From last nights session:
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Sombrero
Sep 07, 2011 14:29 | #1 From last nights session:
Sombrero -Jim
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Sep 08, 2011 10:09 | #2 cool. -Chris
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Sep 08, 2011 10:22 | #3 cabinajm wrote in post #13069959 cool. I'm assuming you dripped the liquid on the peg to get this effect? there is no peg... that's all water! -Jim
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TuanTime Senior Member 759 posts Likes: 1 Joined May 2009 More info | Well then surely there's sorcery or witchcraft involved! A witch a witch!!! Burn you!!!!
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Sep 11, 2011 15:41 | #5 Can you please share the details of the setup and the wizardry to achieve this wonderful shot? Sheri Chander
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Sep 13, 2011 15:24 | #6 chander wrote in post #13085623 Can you please share the details of the setup and the wizardry to achieve this wonderful shot? I use a Stop Shot for the timing, along with an electronically controlled water valve. Lighting is done with a few Yongnuo YN-560 strobes. The drop tank for this shot was roughly 12"x24"x1". -Jim
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Sep 14, 2011 09:03 | #7 For those who do not know what you are looking at this is two water drops colliding head-on. The first drop hits the surface of the water in a tank, the splash bounces upward and collides with a second drop coming down. The Stop Shot gear allows of precise timing of the events, but there is always an element of randomness as each collision manifests slightly different results. The trick is to work with the elements you can control as an artist to try and capture something beautiful. Jim is extremely good at this in the colors he uses, the angles he shoots, as well as the drop sizes and timing he dials in. 5DmkII, 5DmkIII, 5DS R, 15mm, 16-35 f/2.8 II L, 100 Macro f/2.8 L, 70-200 f/2.8 L IS, 85 f/1.8, 580EX II, 580EX, 550EX
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Sep 14, 2011 09:07 | #8 Dermit wrote in post #13101517 For those who do not know what you are looking at this is two water drops colliding head-on. The first drop hits the surface of the water in a tank, the splash bounces upward and collides with a second drop coming down. The Stop Shot gear allows of precise timing of the events, but there is always an element of randomness as each collision manifests slightly different results. The trick is to work with the elements you can control as an artist to try and capture something beautiful. Jim is extremely good at this in the colors he uses, the angles he shoots, as well as the drop sizes and timing he dials in. Thanks buddy! Sometimes I take for granted that everyone has seen these type of shots before... -Jim
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Sep 14, 2011 09:24 | #9 jwkramer wrote in post #13101541 Thanks buddy! Sometimes I take for granted that everyone has seen these type of shots before... ![]() Yes, me too. When you take 100's maybe 1,000's it's hard to remember most people have never seen them. Keep up the good work, love to see your creativity on these. Good inspiration. 5DmkII, 5DmkIII, 5DS R, 15mm, 16-35 f/2.8 II L, 100 Macro f/2.8 L, 70-200 f/2.8 L IS, 85 f/1.8, 580EX II, 580EX, 550EX
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