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Thread started 14 Jan 2012 (Saturday) 10:24
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How 'bad' is the AF in the 5d MK II

 
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kcbrown
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Jan 18, 2012 14:47 |  #331

mystik610 wrote in post #13724894 (external link)
or some noisy low-light shots from the 7d :p (yes I went there lol)

I kid, I kid.

Ask and you shall receive! I find that the 7D is excellent at producing noisy low-light shots. If that's the kind of photo you're after, then the 7D is definitely the camera for you!

I recommend you pick one up while you still have the opportunity. You wouldn't want to miss out, would you? Canon might "fix" this problem at any time, and then you wouldn't know the joy of high noise shots, such as this:

IMAGE: http://farm8.staticflickr.com/7006/6721908439_41d23af2df_b_d.jpg


7D, ISO 12800 pushed 3 stops (effective ISO 102,400), no noise reduction.


(Note how the 7D nailed the focus on the wall picture. If there ever was proof that autofocus capability is more important than low light noise handling, this shot surely is it!)

:lol:

"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy
Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX.
Nikon: D750, D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 VC, Tamron 70-300 VC.

  
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davidc502
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Jan 18, 2012 15:23 |  #332

I'm not sure what to make of the picture above ( I might have missed the joke?)..... I have the 550D and it has virtually the same sensor and digital processing that the 7D has (7D might have 2 where the 550D only has 1). Anyhow, I have a shot from the other day, very similar to what you're showing above. This was shot at night and that side of the house was pretty dark (no direct light).

No noise reduction, straight from the camera. The only thing I did was downsize it.

IMAGE NOT FOUND
HTTP response: NOT FOUND | MIME changed to 'text/html'

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kcbrown
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Jan 18, 2012 15:30 |  #333

davidc502 wrote in post #13727151 (external link)
I'm not sure what to make of the picture above ( I might have missed the joke?)..... I have the 550D and it has virtually the same sensor and digital processing that the 7D has (7D might have 2 where the 550D only has 1). Anyhow, I have a shot from the other day, very similar to what you're showing above. This was shot at night and that side of the house was pretty dark (no direct light).

No noise reduction, straight from the camera. The only thing I did was downsize it.

IMAGE NOT FOUND
HTTP response: NOT FOUND | MIME changed to 'text/html'


Guess you didn't detect the self-deprecating, tongue-in-cheek humor in my last... :lol:


The shot in question was at ISO 12800, which I then pushed 3 stops. So it's as if I shot it at ISO 102,400.


"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy
Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX.
Nikon: D750, D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 VC, Tamron 70-300 VC.

  
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Glenn ­ NK
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Jan 18, 2012 16:10 |  #334

ROTFLMAO

End of discussion. Much better things to do like play Freecell, etc.

Note to self: pay less attention to trolls.


When did voluptuous become voluminous?

  
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kcbrown
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Jan 18, 2012 16:30 |  #335

jdizzle wrote in post #13726604 (external link)
Here we go. Shot with the 5D MK 2 with the Zeiss 100 f2. Bear in mind the Zeiss is a MF lens. ;)These were shot in over cast light. Does it look oof? ;)

So what you're saying is that the 5D2's autofocus is so bad that you had to revert to manual focus when using your Zeiss manual focus lenses?

:lol:


"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy
Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX.
Nikon: D750, D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 VC, Tamron 70-300 VC.

  
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smorter
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Jan 18, 2012 16:38 |  #336

Wow the 7D and the 550D look way better than the 5D2. The 5D2 may have less noise, but oh for the love of god, the banding is atrocious.

5D2 + 25600

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kcbrown
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Jan 18, 2012 16:58 |  #337

airfrogusmc wrote in post #13725338 (external link)
We could all share OOF stuff from any camera. How 'bout the fact all this technology (bells and whistles) its seems that the quality of work has gone down in the past few years. More images have been made in the past 10 years than in the entire history of two dimensional work with all this technology but yet the vision and the work has not increased with the level of technology. No one seems to have the time to learn to use what they have. Instead most are on the gadget train (fueled by the manufactures by the way) chasing the so called latest and greatest. They rely on the gadget so instead of trying to be the best they want their gear to be the best. Instead of trying to find the moment they want to blast through it with FPS. Instead of learning and mastering their gear, the first time they take it out, they're not taking so called "perfect images" its the gears fault and they move on to the next magic bullet.

The focus on the 5DII works fine if you just take the time to learn how to use it. Again I prefer the 5D & the 5DII over the 1d series. I prefer Hasselblad 500 C/M to the 5DII. To bad they don't make a real square low light really high res back thats affordable for those great old blad bodies. But with those type of cameras its the photograpers brain that needs the magic, not the gear. :lol::lol: but thats to hard for most now.

Ain't that the truth.

As much as I belittle Canon for putting in an outdated autofocus system into the 5D2, the fact of the matter is that the results you get are going to depend much more on how well you learn the characteristics of your camera (which includes its autofocus system) and how to get the most out of it than on the capabilities of the camera itself.

At the end of the day, what matters is the results you get. The capabilities of the camera generally determine how easy it is to get the results, and less about how good the results are after you put the required work into it. The proof is in the results: 7D landscape shots that rival those taken with the 5D2, and 5D2 sports shots that rival those taken with the 7D (or 1D series, for that matter).


