Reading over at the Nikonian site, I see a lot of Nikon shooters worried about the density of the sensor in regards to the 36mbs. Seeing as they have been conditioned to less mbs, I can see how this discussion has evolved.
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pbelarge Goldmember 2,837 posts Joined Jun 2010 Location: Westchester County, NY More info | Reading over at the Nikonian site, I see a lot of Nikon shooters worried about the density of the sensor in regards to the 36mbs. Seeing as they have been conditioned to less mbs, I can see how this discussion has evolved. just a few of my thoughts...
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Feb 14, 2012 10:34 | #287 Shadowblade wrote in post #13892508 The increased pixel count is helping a lot of us, particularly landscape and studio shooters. Smooth interpolation may avoid pixellation, but doesn't add any extra detail. Instead of pixels, you just see blur. Sure, this may not show up at 'typical viewing distances', but large (1.5m wide and larger) gallery prints are often viewed up close, at 20cm or less, which are much closer than 'typical distances'. uh... who views gallery prints @ 20cm? It's like the 1080P vs 720P debates...... on a 32" screen.... Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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umphotography grabbing their Johnson More info | Feb 14, 2012 10:36 | #288 pbelarge wrote in post #13895884 Reading over at the Nikonian site, I see a lot of Nikon shooters worried about the density of the sensor in regards to the 36mbs. Seeing as they have been conditioned to less mbs, I can see how this discussion has evolved. Wait till they figure out they are going to have a heck of alot more noise to deal with as well. Especially the pixel peepers. Lots of disadvantages to larger files. It doesnt always smell like perfume in MP land. They will find out soon enough Mike
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Feb 14, 2012 10:38 | #289 The big thing about this camera is that people who own BOTH 5D and 7D's would not need to own both. This camera does it all sort of. It would be nice if there was a low light mode that could match the low light of the D4, and then a high Mpx mode to get the "crop" effect or just use the full mpx..... maybe nikon thinks extreme low light should only be reserved for their pro lineup, then do a swap for high mpx for their prosumer lineup? It's almost like going backwards with a switch and bait. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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omnom Senior Member 364 posts Joined Jan 2009 More info | Feb 14, 2012 10:41 | #290 Because of the D800, this is now possible: http://www.youtube.com/watch?v=gF_qQYrCcns
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shack Senior Member 515 posts Likes: 1 Joined Dec 2007 Location: Knoxville, TN More info | Feb 14, 2012 10:46 | #291 I was reading Moose Peterson's blog the other day and he was talking about the new D4 and D800. He had some pretty relevant comments: Understandably, the emails are arriving asking the question which body to buy. First and foremost, it is quite possible the best body for you is the one you own right now! No one feels the pressure of having a new body like me as the emails arrive asking questions I don’t have answers to until I have that body in my hands. ...My recent piece pretty much spells out my belief that photography is a marriage of photographer AND gear. The only way I can help is trying to explain how I go about it. I ask myself, “What problems do I have with my current gear that the new gear might solve?” And since I am a business, that solution must include not only the photograph but also making money on the investment. Specifically about the D800/800e This is not a D700 upgrade, this is a whole new camera in a totally different league. Is this the camera for you? There are two reasons why I would say the D800E isn’t for 90% of folks (to repeat, this camera is not for everyone!), it captures too much information and it’s too slow. Granted...just opinions of a single photographer...but a damn good one whose opinions have some validity IMO. 60D - EF 50mm f/1.8 - EF-S 15-85mm f/3.5-5.6 IS - EF 70-200mm f/4 L IS - EF 300mm f/4 L - Tokina 10-17mm f/3.5-4.5 Fisheye - Canon Speedlite 430EX - PowerShot G12
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jthomps123 Senior Member 476 posts Likes: 1 Joined May 2008 More info | Feb 14, 2012 10:49 | #292 Geonerd wrote in post #13895878 So, what's so special about it? I see 36 million pickles. That's 'nice,' if not exactly Earth shattering. The price of the camera, plus top end lenses that have some hope of matching the sensor's resolution, will be steep. Who's supposed to buy this, rich gear dweebs and a few genuine professionals, right? Seriously, why do you presume anyone would want to 'switch' in the first place? 36mp is special. 1Ds Mk 2 / 5D Mk 3 | 17-40L | 24-105L | 35L | 50/1.4 | 85/1.8 | 100L | 70-200L Mk 2 | 580 EXII x 2
