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FORUMS Cameras, Lenses & Accessories Canon Lenses 
Thread started 04 May 2012 (Friday) 18:12
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Help me pick my full-frame lens line up..

 
LucasCK
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May 05, 2012 01:44 as a reply to  @ post 14382269 |  #16

Hi melcat

Me having sigma lenses has nothing to do with my views on canon lenses. It has to do with price :)

In all honesty, I have been dreaming of L glass ever since I got my first dslr, but could never justify the price due to the fact im only an amature..

Now that the 5d2 is now affordable, I am considering doing volenteer work in hopes of possibly earning small amounts of money as a second job.

And thanks everyone. I am defiantly leaning towards the 70-200L f4 IS. I would normally only shoot in f4 anyway with my sigma 17-50 as I'm paranoid about everything being in focus and getting the most sharpness, and if shooting indoors ill just use my 430ex2. Plus I would have to grab the 17-40 to satisfy my landscape desires.. I have done lots of research between the 16-35 and 17-40 and from what I have gathered, the only advantage of the 16-35 is the extra stop


5d4, 2x6d, 5d2, 24-70L II, Sigma 35A 1.4, Canon 70-200 2.8L II, 135 2.0L, 430ex2, 600ex-rt
http://www.lucaskrausp​hotography.com (external link)
http://www.lucaskrausp​hotography.com …ane-wedding-photographer/ (external link)

  
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Steve ­ of ­ Cornubia
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May 05, 2012 01:57 |  #17

LucasCK wrote in post #14382360 (external link)
...... from what I have gathered, the only advantage of the 16-35 is the extra stop

Which can be priceless, when you need it :D

For me, one who much prefers ambient light to single flash, the extra stop can be invaluable. I also like to toy around with the reduced DOF.

The combination of f/2.8 and the high ISO performance of the 5D3 has quite frankly taken me into another world. My lack of artistic skill is still a limitation though!


5D MK3, 7D, 70-200mm f/2.8L IS II, 24-70mm f/2.8L, 16-35mm f/2.8L, EF 1.4x TC MKIII, Nissin Di866 II, Nissin Di466
I hate being bipolar. It's great.

  
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kawi_200
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May 05, 2012 02:22 |  #18

Steve of Cornubia wrote in post #14382387 (external link)
Which can be priceless, when you need it :D

For me, one who much prefers ambient light to single flash, the extra stop can be invaluable. I also like to toy around with the reduced DOF.

The combination of f/2.8 and the high ISO performance of the 5D3 has quite frankly taken me into another world. My lack of artistic skill is still a limitation though!

I have to disagree. f/4 on the 17-40 isn't a huge problem at all. Landscape, for me at least, usually consists of f/8 or smaller. I just adjust the shutter as needed. I like to use low ISO unless I'm hand holding, then focal length vs shutter speed starts playing a role in my ISO usage. But overall, I have never wished I had f/2.8 at any time while shooting UWA.

I also prefer ambient/natural light over flash, but I also carry my tripod with me everywhere. My last hike I had just bought a Manfrotto Magic Arm and decided to use that instead, for weight savings, and while I was impressed with the MMR I still wished I had just brought the tripod along.


5D4 | 8-15L | 28-135mm f/3.5-5.6 IS | 24L II | 40mm pancake | 100L IS | 70-200mm f/2.8L IS mk2 | 400mm f/4 DO IS

  
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Steve ­ of ­ Cornubia
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May 05, 2012 02:55 |  #19

kawi_200 wrote in post #14382426 (external link)
I have to disagree. f/4 on the 17-40 isn't a huge problem at all. Landscape, for me at least, usually consists of f/8 or smaller. I just adjust the shutter as needed. I like to use low ISO unless I'm hand holding, then focal length vs shutter speed starts playing a role in my ISO usage. But overall, I have never wished I had f/2.8 at any time while shooting UWA.

I also prefer ambient/natural light over flash, but I also carry my tripod with me everywhere. My last hike I had just bought a Manfrotto Magic Arm and decided to use that instead, for weight savings, and while I was impressed with the MMR I still wished I had just brought the tripod along.

Well, when f/4 is OK, then by definition you didn't NEED f/2.8. As for using a tripod in low-light situations, that won't help if your subject(s) are moving, like at party or similar indoor event. In such situations, having the option of f/2.8 might allow you to use a faster shutter and thus avoid motion blur.

It's a bit like racing cars or bikes. The difference between 120mph and 125mph might not seem much till you get onto the straight!


5D MK3, 7D, 70-200mm f/2.8L IS II, 24-70mm f/2.8L, 16-35mm f/2.8L, EF 1.4x TC MKIII, Nissin Di866 II, Nissin Di466
I hate being bipolar. It's great.

  
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iLvision
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May 05, 2012 05:55 |  #20
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If I were you, I’d get a 17-40L for landscapes and 70-200 IS II for portraits... and everything else. 70-200 IS II is the best telephoto out there, period.


Ilya | Gear | flickr (external link) D800| 14-300mm f/1.4GL ED VR III USWM

  
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evil3
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Location: Canada
     
May 05, 2012 09:28 |  #21

I would get TS-E 24mm and 135L or one of the 70-200L


My Flickr (external link)
5D MKII & III | EF20-35 f3.5-4.5 | EF70-200 f2.8II | Sigma 50 A | EF85 f1.8 | Voigtlander 40mm | EF28 f1.8

  
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Judder ­ Man
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May 05, 2012 17:20 |  #22

I,m using the option 1 at the moment, but using the canon 50 mm 1.4 instead of the Sigma one. The 3 lenses on option 1 are very sharp with good colour rendition.


Canon 5D mk3, 50mm 1.4, 17-40L, 70-200L, 100-400L, Canon 100L macro, Canon 2 x G1X, Speedliite 430 EX all supported by Gitzo and Benro.
Web sites: www.georgehopkinsphoto​graphy.com (external link)

An Image in Time is a Stepping Stone to Eternity

  
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