tmoore323 Goldmember 1,945 posts Likes: 4 Joined Oct 2010 More info | Dec 31, 2011 00:02 | #1 C&C welcome
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ShadowontheDoor Senior Member 960 posts Joined Oct 2011 More info | Dec 31, 2011 00:05 | #2 Permanent bantoo busy to clearly distinguish the bridge from the trees easily, I'd be interested in seeing the colour version. 19 year old photographer with a 5D, and some L glass.
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Woolburr Rest in peace old friend. 66,487 posts Gallery: 115 photos Best ofs: 2 Likes: 143 Joined Sep 2005 Location: The Tupperware capitol of eastern Oregon...Leicester, NC! More info | Dec 31, 2011 00:44 | #3 Black and white doesn't help this shot. Your subject gets lost in the woods. People that know me call me Dan
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Dec 31, 2011 00:54 | #4 Oh this totally reflects what I remember from a bridge in my childhood days........love it...........just as it is....... Ann Robinson
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Dec 31, 2011 07:19 | #5 karobinson wrote in post #13623938 Oh this totally reflects what I remember from a bridge in my childhood days........love it...........just as it is....... Thanks!
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chris@photobychris.com Member 80 posts Joined Dec 2010 Location: Montgomery, Alabama More info | Dec 31, 2011 12:44 | #6 works for me! Chris@photobychris.com
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ImageMogul Senior Member 596 posts Likes: 1 Joined Aug 2007 Location: Tennessee More info | I like the look of the meandering bridge. I agree that it does get lost in the B&W setting, though. If this is a crop, you might try leveling the original first (hopefully not clipping off the left-most corner of the footbridge). It might be worth playing with selective color on this one (leaving the bridge more or less natural wood color while retaining the black and white woods). Although selective coloring can be overdone, the wood tones against B&W might be subtle enough to work nicely. It would be tedious work, but you might test it on just a section of the image to see if the effect works. Good eye for a subject and a good run at composition on this one (maybe give the bridge a little more room on the left? “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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Dec 31, 2011 16:11 | #8 ImageMogul wrote in post #13625614 I like the look of the meandering bridge. I agree that it does get lost in the B&W setting, though. If this is a crop, you might try leveling the original first (hopefully not clipping off the left-most corner of the footbridge). It might be worth playing with selective color on this one (leaving the bridge more or less natural wood color while retaining the black and white woods). Although selective coloring can be overdone, the wood tones against B&W might be subtle enough to work nicely. It would be tedious work, but you might test it on just a section of the image to see if the effect works. Good eye for a subject and a good run at composition on this one (maybe give the bridge a little more room on the left? Regards, Mark Thanks, I've been thinking of re-visiting this one...
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Color and different crop
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ImageMogul Senior Member 596 posts Likes: 1 Joined Aug 2007 Location: Tennessee More info | This one needs to be rotated to counteract the lean. Might check white balance on your cam to make sure it isn't set to an odd setting as this image is quite red. Getting the white balance right will also help the image to look correct when you convert to B&W. Black & white image made from white balance "corrected" image (notice bridge doesn't get "lost" as bad in this B&W version): Regards, Mark “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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Dec 31, 2011 21:14 | #11 ImageMogul wrote in post #13627041 This one needs to be rotated to counteract the lean. Might check white balance on your cam to make sure it isn't set to an odd setting as this image is quite red. Getting the white balance right will also help the image to look correct when you convert to B&W. "Straightened" image with some "quickie" work on white balance (still retaining a bit of red tint - could be improved further): ![]() Black & white image made from white balance "corrected" image (notice bridge doesn't get "lost" as bad in this B&W version): ![]() Regards, Mark Thanks, for the edits, and I see what you are talking about. I added some red and brown toning for the color version so that would explain the red, maybe not such a good idea in retrospect, but seeing how you got the B&w is inspiring. The straightining, just grabs the shot...
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ImageMogul Senior Member 596 posts Likes: 1 Joined Aug 2007 Location: Tennessee More info | Well, would you look at that. When I did a quick B&W conversion in Smugmug, it apparently changes the original color version to B&W as well... My fault for not interpreting correctly what would happen in Smugmug when I performed the conversion. I'll re-edit the color version if I have time. Sorry for the confusion... “Composition can’t be reduced to a set of rules ... Dissonance has its place in photography as well as music. If we confined ourselves to major and minor scales, the blues wouldn’t exist. Rules are tools, not laws.” ~ James Martin
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Re-edited B&W and Color:
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ShadowontheDoor Senior Member 960 posts Joined Oct 2011 More info | Jan 01, 2012 13:08 | #14 Permanent bancolour is better 19 year old photographer with a 5D, and some L glass.
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Jan 01, 2012 16:29 | #15 |
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