Thanks for the suggestions and kind words guys. Just to respond to a few things, and also a few questions.
What is becoming glaringly obvious to me is to add a FF body. I basically double my lenses by shooting on different sensors. I'm also not completely satisfied with how the 7D handles reds and skin. I don't care for video, but the original 5D is getting old and the new one is soon to be outdated too. I'm shooting ~25 weddings this year, including 4 "full-coverage" destination weddings. 5D MKII or 5DC? I'm leaning toward the newer body simply because the volumes I'll be covering this year. If reliability is a none issue, is a 5DC with a primo lens better than the 5DII with my current L's?
I'm convinced that going back to the 70-200 2.8 is the right thing. I need the aperture over the IS. I rather monopod and be able to freeze the scene rather than go handeld with IS, but no speed. This upgrade is set.
After looking some more, I think the I'll eventually go from 17-40>16-35 then add a 24-70 by the end of 2012. The only lens that I might go out of my way for would be the 85L, it just seems too good to be true.
Stamp wrote in post #13589177
I don't understand how you can go full time into wedding photography, but not know what gear you need. You obviously have SOME experience if you've booked enough to consider going full time next year, so I'm kind of baffled.
I honestly don't know how you've gotten by with your widest fast lens being a 50mm on a crop body. I'm sure that must have put you in some interesting positions to get "the shot". I'd look for a wider lens as well, maybe a 24mm or a 35mm.
I know my gear very well, in-and-out. I'm just looking for suggestions on which direction to take with upgrades. I make due with whatever I'm using, I just want to best setup for what I can afford ATM. I understand the need for fast lenses, but I do the best I can with what I have. I have slower lenses, in turn I've become skilled at adding my own light. A handful, or even a couple, off-camera flashes with gels can do wonders. Also, the 7D's high ISO isn't optimal but it's more than acceptable. I might push my setup to the limit, but I always manage to get the shot I want, one way or another.