Thanks 'solinger' - have you ever tried your 17-40 indoor [at 35mm] without using a FLASH ?
I was doing that a lot, it's what motivated me to look into the 35 1.4
Sam Goldmember More info | roli_bark wrote: Thanks 'solinger' - have you ever tried your 17-40 indoor [at 35mm] without using a FLASH ? I was doing that a lot, it's what motivated me to look into the 35 1.4
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Sam Goldmember More info | Here is a very crude comparison of the two just now in my kitchen. There was no tripod used, I put the timer on and braced the camera against the counter. I also had them at slightly different distances. It will give you a rough idea of how the two do side by side in similar conditions. Both shot raw and converted with the same parameters. These are both 100% crops. Hope this helps.
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solinger wrote: Here is a very crude comparison of the two just now in my kitchen. There was no tripod used, I put the timer on and braced the camera against the counter. I also had them at slightly different distances. It will give you a rough idea of how the two do side by side in similar conditions. Hope this helps. Thanks. Yes !, it does help a lot. I understand that both were shot WITHOUT flash. What was the aperture setting at both lenses ?
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Sam Goldmember More info | roli_bark wrote: Thanks. Yes !, it does help a lot. I understand that both were shot WITHOUT flash. correct, no flash. both at f/4
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PeterWhite Member 62 posts Joined Aug 2005 More info | Dec 03, 2005 18:34 | #20 I have the 16-35L and the 5D. There's only slight corner darkening at wide apertures. Compared with other lenses in the category, the 16-35L has relatively little vignetting in the corners.
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Peter White wrote: I have the 16-35L and the 5D. There's only slight corner darkening at wide apertures. Compared with other lenses in the category, the 16-35L has relatively little vignetting in the corners. Thanks. How about some early 16-35 models reportedly being too soft - not only at corners ? If these reports are true, is it possible that Canon had made some improvements, and that latter models are far sharper ?
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Sean-Mcr Goldmember 1,813 posts Likes: 4 Joined Apr 2005 Location: Manchester, England More info | Dec 04, 2005 09:51 | #22 i owned a 16-35 i returned it, i now have the 35 1.4. I much prefer the prime in every single way. I wasn't really blown away by the zoom for the money, the prime has done nothing but impress me. I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. Diane Arbus
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jjonsalt Goldmember 1,502 posts Joined Oct 2005 Location: Central Florida More info | Dec 04, 2005 10:42 | #23 Permanent banroli_bark wrote: Here's my dilemma. The 16-35 2.8 is more versatile, however has some severe Vignetting reported wideopen. The 24mm 1.4 is faster and reportedly better at 1-stop down, but less versatile. Needless to mention that the 24mm falls just about the middle of the 16-35 range.... I want to use either one in low-light, indoor family events. What do you think ? One problem is that so often the inquirer fails to give even a clue as to what format camera is being used.
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jjonsalt wrote: One problem is that so often the inquirer fails to give even a clue as to what format camera is being used. If using a 1.6 crop factor format then I would think that the 16-35L would be the best choice given the variety of shots taken at indoor family events. BTW, I would kill for a 16-35L, so if you don't like the lens and want something killed... Thanks. I have a cropped 1.6 camera.
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Sean-Mcr wrote: i owned a 16-35 i returned it, i now have the 35 1.4. I much prefer the prime in every single way. I wasn't really blown away by the zoom for the money, the prime has done nothing but impress me. Personally speaking, i'd get the prime. But then i only have primes so my input is pretty subjective, but i have had that zoom and i did not think it was worth the the money. Thanks 'Sean'. When returning the 16-35, did you think the 35 1.4 filled the Focal Length gap you had ? It is not exactly overlapping....
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Sean-Mcr Goldmember 1,813 posts Likes: 4 Joined Apr 2005 Location: Manchester, England More info | Dec 05, 2005 09:40 | #26 Well it's the widest i have now, and the 35 beats the zoom by that much of a margin (for me at least) that i don't miss the wide end at all. one thing is for sure, I've never thought twice about it. I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. Diane Arbus
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Sean-Mcr wrote: Well it's the widest i have now, and the 35 beats the zoom by that much of a margin (for me at least) that i don't miss the the the wide end at all. one thing is for sure, I've never thought twice about it. Thanks for your insight & experience sharing ! One more good advise into the bag....
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Andy_T Compensating for his small ... sensor 9,860 posts Likes: 5 Joined Jan 2003 Location: Hannover Germany More info | Dec 05, 2005 13:42 | #28 Just some thoughts to consider ... some cameras, some lenses,
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Andythaler wrote: Just some thoughts to consider ... when making your decision, keep in mind that the 35/1.4 L is supposed to be one of Canons sharpest primes, even wide open. The 24/1.4 L definitely not so .'Is supposed to' means that I own neither. I'm just repeating what I read on the forum quite a number of times. My budget allowed me a Sigma 30/1.4 and this is a hell of a lens that makes me very happy. I also have been considering a Sigma 20/1.8, but this reportedly is one of the softer primes (not too surprising considering its width). Best regards, Andy Thanks 'Andy'. Here's a re-enforcement.
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Andy_T Compensating for his small ... sensor 9,860 posts Likes: 5 Joined Jan 2003 Location: Hannover Germany More info | roli_bark wrote: Thanks 'Andy'. Here's a re-enforcement. A new review on the 24L at "photozone" from today: http://www.photozone.de …ses/canon_24_14/index.htm Bottom line - better be off with its little sibling - the 24 f/2.8 .... If you take the price into consideration, definitely. some cameras, some lenses,
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