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snakeman55 Goldmember 1,223 posts Likes: 2 Joined Feb 2005 Location: Baltimore, Md More info | Aug 25, 2012 19:53 | #16 |
FuturamaJSP Goldmember 2,227 posts Likes: 82 Joined Oct 2009 More info | Aug 25, 2012 20:00 | #17 crop body + high quality lenses is and will be always better than ff + mediocre/crappy lenses They asked me how well I understood theoretical physics. I said I had a theoretical degree in physics. They said welcome aboard! - Fallout New Vegas
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Aug 25, 2012 20:03 | #18 FuturamaJSP wrote in post #14906676 crop body + high quality lenses is and will be always better than ff + mediocre/crappy lenses but it does seem that some of those so called pro photographers are so damn cheap that they use Rebels with kit lenses. I hope they will get sued like this one http://www.youtube.com …z-07D5KoE&feature=related Even a rebel with a kit lens is not bad in and of itself... Did you lose Digital Photo Professional (DPP)? Get it here
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FuturamaJSP Goldmember 2,227 posts Likes: 82 Joined Oct 2009 More info | Aug 25, 2012 20:07 | #19 cdifoto wrote in post #14906688 Even a rebel with a kit lens is not bad in and of itself... I do agree that it is very adequate for everyday snap shots but when you are getting paid 1000 bucks + for shooting a wedding you should at least get some decent lenses especially considering the very narrow maximum aperture of those kit lenses and relatively poor performance like sharpness and AF speed and accuracy of those lenses. They asked me how well I understood theoretical physics. I said I had a theoretical degree in physics. They said welcome aboard! - Fallout New Vegas
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Christina.DazzleByDesign Goldmember 1,973 posts Likes: 6 Joined Mar 2012 More info | Aug 25, 2012 20:19 | #20 FuturamaJSP wrote in post #14906705 I do agree that it is very adequate for everyday snap shots but when you are getting paid 1000 bucks + for shooting a wedding you should at least get some decent lenses especially considering the very narrow maximum aperture of those kit lenses and relatively poor performance like sharpness and AF speed and accuracy of those lenses. I'm just finding it awesome that the judge knows quite a bit about photography - I bet the photographers didn't expect that. I agree that the camera itself is fine, but they should have a fast prime or something better suited to the obvious low-light that comes with every indoor wedding. In this case its not so much the camera, as it is the lenses they are putting on it. **currently watching the video** 5D3 | 7D | 85L II | 70-300L | 24-105L | Nifty Fifty | 600EX-RT_______________
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Aug 25, 2012 20:27 | #21 FuturamaJSP wrote in post #14906705 I do agree that it is very adequate for everyday snap shots but when you are getting paid 1000 bucks + for shooting a wedding you should at least get some decent lenses especially considering the very narrow maximum aperture of those kit lenses and relatively poor performance like sharpness and AF speed and accuracy of those lenses. Meh. It's all about the lighting and emotion. Every wedding photographer worth a damn knows that. Did you lose Digital Photo Professional (DPP)? Get it here
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FuturamaJSP Goldmember 2,227 posts Likes: 82 Joined Oct 2009 More info | Aug 25, 2012 20:44 | #22 Christina.DazzleByDesign wrote in post #14906734 I'm just finding it awesome that the judge knows quite a bit about photography - I bet the photographers didn't expect that. I agree that the camera itself is fine, but they should have a fast prime or something better suited to the obvious low-light that comes with every indoor wedding. In this case its not so much the camera, as it is the lenses they are putting on it. **currently watching the video** Correct me if I am wrong but the difference in IQ is not that hugely different between modern DSLRs sure the much much more expensive 5DIII and 1D X may produce less noise compared to the current Rebels but the main advantages offered by them are really not that important for shooting static and slow moving subjects so in the end what really can improve the quality of the images are the lenses you put in front of the sensor. It's the same doesn't matter if you shoot weddings or landscape or wildlife. cdifoto wrote in post #14906763 Meh. It's all about the lighting and emotion. Every wedding photographer worth a damn knows that. yes knowledge is very important but having good equipment is very important as well. Sure you can achieve good results with a kit lens but it does impose a lot of limitations and using cheap low quality equipment is just wrong when charging that much money. It's funny we are talking about this because I was watching this video earlier They asked me how well I understood theoretical physics. I said I had a theoretical degree in physics. They said welcome aboard! - Fallout New Vegas
