IslandCrow wrote in post #14772727
Pretty good article, and I kind of like the technique, but unless I skipped over something, what he doesn't take into account is the brightest portion of different scenes may not necessarily have the same tonality. In other words, the camera may not expose it properly if the tone is too dark or too light, so simply dialing in an EV won't give you what you're looking for.
In the end, I really think the best way to truly expose to the right is to find a manual exposure setting (or multiple settings if the light is changing) that will put your curve on the far right of the histogram.
The technique was developed for high contrast scenes and therefore assumes a pretty bright "brightest portion", but knowing the exposure "headroom" for your (used generically, not referring to you, IslandCrow, personally) particular camera is helpful regardless of the overall tonality and contrast of the scene. In addition, since the camera's metering system assumes that the scene it's metering is 18% (as commonly understood, supposedly it's really closer to 12%) neutral gray, regardless of how dark or bright it really is, it automatically compensates for varying tonalities by adjusting the exposure up for a darker subject and down for a brighter subject, so that varying tonalities are essentially irrelevant in using this technique. In any event, if you want to tweak the exposure once you've dialed in the safe headroom amount of increased exposure that would be easy to do, but knowing the headroom amount gives you a known, safe starting point where you know that you won't over-expose by using the basic adjustment. You can always chimp the shot to check the histogram and then adjust as needed to move it to the right (assuming you have your camera set up to give a reasonably accurate histogram, preferably showing the RGB channels separately). Although I believe the expose to the right technique does improve image quality, I've got to admit I'm not obsessive about trying to get the histogram as far to the right as it will possibly go without truly over-exposing (in the sense of losing highlight detail). I find it easier just to apply this technique and not worry about the last 1/3 - 2/3 of a stop that I might be able to push the exposure.