Exposure compensation in Av and Tv modes is fairly straightforward. Assuming that you have your ISO set to a specific values, using exposure compensation will adjust either your exposure time or f-stop value, depending which mode your camera is in.
So what happens you set your ISO to auto? With negative compensation, the ISO value will drop to it's minimum and then the exposure time or f-stop value will start to change. In Av mode, the exposure time seems to drop as low as the inverse of the focal length (e.g. with a 100mm lens, it will not go lower than 1/100s). In Tv mode, the f-stop will go down to the lowest possible.
So far, this makes sense. But what do you do when you want a specific exposure time and a specific f-stop, want your camera to meter the scene to pick the ISO value - and then want to apply exposure compensation? Well, I don't know which cameras, if any, have this feature but mine do not. Do Nikons have this feature? So what do you do in such a situation? Well, I recently started to set all three values manually, half-press the shutter release button to see how my camera has metered the scene in the viewfinder, and then change the ISO value as I'm looking through the viewfinder. Three clicks of the wheel and I'm at +1. I guess I'll have to live with this until EC in manual with auto ISO is available.
The next question is: When should one use exposure compensation? Here's what I do.
There are three situations with respect to a scene's brightness and your camera's sensor:
- the dynamic range of the scene is greater than what your camera's sensor can capture
- the dynamic range of the scene is less than what your camera's sensor can capture
- the dynamic range of the scene is equal to what your camera's sensor can capture
When you are faced with the first situation, your camera's metering will clip the highlights. If you don't care whether you see detail in those parts of the photograph, then 0 EC is fine. However, if you want to retain details in the highlights, an adequate amount of negative exposure compensation is needed. Or you can artificially light the scene.
When you are faced with the second situation, positive exposure compensation can be added until just before the highlights are clipped.
When you are faced with the third situation, there is no need for exposure compensation.
What are your thoughts?


