Interesting experiment with the 10-22. I see a little vignetting in the images, but not as much as I'd expect.
Just to clarify...
I see from the PDF at your link that you modified the lens, for it to physically be able to mount on the 1D body at all.
The 1D2N is an EF mount camera, but is not full frame. It's also a crop camera, just 1.3X instead of 1.6X. Or, approx. 18.6mm x 28mm sensor, instead of the 15mm x 22mm sensor of the "EF-S" camera (vs 24mm x 36mm "full frame"). What works partially or completely on a 1D-series camera might not work on a FF camera (1Ds-series or 5D-series). So I think it's risky to make the statement, "Using EF-S lenses on EF cameras", since the EF cameras you use are both crop models: 1D2n (1.3X) and a 10D (1.6X).
All third party lenses use EF mount (not EF-S), even the crop design lenses. So no mofification is needed and they can simply be mounted straight away... though they might vignette if used on a 1.3X or FF camera. Also, particularly with wide, retrofocus designs it's possible that the lens' rear elements would protrude far enough into the camera to physically interfere with the camera's mirror. Of course, that's more of a possibility with the larger mirror in a full frame camera, than with the considerably smaller mirror in the 1.3X 1D-series cameras.
Just considering wide lenses.... Sigma doesn't make a 10-24 lens. They make an 8-16mm, two different 10-20mm and a 12-24mm. The latter truly is a full frame design (and expensive... but the widest non-fisheye lens avail. for full frame). The other three Sigma are "crop" design. Tamron makes a 10-24, also a "crop" lens. Tokina makes 11-16mm and 12-24mm "crop" lenses. All of them use standard EF mount, so will mount on any Canon EOS camera without modification, but should be used with care in case of mirror interference. And they might vignette.
Why buy a pricey Canon 10-22 and have to modify it, when you can buy a quality third party lens that requires no modification for a lot less money? For example, a used Tokina 12-24 sells for around $400-450 US, and new it sells for about $600 US. Used the cheaper version of the Sigma 10-20mm can be found for around $350 US and sells new for about $480. Both of those include the lens hood. In comparison, the Canon EF-S 10-22 runs about $900 US new, by the time you get the lens hood that's sold separately. Used it sells for $600-650 US. And it might be worth less, after it's modified for use on an EF-only mount camera (though it appears the mod to the 10-22mm is reversible, if you don't lose the parts).
I can tell you from testing it on my 5DII, that the Tokina 12-24 is usable on full frame at least 18 or 19mm wide before it starts vignetting. It would be usable even wider on a 1.3X crop 1D-series camera. No modification is necessary. Like all third party lenses, the Toki 12-24mm simply uses the standard EF mount, even though it's a "crop only" design. I haven't tested the 12-24 any wider, not wanting to risk interfering with the mirror.
Looking at the PDF, I don't understand why you are putting the 12mm wire under the UV filter on the 10-22mm lens. Is that to prevent the lens from focusing to it's normal closest point, extending the barrel fully? And is that because the rear element protrudes enough to interfere with the mirror in the camera? If that's the case, it would be a no-go for me, because I wouldn't want to have to keep a filter on the lens all the time and wouldn't want to significantly limit it's close focusing ability. Anyway, instead I'll just spend less and get a lens I don't have to modify.