Good for you. Other people don't live by your strigid definition of art, and thank God for that.
We're talking about photography here, not art.
ElDuderino Goldmember 1,921 posts Likes: 8 Joined Mar 2007 Location: Denver, CO More info | Dec 16, 2011 11:30 | #16 Bananapie wrote in post #13554515 Good for you. Other people don't live by your strigid definition of art, and thank God for that. We're talking about photography here, not art. Nikon D600 | Bower 14mm f/2.8 | Nikon 16-35mm f/4 VR | Nikon 24-85mm f/3.5-4.5 VR | Nikon 50mm f/1.8G | Nikon 70-300mm f/4.5-5.6 VR
LOG IN TO REPLY |
ToddLambert I don't like titles More info | Dec 16, 2011 11:32 | #17 Bananapie wrote in post #13554515 Seriously stop letting your jealousy breed hate.
LOG IN TO REPLY |
Dec 16, 2011 11:34 | #18 Bananapie wrote in post #13554515 Good for you. Other people don't live by your strigid definition of art, and thank God for that. I just wanted to tell you that you are missing out if you are shooting at 50mm with an enormous DoF to mimic your eyes for What you see. Seriously stop letting your jealousy breed hate. Where did I say it's not art? To some people it's clearly a beautiful image. I think it's a great idea but poor execution, and since it's created in post I personally don't think it's a photograph. It surely can still be art. • http://www.kurtlawson.com
LOG IN TO REPLY |
irishman Goldmember 4,098 posts Likes: 14 Joined Jul 2007 Location: Scottsdale, AZ More info | Dec 16, 2011 11:34 | #19 Personally, I think the shot is just silly but if someone pays him his over $5,000 price more power to him. 6D, G9, Sigma 50 1.4, Sigma 15mm Fisheye, Sigma 50 2.8 macro, Nikon 14-24G 2.8, Canon 16-35 2.8 II, Canon 24-105 f/4 IS, Canon 70-200 2.8 IS, tripod, lights, other stuff.
LOG IN TO REPLY |
Veemac Goldmember 2,098 posts Likes: 1 Joined Apr 2009 Location: Arizona, USA More info | Dec 16, 2011 11:35 | #20 kurt765 wrote in post #13554445 So I can fake whatever I want and sell it as a photo? I believe it's called artistic license kurt765 wrote in post #13554445 I could move Half Dome from Yosemite so that it's in the backdrop behind Los Angeles, and that would be equally fake as this "photo" is... And some people would probably really like that shot. You might have something there!
LOG IN TO REPLY |
ElDuderino Goldmember 1,921 posts Likes: 8 Joined Mar 2007 Location: Denver, CO More info | Dec 16, 2011 11:37 | #21 |
gjl711 Wait.. you can't unkill your own kill. 57,730 posts Likes: 4065 Joined Aug 2006 Location: Deep in the heart of Texas More info | Dec 16, 2011 11:40 | #22 You guys are so hard on poor Peter. It is a very nice image after all. Does it really make a difference if it's not a out of camera photo? Not sure why, but call me JJ.
LOG IN TO REPLY |
Veemac Goldmember 2,098 posts Likes: 1 Joined Apr 2009 Location: Arizona, USA More info | Dec 16, 2011 11:42 | #23 gjl711 wrote in post #13554596 You guys are so hard on poor Peter. It is a very nice image after all. Does it really make a difference if it's not a out of camera photo? Apparently it does to some!
LOG IN TO REPLY |
Cesium Goldmember 1,967 posts Likes: 1 Joined Jun 2009 More info | Dec 16, 2011 11:44 | #24 So much blatant jealousy in this thread.
LOG IN TO REPLY |
SuperHuman21 Goldmember 2,219 posts Joined Jan 2010 Location: Charlotte, NC More info | Dec 16, 2011 11:48 | #25 I think it's cool but not done well. The lighting is very conflicting but I guess props to him for getting suckers to buy his overpriced "Lik brand" stuff that allows him to have more money than all of us combined. D90, 105mm f/2.8, 18-105mm DX, D-Lite 2 it (3), 32" Photoflex softbox (2), Manfrotto 3021BN w/3047 head
LOG IN TO REPLY |
jetcode Cream of the Crop 6,235 posts Likes: 1 Joined Jul 2009 Location: West Marin More info | Dec 16, 2011 11:49 | #26 PermanentlyTodd Lambert wrote in post #13554552 I don't think there's any jealousy or hate going on.. (at least not on my part). It's just disappointing, that's all.. Peter's obviously very talented, but I don't know why he resorts to these cheezy tactics in order to make dramatic images. I mean, he's got access to go anywhere in the world, drop in from a helicopter, etc... why the special theatrics and crap? Why not just take a great image. This is not photography. This is graphic art. Plain and simple. I think Peter should change his title from Master Photographer to Master Photoshopper, it would be more appropriate. Much of this reminds me of Thomas Kinkade who continues to make a real fortune catering to visual fantasies in paint. The art world hated him for making what they called cheesy art yet Thomas has done exceptionally well tapping a market that is drawn to visual fantasy. Some of his originals are running $500k and up.