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Aug 25, 2012 21:53 | #23 FuturamaJSP wrote in post #14906824 Correct me if I am wrong but the difference in IQ is not that hugely different between modern DSLRs sure the much much more expensive 5DIII and 1D X may produce less noise compared to the current Rebels but the main advantages offered by them are really not that important for shooting static and slow moving subjects so in the end what really can improve the quality of the images are the lenses you put in front of the sensor. It's the same doesn't matter if you shoot weddings or landscape or wildlife. yes knowledge is very important but having good equipment is very important as well. Sure you can achieve good results with a kit lens but it does impose a lot of limitations and using cheap low quality equipment is just wrong when charging that much money. It's funny we are talking about this because I was watching this video earlier http://youtu.be/zh6zr3wKRV0 That video would not exist and those photographers would never have gone to court if they understood lighting and produced good results. The equipment is not the reason they were sued. As far as being "wrong" - it's not "wrong" if the results are good. Charging a good amount of money ($1000 isn't a lot of money) doesn't automatically mean the gear has to be expensive. Did you lose Digital Photo Professional (DPP)? Get it here
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FuturamaJSP Goldmember 2,227 posts Likes: 82 Joined Oct 2009 More info | Aug 25, 2012 23:05 | #24 As you can see and hear in that video the cheap and crappy equipment can put serious limits to creativity and require a lot of skills and thinking out of the box to somewhat compensate for those. then of course I am sure not many people in this forum are not even close to as good as the pro photographer in that video. So if 1000 bucks is not a lot of money then paying 1000 USD for a high quality L lens is really not much at all considering how many years you will be able to use it to create superior images as oppose to keep shooting with kit lenses. They asked me how well I understood theoretical physics. I said I had a theoretical degree in physics. They said welcome aboard! - Fallout New Vegas
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CyberManiaK Senior Member 673 posts Likes: 1 Joined Jan 2009 Location: So.Cal More info | Aug 25, 2012 23:42 | #25 IMO: Knowledge is more important than equipment. Probably doing a wedding with a slow lens is not the best equipment to use, but if you know how to use lighting, dragging the shutter, post process,etc then you can achieve great results.. And if you don't know anything, but have great lenses the results would be mediocre. And I think that is why they are a lot of people claiming they are "Pros" because are doing weddings with expensive lenses, just because they read this is the best for weddings, and they say oh yeah my pics are great, but they are trash cuz they don't have a clue how to use it.. Carlos
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | Aug 26, 2012 01:53 | #26 FuturamaJSP wrote in post #14907189 As you can see and hear in that video the cheap and crappy equipment can put serious limits to creativity and require a lot of skills and thinking out of the box to somewhat compensate for those. then of course I am sure not many people in this forum are not even close to as good as the pro photographer in that video. So if 1000 bucks is not a lot of money then paying 1000 USD for a high quality L lens is really not much at all considering how many years you will be able to use it to create superior images as oppose to keep shooting with kit lenses. You're nuts if you expect a $1000 wedding professional to have the latest and greatest top end equipment. Did you lose Digital Photo Professional (DPP)? Get it here
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moltengold Goldmember 4,296 posts Likes: 10 Joined Jul 2011 More info | i dont have weddings photos | Canon EOS | and some canon lenses
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Aug 26, 2012 07:33 | #28 It's amazing how the OP asked about camera bodys: jaomul wrote in post #14904500 While ff cameras are no doubt better for weddings I hoped some of the people who use their cheaper smaller cropped cousins could post to show how good they can be. We are always told its not the camera. Please post! And a couple posts later this thread turned into a lens argument. 7D MKII ■ 10-22 ■ 15-85 ■ 28-135 ■ Σ 50-150 ■ 70-200 f4L ■ 100-400L ■ 580EX II
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johneo Goldmember 1,428 posts Likes: 1 Joined Aug 2003 Location: North Kingstown, RI More info | Aug 26, 2012 08:07 | #29 Eagle wrote in post #14907973 And a couple posts later this thread turned into a lens argument. And a "GOOD" lens IS probably more important than the selection of a body, FF or Crop, when shooting something as important as a wedding for hire. 2 - 5DMKII's, Powershot SX 150 IS
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Aug 26, 2012 08:13 | #30 body is more important than lens when discussing two different form factors (crop vs FF). Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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