These are some of the first shots I took with my new T3i. Still learning the ropes.
And one portrait shot. I know WB is probably off. This was hand held with the 18-55 kit lens no flash.
GopherM Member 227 posts Likes: 1 Joined Jan 2012 Location: Maryland More info | Feb 08, 2012 19:16 | #1 These are some of the first shots I took with my new T3i. Still learning the ropes. And one portrait shot. I know WB is probably off. This was hand held with the 18-55 kit lens no flash. Gripped T3i/Kit 18-55/ 55-250/Miranda Sensorex (film)/Miranda 50mm f1.4/Vivitar 135 f2.8/(Panasonic DMC FZ35 & FZ100/Yashicamat 124/Nikon N2020AF all sold to buy the T3i)
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Nackattack Member 119 posts Likes: 1 Joined Sep 2006 Location: Seattle, WA More info | Feb 08, 2012 19:36 | #2 Great job with the snakes. Exposure seems dead on and colors are fantastic! Mongoose picture is nice as well. I would have placed the little guy(or gal) on the right side of the frame. As the left side is uninteresting to me. http://www.nakean.com
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Feb 08, 2012 19:46 | #3 Nackattack wrote in post #13852426 Great job with the snakes. Exposure seems dead on and colors are fantastic! Mongoose picture is nice as well. I would have placed the little guy(or gal) on the right side of the frame. As the left side is uninteresting to me. The photo of the girl seems like a snapshot rather than a portrait. The window distracts the flow of the image as well as the window frame which is not vertical. Watch your verticals ![]() As you said the white balance is off. From the catchlights in her eyes I can see that there are three (probably tungsten) lights behind her. Not flattering light! Remember the larger the light the softer the light. I'm guessing these were not large lights. Also remember the closer the light the softer the light. Next time turn her around and take advantage of that wonderful window light. It's a like a giant natural softbox that will make sure subjects look so much better. You could use the tungsten lights as a nice rim light instead. Careful with the softening. Make sure not to go over lines or anything else that shouldn't be soft, like eyes, hair, eyebrows, eyelashes etc. Hope this helps and thanks for sharing! If you're serious about critiques upload only one image at time so we can focus on just that one. You'll get better feedback that way! Keep shooting! Very constructive comments. Thanks a lot and I'll definitely limit the shots per post and get the data in on future posts. Gripped T3i/Kit 18-55/ 55-250/Miranda Sensorex (film)/Miranda 50mm f1.4/Vivitar 135 f2.8/(Panasonic DMC FZ35 & FZ100/Yashicamat 124/Nikon N2020AF all sold to buy the T3i)
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Feb 09, 2012 05:57 | #5 Qbx wrote in post #13853711 The snakes (pythons?) look a little dark to me so I brightened & held back on the right one, then sharpened 100% 1px. Girl's face looks over processed or she has really smooth skin. The pythons were in the serpent house behind glass under subdued lighting. I used LR3 to brighten to correct the WB as much I as I felt comfortable with. Gripped T3i/Kit 18-55/ 55-250/Miranda Sensorex (film)/Miranda 50mm f1.4/Vivitar 135 f2.8/(Panasonic DMC FZ35 & FZ100/Yashicamat 124/Nikon N2020AF all sold to buy the T3i)
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Feb 09, 2012 08:54 | #6 If you post the original of the lovely teen I'm sure you will get some good advice and various takes on it. -- Image Editing OK --
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joedlh Cream of the Crop 5,513 posts Gallery: 52 photos Likes: 684 Joined Dec 2007 Location: Long Island, NY, N. America, Sol III, Orion Spur, Milky Way, Local Group, Virgo Cluster, Laniakea. More info | Feb 09, 2012 10:41 | #7 Nice job on the snakes. The meerkat suffers from strong side-lighting, which puts 3/4 of the face in shadow. Either using fill flash or moving your shooting position to the left would have helped. Also, since there is a favored side, move the critter off center so that it's looking into the frame. You don't need all that space on the right. Your reds are clipped in the female homo sapiens. Try desaturating a little to get rid of the reddish blooms on the forehead, nose, and hair. It's good shot nonetheless, as these can be dangerous under some circumstances if one gets too close. Kudos on getting the artificial constructs (e.g. bars and fencing) out of the shots (except for the human) so that the critters don't look imprisoned. Joe
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ktc1 Member 190 posts Joined Jun 2010 Location: Dundee, IL More info | Feb 09, 2012 21:17 | #8 I like the edit Qbx did on the snakes, and the shot is really cool! 5D with IR sensor & 28mm f1.8 | Fuji X100s
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thefracas Member 66 posts Joined Feb 2012 More info | Feb 10, 2012 03:50 | #9 Hi Gopher, there is so gold in there! | T H E F R A C A S | saying NO to vignetting in 2012! |
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Feb 10, 2012 05:52 | #10 thefracas wrote in post #13860825 Hi Gopher, there is so gold in there! pythons - my favourite, the colour balance + exposure is good and its amazingly you got both snakes to play nice with their placement. If you wanted some easy fill flash underneath, try taking the photo upside down with the on camera flash filling out the space below rather than above. Depends on a lot of factors and others can say it rarely looks good - but keep it in your bag of tricks! Also if this was through glass then it wouldn't work at all. the 2nd pic - it's got potential, i have a thing about body parts being cut out of the image when you're taking a full body shot of an animal or a human (cropping in pp is fine, id rather just have the option to crop the tail afterwards than lose it forever!). the subject is sharp in focus, but l'd reframe it with more space on the side that it is looking into, or find something else that adds to the pic (background, another critter interacting etc). or crop it as portrait rather than landscape... the girl - yep, there are better ways to smooth things out. btw Qbx sharpening seems overdone - when it messes with the OOF background i notice it straight away.
Gripped T3i/Kit 18-55/ 55-250/Miranda Sensorex (film)/Miranda 50mm f1.4/Vivitar 135 f2.8/(Panasonic DMC FZ35 & FZ100/Yashicamat 124/Nikon N2020AF all sold to buy the T3i)
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