thanks
that kinda info helps us numb nuts too
thanks
burnet44 Cream of the Crop More info | Mar 20, 2012 08:53 | #16 thanks Canon 1DIV, Canon 1DII, 7D2 Canon gripped, 70-200 2.8 ISM II, Canon 50 1.8, Sigma 17-50 2.8, Canon 300 2.8, Canon 550 EX flash
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Mar 20, 2012 14:06 | #17 Station15 wrote in post #14117873 Which version of the 300 2.8 do you have? Version I, I think it was released in 2003 or thereabouts. It is the IS version, maybe it was '99, I'm not sure but it's at least 9 years old. http://emjfotografi.com/
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Mar 20, 2012 14:13 | #18 namasste wrote in post #14118537 very nicely done. I love seeing the longer lens images for hoops. The 70-200/300 combo is the one just about all of us around here seem to go with. Never loved hand holding the 300 but its not as bad as some make it out to be. Image wise, these are top notch. Since telling you how great you are doesn't make you any better or even give you something to really think about, I'll offer one nitpicky crit, the colors looks just a touch flat to me. The easiest way to fix this is to create a batch action in PS that applies a 5-10% soft light layer. This effectively adds a touch of color and contrast and can really remove much of the flatness. Again, its minor and nitpicky but just something to consider or even try and see what you think. Keep up the great work man! Thanks, I really appreciate the compliments and I will definitely look into adding just a bit of color. These were SOOC as far as color, etc. goes, so I think you're probably right. I really love shooting hoops with the 300, as a lens it's just so damn sharp. I actually had it on a monopod. If I was down on the floor I probably would have just been handholding it but when you're up top and the lens is constantly being pointed down, it can get a bit top heavy after awhile. http://emjfotografi.com/
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burnet44 Cream of the Crop More info | Mar 20, 2012 14:32 | #19 sweet Canon 1DIV, Canon 1DII, 7D2 Canon gripped, 70-200 2.8 ISM II, Canon 50 1.8, Sigma 17-50 2.8, Canon 300 2.8, Canon 550 EX flash
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Mar 20, 2012 16:31 | #20 burnet44 wrote in post #14120627 sweet I wish my 70-200 was that sharp problem the shooter it belongs to isnt very sharp 70-200 is a sharp lens. It is better stopped down a bit but its sharp enough wide open. http://emjfotografi.com/
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burnet44 Cream of the Crop More info | Mar 20, 2012 16:55 | #21 maybe it will happen for me some day Canon 1DIV, Canon 1DII, 7D2 Canon gripped, 70-200 2.8 ISM II, Canon 50 1.8, Sigma 17-50 2.8, Canon 300 2.8, Canon 550 EX flash
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burnet44 Cream of the Crop More info | Mar 20, 2012 20:03 | #22 great lighting for soccer Canon 1DIV, Canon 1DII, 7D2 Canon gripped, 70-200 2.8 ISM II, Canon 50 1.8, Sigma 17-50 2.8, Canon 300 2.8, Canon 550 EX flash
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namasste Cream of the Crop 6,911 posts Likes: 140 Joined Jul 2007 Location: NE Ohio More info | Mar 21, 2012 20:10 | #23 elrey2375 wrote in post #14120485 Thanks, I really appreciate the compliments and I will definitely look into adding just a bit of color. These were SOOC as far as color, etc. goes, so I think you're probably right. I really love shooting hoops with the 300, as a lens it's just so damn sharp. I actually had it on a monopod. If I was down on the floor I probably would have just been handholding it but when you're up top and the lens is constantly being pointed down, it can get a bit top heavy after awhile. Good point on the monopod, I thought you shot those from the baseline. Scott Evans Photography
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tomholman Goldmember 1,333 posts Likes: 1 Joined Aug 2011 Location: Austin Texas More info | Mar 22, 2012 21:21 | #24 |
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