Photographers back in the day had much less to work with than we do today. Despite that, they were able to get outstanding results. The difference is that it took them a lot more work and a lot more knowledge of the craft. With the equipment we have today, we're spoiled.


But I still want a digital EOS 3, and am annoyed that Canon has thus far steadfastly refused to make such a thing available.
HOSTED PHOTO DISPLAY FAILED: ATTACH id 574744 does not exist. ]


"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy
Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX.
Nikon: D750, D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 VC, Tamron 70-300 VC.

  
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jdizzle
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Jan 18, 2012 17:24 |  #338

kcbrown wrote in post #13727585 (external link)
So what you're saying is that the 5D2's autofocus is so bad that you had to revert to manual focus when using your Zeiss manual focus lenses?

:lol:

Hehe! I'm not gonna comment. :lol: The 5D 2 is great at what it does. I just wish the outer points were larger with greater sensitivity like the center point. The 1D's 45 AF points are better in this regard. Just sayin'. :) Tbh, this topic about AF shouldn't stop people buying the 5D 2. If one is happy with it, fine. I certainly know the limits these current Canon cameras have.




  
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offcamber
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Jan 18, 2012 18:08 as a reply to  @ jdizzle's post |  #339

I have both cameras, both have their strengths and weaknesses. I love my 7d, and I love my 5d M2. I grab the 7D more often, but I've gotten surprising shots with both. Autofocus isn't the 5dm2's best quality but it's adequate. It's good enough for me to set my camera down, pick up a frisbee, throw the frisbee, pick the camera back up, focus on my dog catching the frisbee and snapping a shot of him at the moment. If I'd listened to all of the reviews I'd think that the 5dM2 would almost never be able to do that, but in reality, it does it more often than it doesnt.

IMAGE: http://offcamber.smugmug.com/My-Dogs/3-11-2011-Sister-Grove/untitled-shoot-007/1213542220_7gyaF-XL.jpg

Everyone says the 7d sucks at low light. I've taken plenty of shots in low light and high ISO that I love. The reason I pickup the 7d more often than the 5dM2 is that I know I can shoot anytime, any place with the 7d. Lowlight shots with the 5dM2 often show banding above ISO3200. The shot below was with my 7d, natural light, 3am outside a warehouse during SWAT training. I actually had both bodies with me that night and very few of my 5dM2 shots were absent enough of banding to be usable. The shot below is from the 7d at ISO12,800 & 1/100 sec.

IMAGE: http://offcamber.smugmug.com/Military/SWAT2/IMG7662/861532609_BeeV5-XL.jpg

EOS-7D Mark II | EOS-50D | 1DX | 100F2.8L IS | 17-40F4L Sigma 50F1.4 | Canon 11-24F4| 24-70F2.8L | 40F2.8 | 85F1.8 | 70-200F2.8L IS II | 100-400F4.5L |300F4L IS | 580EXII | 550EX

  
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davidc502
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Jan 18, 2012 18:14 |  #340

kcbrown wrote in post #13727202 (external link)
Guess you didn't detect the self-deprecating, tongue-in-cheek humor in my last... :lol:


The shot in question was at ISO 12800, which I then pushed 3 stops. So it's as if I shot it at ISO 102,400.

Yup I missed it...... You can clearly see my frame of mind in this thread....

Cheers,

David


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davidc502
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Jan 18, 2012 18:18 |  #341

smorter wrote in post #13727632 (external link)
Wow the 7D and the 550D look way better than the 5D2. The 5D2 may have less noise, but oh for the love of god, the banding is atrocious.

5D2 + 25600
QUOTED IMAGE

I would like try to bump up the ISO on my T2i. How do you get the effective ISO above its maximum... In the case of the 550D = 12800?


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cdifoto
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Jan 18, 2012 18:21 |  #342

kcbrown wrote in post #13727769 (external link)
Photographers back in the day had much less to work with than we do today. Despite that, they were able to get outstanding results. The difference is that it took them a lot more work and a lot more knowledge of the craft. With the equipment we have today, we're spoiled.

Oh here comes the romanticising of the past. I'd argue that it's only outstanding in the context of what they had to use.

Then again I'm a technician more than an artist. I want crisp, colorful, well lit, relatively clean, as-if-you-were-there photographs whenever possible.


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JeffreyG
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Jan 18, 2012 18:27 |  #343

I know. I actually had a relative that kept a lot of old magazines, so I'm pretty familiar with what was acceptable commercial work from 2-3 decades ago.

There are a lot more photographers today turning out consistently better work, IMO.


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Hogloff
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Jan 18, 2012 18:32 |  #344
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cdifoto wrote in post #13728230 (external link)
Oh here comes the romanticising of the past. I'd argue that it's only outstanding in the context of what they had to use.

Then again I'm a technician more than an artist. I want crisp, colorful, well lit, relatively clean, as-if-you-were-there photographs whenever possible.

So, since you have much more capable equipment today, your photos blow the photos from say the 90's out of the water...right.

And to go further, I can blow away the photos you get by getting even a better camera than you have right?




  
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davidc502
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Jan 18, 2012 18:35 |  #345

Hogloff wrote in post #13728290 (external link)
So, since you have much more capable equipment today, your photos blow the photos from say the 90's out of the water...right.

And to go further, I can blow away the photos you get by getting even a better camera than you have right?

Yes Hogloff.... You just won't improve, until the sensor is larger than the one you have now.


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