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FORUMS Photo Sharing & Discussion Weddings & Other Family Events 
Thread started 12 Sep 2011 (Monday) 07:17
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My First Wedding - 9/10/11

 
nicksan
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Sep 12, 2011 12:49 |  #16

nrowensby wrote in post #13090448 (external link)
nicksan, by OCF, do you mean stands and umbrellas? ...or like a flash bracket raised above the camera?

Bryan, The wall is white-ish...

On light stands.

Honestly, they don't look all that bad IMHO. OCF is ideal, but I don't see a problem using speedlight mounted on hot shoe in a pinch. I've done that before where we were pressed for time and luckily had plenty of surfaces to bound the flash on.

I would not have used the Tupperware diffuser though...Looks like you had white or off white ceilings. I would have just bounced.




  
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albertaskater
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Sep 12, 2011 15:21 |  #17

I would add to square the ceiling and lights, not the crooked stage. I think the stage being unlevel will be less distracting than the peaked ceiling with lights hanging on an angle, even if it is closer to the edge of the frame. A) the stairs are dark, monochromatic, and you could even blur them out a bit or crop as much as possible. B) they are unimportant to the rest of the shot and I doubt anyone would notice it as much as the ceiling where it's BAM! Unlevel peak, BAM! Unlevel lights, BAM! Look at the angles and the brass fixtures and it's closer to the subject's faces... Yeah given the choice between ceiling and stairs, I pick ceiling.


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nrowensby
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Sep 12, 2011 15:38 |  #18

albertaskater wrote in post #13091357 (external link)
I would add to square the ceiling and lights, not the crooked stage. I think the stage being unlevel will be less distracting than the peaked ceiling with lights hanging on an angle, even if it is closer to the edge of the frame. A) the stairs are dark, monochromatic, and you could even blur them out a bit or crop as much as possible. B) they are unimportant to the rest of the shot and I doubt anyone would notice it as much as the ceiling where it's BAM! Unlevel peak, BAM! Unlevel lights, BAM! Look at the angles and the brass fixtures and it's closer to the subject's faces... Yeah given the choice between ceiling and stairs, I pick ceiling.

Thanks! :)


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nrowensby
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Oct 05, 2011 11:41 |  #19

Okay... If I were to do the group shots over w/OCF, would this be an reasonable setup? (Given two speedlights/stands/43" umbrellas)

I will be firing two YN560's through 43" shoot-through umbrellas, each at a 45* angle to the subjects... or would you suggest a better placement for the lights?

(Sorry in advance for this horribly crude drawing, :lol:)

IMAGE: http://farm7.static.flickr.com/6098/6214826248_279962da4f_o.jpg

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Oct 06, 2011 16:09 |  #20

I usually use this type of setup (with fill on a flash bracket)

IMAGE: http://www.warehousephoto.com/images/TreeLightSetUp.gif

This if I only have two flashes with me (or sometimes I still use above setup but use on camera flash for fill)

IMAGE: http://www.warehousephoto.com/images/TwoLightSetUp.gif

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scorpio_e
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Oct 06, 2011 16:14 |  #21

mjHession wrote in post #13214453 (external link)
I usually use this type of setup (with fill on a flash bracket)

[GIFS ARE NOT RENDERED IN QUOTES]

This if I only have two flashes with me (or sometimes I still use above setup but use on camera flash for fill)

[GIFS ARE NOT RENDERED IN QUOTES]

Pictures provided by warehousephoto (external link)

OMG !!!! I would never have time to set this up for wedding formals... UNLESS I have a few assistants. PLUS I think it is a bit complicated for formals. I keep it to one OCF with a shoot thru umbrella.


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nrowensby
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Oct 06, 2011 16:14 |  #22

scorpio_e wrote in post #13214466 (external link)
OMG !!!! I would never have time to set this up for wedding formals... UNLESS I have a few assistants. PLUS I think it is a bit complicated for formals. I keep it to one OCF with a shoot thru umbrella.

Where do you place the OCF?


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Oct 06, 2011 16:59 |  #23

nrowensby wrote in post #13214468 (external link)
Where do you place the OCF?

I keep it simple. camera right about three feet. Too far right and you will get shadows because you are not using fill.


Here is one with that set up:

IMAGE NOT FOUND
HTTP response: NOT FOUND | MIME changed to 'image/png' | Redirected to error image by ZENFOLIO PROTECTED

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nrowensby
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Oct 06, 2011 17:02 |  #24

"content protected by owner"

3 feet high or 3 feet above camera? 3 ferry high seems quite low


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scorpio_e
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Oct 06, 2011 17:08 |  #25

nrowensby wrote in post #13214625 (external link)
"content protected by owner"

3 feet high or 3 feet above camera? 3 ferry high seems quite low


Try it now..

3 feet camera right and then the light is about 8 feet high.


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mjHession
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Oct 06, 2011 18:53 |  #26

scorpio_e wrote in post #13214466 (external link)
OMG !!!! I would never have time to set this up for wedding formals... UNLESS I have a few assistants. PLUS I think it is a bit complicated for formals. I keep it to one OCF with a shoot thru umbrella.

Takes me about 3 minutes to set up. I use 580exs on stands with shoot thru umbrellas. I spend about about 90 secs opening up each umbrella and attaching 580. Set it to slave and go. Fill light comes from built in or on bracket.

I dont understand what you would think is so hard about it?


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scorpio_e
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Oct 07, 2011 11:34 |  #27

mjHession wrote in post #13214960 (external link)
Takes me about 3 minutes to set up. I use 580exs on stands with shoot thru umbrellas. I spend about about 90 secs opening up each umbrella and attaching 580. Set it to slave and go. Fill light comes from built in or on bracket.

I dont understand what you would think is so hard about it?

Obviously you are a lot quicker than me :)

3 light stands- three umbrella's- remote triggers and then establishing the ratios. Then you have the breakdown. This would take me a while.

Aren't the 580 slaves a bit unreliable?


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chrisvanbeekum
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Oct 08, 2011 21:38 |  #28

is it me . or did you not bounce your light ? its not bad at all for a first wedding . but bouncing your light may give you a better light


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My First Wedding - 9/10/11
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