LOG IN TO REPLY |
RTPVid Goldmember 3,365 posts Likes: 3 Joined Aug 2010 Location: MN More info | Dec 16, 2011 12:01 | #27 Attributed to PL about this shot: This shot has eluded me my entire photographic career. I have spent years trying to perfect this image, there are so many variables you don't even think about. It's a really touchy image, but when it all lines up, the result is out of this world… literally. I have drawers full of transparencies that I have shot over decades that just didn't cut it. I tried all the variables--different lenses, exposures, compositions, times, then much to my frustration the results back from the lab were always disappointing. The remoteness of Kodachrome Basin in Utah was an obvious choice to finally nail this elusive image; remote, clean air, and a selection of cliff tops to shoot from. I had been watching the phase of the moon and tonight the moon was close to full. I had a specific composition in my mind and I searched for days to line up this classic tree with the moon. Tonight I hope it all comes together. It was a long night but I knew at some point my perseverance would be rewarded. I was white-knuckled as I set up the mammoth lens, filling the viewfinder with this balanced scene, the tree framed amongst the rocks and the low lying clouds added to the tension… this had to work. The desert silence was stunning, my pulse raced, I could hear the blood running through my veins. Then, I saw the horizon starting to glow. The golden sphere slowly rose in front of me. I was totally stunned. I couldn't believe it. So connected to this lunar giant that I was trembling. Such an impact on my life. I pressed the shutter, a feeling I'll never forget. The moon, tree, and earth. I hope to share with you this amazing connection I had on this special evening with the moon, that affects our lives. It certainly affected mine. If these are truly his words, is he misrepresenting the picture? Tom
LOG IN TO REPLY |
jetcode Cream of the Crop 6,235 posts Likes: 1 Joined Jul 2009 Location: West Marin More info | Dec 16, 2011 12:07 | #28 PermanentlyRTPVid wrote in post #13554698 Attributed to PL about this shot: If these are truly his words, is he misrepresenting the picture? Notice the "drama" of his words. Even the airlines give you paper bags. "Affected" his life? More like affected his bank account. That's because he isn't catering to you the photographer he is catering to his audience who might appreciate his art and what he went through to create it. Story is good marketing. I don't know Peter personally but I know a LOT of photographers who are insanely jealous of his success. They all have something colorful to say but in the end they respect his work. At least he has achieved success while alive. VanGogh made a huge impact on art and sold nothing to the public in his lifetime outside of 1 piece to his brother who supported his art.
LOG IN TO REPLY |
irishman Goldmember 4,098 posts Likes: 14 Joined Jul 2007 Location: Scottsdale, AZ More info | Dec 16, 2011 12:08 | #29 RTPVid wrote in post #13554698 Attributed to PL about this shot: If these are truly his words, is he misrepresenting the picture? Notice the "drama" of his words. Even the airlines give you paper bags. "Affected" his life? More like affected his bank account. There is no way possible that's a straight shot. None. I hope those words are just a joke. 6D, G9, Sigma 50 1.4, Sigma 15mm Fisheye, Sigma 50 2.8 macro, Nikon 14-24G 2.8, Canon 16-35 2.8 II, Canon 24-105 f/4 IS, Canon 70-200 2.8 IS, tripod, lights, other stuff.
LOG IN TO REPLY |
SuperHuman21 Goldmember 2,219 posts Joined Jan 2010 Location: Charlotte, NC More info | Dec 16, 2011 12:09 | #30 Wow, that was hard to read. Like I said, suckers, unfortunately. D90, 105mm f/2.8, 18-105mm DX, D-Lite 2 it (3), 32" Photoflex softbox (2), Manfrotto 3021BN w/3047 head
LOG IN TO REPLY |
![]() | x 1600 |
| y 1600 |
| Log in Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting!
|
| ||
| Latest registered member is ahmed0essam 1615 guests, 167 members online Simultaneous users record so far is 15,144, that happened on Nov 22, 2018 | |||