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Feb 14, 2012 10:58 | #293 jthomps123 wrote in post #13895995 36mp is special. Pro and accurate AF is special. Spot on TTL is special. Weather sealing is special. Raw HDMI video out is special. Facial exposure recognition is special (imo) 100% VF Dual card slots High DR In camera HDR and all that for $3k? Sounds special to me. And if canon cant match that within a few hundred dollars... I am switching. I've been waiting for a good excuse to switch back... and this surely is it. Most of those new features are great, but switching costs a lot of money, and for most shooters, it's not really worth it. Switching means giving up the canon lineup of lens which is a whole lot cheaper than nikon and more extensive. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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umphotography grabbing their Johnson More info | Feb 14, 2012 11:04 | #294 shack wrote in post #13895978 I was reading Moose Peterson's blog the other day and he was talking about the new D4 and D800. He had some pretty relevant comments: Specifically about the D800/800e Granted...just opinions of a single photographer...but a damn good one whose opinions have some validity IMO. Almost exactly what Jeff Ascough told me when I spoke to him about the 1DMKIV. I asked him his thoughts on the 1Dx....you can bet he has had his hands on one. Exactly word for word on the comparisons. "You cant compare a 1Dx to a 1DMKIV......totally different sensors, entirely new AF system, superior image quality. they are not in the same league. Both do different things." Mike
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wookiee2cu Senior Member 614 posts Likes: 2 Joined Mar 2007 Location: Seattle, WA. More info | Like others have said, 36MP is just too much for the average shooter. You're also going to have to invest in external hard drives for storage and probably pick up some more memory for your computer to handle these files in PhotoShop (not to mention have enough room on your scratch disk so that PhotoShop doesn't get bogged down). The MP war is silly, just because it has more doesn't mean it's better. Wait until the camera has been out for a few weeks and see reports by real world users and then make a decision. Also, isn't the "in camera HDR" only composed of two shots? If so, that is not enough for most situations to accurately capture the dynamic range.
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shack Senior Member 515 posts Likes: 1 Joined Dec 2007 Location: Knoxville, TN More info | Feb 14, 2012 11:49 | #296 umphotography wrote in post #13896079 I think canon is smart in that they are obviously not running down the MP road in this price market. If 5D3 has any AF system at all, it will turn some heads and opinions towards canon. Image quality and noise is everything. 36MP's is not the answer. The 5D III with improved AF along with the latest/greatest processor and taking the ISO to the next level would make it a very appealing camera to me. Keeping the MP about the same would be just fine. Leave off the popup flash but add remote flash control would be nice (but not a deal killer). Video capability is here to stay but is of no value to me so whatever they do is ok. 60D - EF 50mm f/1.8 - EF-S 15-85mm f/3.5-5.6 IS - EF 70-200mm f/4 L IS - EF 300mm f/4 L - Tokina 10-17mm f/3.5-4.5 Fisheye - Canon Speedlite 430EX - PowerShot G12
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snaphappyphotography Senior Member 251 posts Joined Dec 2010 Location: Olive Branch, Ms More info | Feb 14, 2012 12:16 | #297 Lol, I love the idea that "noobs" are pursuing more MP's. So so so so so so so many noobs must have pre-ordered the D800, I mean that's a lot of noobs, because the preorders are sold out. Haha! And I really pity all the noobs who shoot medium format. They wasted a lot of money on medium format cameras with high MP when they really could have achieved the same quality with light. Haha! D800, D700, MB D10, 85 1.4G, 70-200 2.8G VR II, 16-35 f4G VR II, 60 2.8G Micro, SB 910 (x4), SB 900, Radio Popper PX Trans (x2), Radio Popper PX Rec (x3)
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Feb 14, 2012 12:59 | #298 I'd consider the D800, but want to wait until it's in the hands of normal people and not those working for Nikon. Be nice to see what the rabble has to say about this thing before getting one. I'm sure the various posts and images of those who have used one have gone thru the Nikon public relations washer, and frankly I don't place much stock in them.
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jcu809 Senior Member 411 posts Joined Dec 2009 Location: OC More info | Feb 14, 2012 13:35 | #299 Not switching. Its gear. Use what you got. In this hobby, you will go broke if you keep chasing for the best.
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AzzKicker Goldmember 1,107 posts Likes: 69 Joined Jul 2003 Location: Rio Grande Valley, Texas More info | Feb 14, 2012 13:48 | #300 I don't see where anyone wants to buy the D800 based on MP's? Ruben D. Zamora
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