cream of the Crop 8,187 posts Likes: 24 Joined Apr 2007 Location: DFW, Texas More info | Aug 17, 2011 06:35 | #9 Mike Jag wrote in post #12947795 On Flickr here, http://www.flickr.com …6042963507/in/photostream This is in the cathedral of Amiens, France, built in the 11th century. The photo is a 1-shot HDR processed with Photomatix and Photoshop. It may be tonemapped, but its not an HDR. "Fat, drunk and stupid is no way to go through life, son". - Dean Wormer
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Aug 17, 2011 08:45 | #10 My process is to save the RAW file as a Jpeg at -2, -1, 0, 1 and 2 EV through Lightroom and then merge the exposures in Photomatix.
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Wallpap3r Senior Member 383 posts Joined Apr 2010 Location: Bellevue, Washington More info | Aug 17, 2011 12:14 | #11 Processing is a little bit strong for me, but you arent getting too many crazy halos which is good. Compositionally, I feel like the sculpture and hall make the photo feel like its cut in half. Choosing more of a distinctive third to put either in would have made it a stronger picture Flickr
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argyle Cream of the Crop 8,187 posts Likes: 24 Joined Apr 2007 Location: DFW, Texas More info | Aug 17, 2011 12:34 | #12 Mike Jag wrote in post #12950840 My process is to save the RAW file as a Jpeg at -2, -1, 0, 1 and 2 EV through Lightroom and then merge the exposures in Photomatix. Understood. But since you're relying on a single exposure to "create" the additional +/- exposures, you simply don't have the dynamic range. Doesn't matter how many exposures that you "create" from the single exposure...you'll never exceed the amount of dynamic range found in the original exposure. All you're basically doing is tonemapping a single image, with no more DR than the original. "Fat, drunk and stupid is no way to go through life, son". - Dean Wormer
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BryanGrantPhotography Goldmember 1,090 posts Joined Nov 2010 Location: denver More info | Aug 17, 2011 12:42 | #13 i agree with the cone thing but the fish eye is too much for me have you tried throwing it in lightroom and using the lens correction tool.? "canon---- there is no substitute"
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GorgeShooter Goldmember 1,422 posts Joined Mar 2009 Location: Oregon More info | Aug 17, 2011 13:37 | #14 Very nice. The fisheye doesn't kill it for me. 1DX | 5D MkII (gripped)
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Aug 17, 2011 14:18 | #15 argyle wrote in post #12952217 Understood. But since you're relying on a single exposure to "create" the additional +/- exposures, you simply don't have the dynamic range. Doesn't matter how many exposures that you "create" from the single exposure...you'll never exceed the amount of dynamic range found in the original exposure. All you're basically doing is tonemapping a single image, with no more DR than the original. I was under the impression that a RAW file saves 2 exposures worth of information, since it can reveal details in the shadows at +2 and in the highlights at -2 that cannot be seen at 0. Are you saying that this post processing bracketing method is pointless because Photomatix does the same thing if you feed it a single RAW file?
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