Is ISO3200 on 5dmk2 that bad?
bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | May 25, 2012 20:20 | #16 Is ISO3200 on 5dmk2 that bad? Fuji XT-1, 18-55mm
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triton3k Goldmember 3,358 posts Likes: 283 Joined Aug 2011 Location: The Bronx, NYC More info | May 25, 2012 21:46 | #17 amazing pics Scott. That should answer it for everyone in regards to low light scenarios. Denn_Ice
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skid00skid00 Senior Member 511 posts Likes: 43 Joined Mar 2004 More info | May 25, 2012 22:47 | #18 The spectra of the light source is what's killing some of you, while allowing others to get clean captures at higher ISO's. If white balance is way off, say that it's shy of blue light, adjusting WB will add even more boost 1? 2? 3 stops more boost? on top of any EV boost you might make in RAW processing. Even if you are shooting JPG, WB is still applied, boosting those light levels, and revealing the noise in a channel that's barely captured any photons.
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May 25, 2012 23:04 | #19 After seeing these shots, whenever i ask about an upgrade in the forum why do everyone try to convince me that my T2i is a great camera in low light situations? Gear List | Deviantart
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May 26, 2012 00:03 | #20 WARAT wrote in post #14484557 Here's a 12800. Exif is there if you want to know ow much low light it was shot at ![]() 2E6C7980 this is like school gym low light, maybe a stop and a half lower. Pretty impressive. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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Stone13 Goldmember 1,690 posts Likes: 8 Joined Aug 2009 Location: Huntersville, NC More info | May 26, 2012 00:08 | #21 WARAT wrote in post #14484557 Here's a 12800. Exif is there if you want to know ow much low light it was shot at ![]() 2E6C7980
Ken
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May 26, 2012 00:15 | #22 come to think of it, that picture is about as low light as this:
Funny looking ceiling 1/20, F2.8, ISO6400 my photo had some exposure compensation, so similar lighting. The restaurant was one of those fancy dim dim dimly lit restaurants. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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May 26, 2012 00:17 | #23 scobols wrote in post #14482971 I just recently shot a recital with a 5D3, 70-200 f/2.8 combo. I had been using a 5DC at ISO 1600. The 5D3 will amaze you. For most of the show I was shooting 1/500 or above. Here are two examples: 1/800, f/2.8, ISO 5000 ![]() 1/200, f/2.8, ISO 25,600 *There was almost no light for this scene, VERY difficult to even see, much less photograph. ![]() Thanks........now I have to have one.............. Ann Robinson
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kcbrown Cream of the Crop 5,384 posts Likes: 2 Joined Mar 2007 Location: Silicon Valley More info | May 26, 2012 03:05 | #24 I wouldn't worry about it too much. And a 100% crop: When I first pulled this shot into LR3, I thought for sure it was going to fall apart on me in postprocessing. I was amazed at how well it held together, particularly since it was shot in tungsten lighting. The 100% crop is with 25% luminance NR. If I drop it down to 10%, I get a noise signature nearly identical to that in the shot you quoted. So it doesn't take much to get results from the 7D's ISO 12800 that comes within striking distance of the 5D3's. Who needs a 5D3 when you can get results like that? ![]() (just kidding, of course, but don't underestimate the camera you have -- it's fantastic) "There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy
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May 26, 2012 03:21 | #25 12,800 - Mark III
http://emjfotografi.com/
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WARAT Goldmember 1,190 posts Likes: 139 Joined Jun 2010 Location: Houston, TX More info | May 26, 2012 03:35 | #26 So sell your gear and get one already.. Charlie wrote in post #14486262 this is like school gym low light, maybe a stop and a half lower. Pretty impressive. IDK about school gym low light because this was shot at around maybe 1 am and the only light source is one incandescent bulb behind us (in a garage) where there's no other light source anywhere else except for the flood light which was aiming the opposite way. CANON 5D3 [35 L] [70-200 mm MKII] [50 mm 1.4]
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Greenjacket6202 Member 203 posts Likes: 2 Joined May 2011 Location: Clacton-On-Sea. East Coast of UK More info | May 26, 2012 06:46 | #27 scobols wrote in post #14482971 I just recently shot a recital with a 5D3, 70-200 f/2.8 combo. I had been using a 5DC at ISO 1600. The 5D3 will amaze you. For most of the show I was shooting 1/500 or above. Here are two examples: 1/800, f/2.8, ISO 5000 ![]() 1/200, f/2.8, ISO 25,600 *There was almost no light for this scene, VERY difficult to even see, much less photograph. ![]() Very nice shots Scott.
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scobols Goldmember More info | May 26, 2012 06:51 | #28 Thank you.
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Greenjacket6202 Member 203 posts Likes: 2 Joined May 2011 Location: Clacton-On-Sea. East Coast of UK More info | Thanks Scott.
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JohnE Goldmember 1,025 posts Likes: 1 Joined May 2006 Location: Amarillo, TX More info | May 26, 2012 07:17 | #30 Kechar wrote in post #14484221 In my experience with low-light dance photography i've found that even if you think the foto has a lot of noise it may print very well. Noticed this on my 40D years ago. Exactly. Too many of us, myself included, are guilty of judging the quality of photos at 1:1 (100%) on Lightroom or Photoshop when in reality you will never see them that size in print or on screen. John Elser
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