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FORUMS Post Processing, Marketing & Presenting Photos Video and Sound Editing 
Thread started 12 Feb 2012 (Sunday) 12:23
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Total control over your DSLR video footage

 
NHBEY39
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Feb 12, 2012 12:23 |  #1

Hi.

Even though I have After effects I had always missed having control over video like I did stills, such as...Luminance, hue and saturation slider controls, split toning, luminance and colour noise control and most importantly sharpening.

A work around so you have control over everything still in Camera Raw is as follows...

Open your footage in after effects > add to render cue with the following settings, best and jpeg sequence. Render it out into a locatable file.

Open Adobe bridge, locate the file, click on the "first" file in the sequence, then right click and choose the option "open in camera raw".

Do what ever changes you want to make in camera raw, just like you would a still, then click done. You only have to do this to the first file in the sequence.

Open a new project in After effects, chose import file, not multiple files, click on the first one in the sequence, in the drop down box below the window choose "all files (*.*)"
in the format box chose "camera raw" in the import as box choose "footage" and tick the camera raw sequence box below.

Drag the file into the timeline and all the changes made in camera raw have been applied, remember, you only have to do it to the first frame!

It might not be any good for every situation but couple with the warp stabilizer in After effects and the other controls available it offers masses of tools for the job.

Hope this helped.


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IUnknown
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Feb 14, 2012 18:55 |  #2

You can also open the video files in photoshop and apply adjustment layers, save as a psd and import it into premier.


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Mick5s
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Feb 15, 2012 10:33 |  #3

I wish I had AE...


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Gameface
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Feb 15, 2012 14:33 |  #4
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But you're not adjusting a raw, you are still working off a compressed format. Why not just do all you adjustments in after effects? It's more powerful than camera raw anyway for non-raw material.

And if you feel like you need to do this... you don't need to go into bridge at all. After you made your sequence stills, follow your steps to import into AE. It will bring up the raw dialog box. No need to round trip it through bridge.




  
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gibsonla
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Feb 16, 2012 14:10 |  #5

There's no such thing as RAW video files coming out of the Canon DSLRs. Once you record it, it's compressed h.264 4:2:0 and nothing is going to change that. No matter what way you import that into your computer, what NLE you choose, or what you decide to transcode to.

Whatever you do in AE, you're still working on compressed footage.

To save yourself the trouble, you could just use a simple 3 way color correcter in your NLE and save yourself all those steps/time

Furthermore, the export settings you gave really aren't the best way to go about working with this sort of footage. Every time you transcode you're going to lose some form of quality. If you're NLE can work with native h.264 codec you shouldn't bother with transcoding regardless. If you do *HAVE* to transcode, you should be transcoding to a "lossless" intermediary like cineform, prores, or dnxhd.

**Edit: not to be that douchey guy who over-corrects, just don't want others being misinformed.


Michael L. Solomon
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Total control over your DSLR video footage
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