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Thread started 21 Dec 2005 (Wednesday) 18:27
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Canon lenses = Ancient History?

 
Tom ­ W
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Dec 22, 2005 09:05 as a reply to  @ post 1017344 |  #46

Jon wrote:
Other points to consider in looking at changes in lens design and construction are:
1) Canon's changing all its lenses to use lead-free glass, without necessarily changing the lens mark. This involves a certain amount of re-engineering as well as basic research since even if the configuration of an element doesn't change, the necessary procedures for preparing it may.

That's a shame as I understand that leaded glass has some good optical qualities.

2) The glass used in a lens is a major component in its weight - it's not easy to make a significant reduction in weight without getting rid of some glass, or replacing it with something else wiht comparable index of refractionbut less density. The rest of the lens construction needs to be able to handle this weight and maintain correct positioning under the stresses of normal use. How many people like the 50 f/1.8 Mk II's construction as compared to the metal 50 f/1.8 Mk I? But there's a lens that really has benefitted (in size, weight, and price) from re-engineering and volume production.

There is/was a benifit to the weight and price of the newer plastic 50/1.8, but in terms of handling, it really isn't as good. No focus scale and the manual focus ring isn't much to talk about. On the other hand, it certainly maintains decent image quality and has an incredible price/performance ratio. I'd still prefer have the metal mount version, though.


Tom
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Tom ­ W
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Dec 22, 2005 09:06 as a reply to  @ post 1017374 |  #47

condyk wrote:
I wish I had a silent USM motor on my fridge :rolleyes:

Mine makes some really odd sounds. But it does have the newer scroll-type compressor rather than the older type. This is said to be more energy-efficient.


Tom
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MDJAK
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Dec 22, 2005 09:19 as a reply to  @ post 1017395 |  #48

MrChad wrote:
Bottom line is anything in the Eos System ancient? I mean some of the older must have L's would have been the 28-80L and the 80-200L and though no longer for sale new, I would call them oldies but goodies (classics), but not ancient.

BTW, I would love to see a copy of that list, I don't recall seeing Eos magazine on the shelf in the states.

I've never seen it for sale in the states either. I have a subscription to it. It is one of the best photo mags out there.

One thing about the list, though, it states in the footnotes that lenses listed in "Pale" type are discontinued. Unless my eyes deceive me, there's no pale type at all in the lens list.




  
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MDJAK
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Dec 22, 2005 09:21 as a reply to  @ MDJAK's post |  #49

I have a confession to make. I started this thread to stir the pot a little. I wanted to learn from my fellow forumers about lens technology, and learn I have.

In no way was I putting down Canon lenses, for that would be plain dumb. I left my Noinks in the cold solely because of Canon lenses. Now if I can only find a way to secure one of those big whities.




  
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Jon
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Dec 22, 2005 09:37 as a reply to  @ Tom W's post |  #50

Tom W wrote:
That's a shame as I understand that leaded glass has some good optical qualities.

And they're trying their level best to match them with non-leaded glass. Changing to a glass with different properties would require re-designing the lens, not just the manufacturing process for the given element.


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foxbat
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Dec 22, 2005 10:35 as a reply to  @ post 1017337 |  #51

buze wrote:
Actualy, on this thread foxbat has a nice Flek 20 that gives hin very good results. but he has to stop it down to 22!!

It's just as good at f/16 too. ;) Your point is well made though, the variation in quality on this lens is way too much to risk buying one without trying it in the shop first.


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buze
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Dec 22, 2005 10:38 |  #52

The "heavier" the glass, the better ! Thats why thorium and lanthanium glass was so good... unfortunately it was also slightly radioactive :D

Buze of the Glowing Glass Order :D


5DII - 350D ; Bronica S2A, Leica IIIc&M2, Rolleiflex T etc!
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Sigma: 30 f1.4 EX, 18-200, 18-50 f2.8 EX, 28-135 Macro
Other: About 60+ Zeiss, Pentax Takumar, Meyer, Pentacon etc! http://forum.manualfoc​us.org (external link)

  
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Tom ­ W
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Dec 22, 2005 10:41 as a reply to  @ foxbat's post |  #53

foxbat wrote:
It's just as good at f/16 too. ;) Your point is well made though, the variation in quality on this lens is way too much to risk buying one without trying it in the shop first.

You mean like I did? :)


Tom
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rdenney
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Dec 22, 2005 13:03 as a reply to  @ post 1017337 |  #54

buze wrote:
Actualy, on this thread foxbat has a nice Flek 20 that gives hin very good results. but he has to stop it down to 22!!

That to me is evidence of a pretty poor lens. The diffraction at f/22 should be quite damaging--the aperture is only 0.9 mm in diameter at f/22 on a 20mm lens. That tells me that the lens faults are worse than the effects of severe diffraction. Not a great recommendation!

The Flektogon design came out in the early 50's, concurrent with the Distagon and the Angenieux. Coatings made it possible--before coatings were commerically available, wide-angle lenses had too many air surfaces and were ruined by flare and reflection (that was also the reason the Planar designs, though formulated in the 1890's, were not viable until the early 50's). Later design approaches and computer modeling had their biggest effect with retrofocus wide-angle lenses and with zooms. Normals and telephotos were largely a solved problem by the early 50's, but wides didn't get really good until much later. They are still getting better, but that is showing up as being wider and wider.

Rick "who owns two medium-format Fleks, also variable" Denney


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buze
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Dec 22, 2005 13:59 |  #55

On the other hand, the Flektogon 35mm f2.4 is just the contrary, it's a *fantastic* lens. It is such a gem !


5DII - 350D ; Bronica S2A, Leica IIIc&M2, Rolleiflex T etc!
Canon: 50 f1.4, 85 f1.8, 135 f2 L, 200 f2.8 L MkI, 70-300 DO
Sigma: 30 f1.4 EX, 18-200, 18-50 f2.8 EX, 28-135 Macro
Other: About 60+ Zeiss, Pentax Takumar, Meyer, Pentacon etc! http://forum.manualfoc​us.org (external link)

  
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Todd ­ Jacobsen
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Dec 22, 2005 14:21 |  #56

MDJAK wrote:
We all know, I believe, that technology marches along at an incredible pace. Whether it's processor power, memory, miniaturization, lighter weight materials, amazing strides are constantly and continuously being made on many fronts.

Alas, except one. Lenses. I just received my latest issue of EOS Magazine. It's a feature-filled periodical with articles of great interest. One such is on Canon's tilt shift lenses, a topic which I keep trying to understand. But I digress.

The magazine came with an insert which is a list of every Canon Camera and Lens ever made, along with a description of same and year of production.

Damn, lenses are old. While there are a few new ones, many, many of the lenses we buy today, brand-spankin' new, came out five or more years ago. I can't imagine that these can't be updated, at least in terms of materials to save weight, etc.

Just as an example:

100-400, introduced in Nov. '98
Even the vaunted 70-200 f2.8 IS, which is newer than the non-IS, came out in August of '01.

As far as primes are concerned, the story is even older:

300 f2.8L IS USM July of '99, six years old. Ancient by today's standards.

The revered 14 f2.8, Canon's widest prime, which costs a pretty penny, came out in December of -- are you ready? 1991. Fourteen years ago.

Yes, I realize it still does the job, that's not my point. I just don't understand, and it's probably because of my simple mind, how in all this time manufacturing techniques have not improved so as to bring the costs down and the yields up.

Any comments?

You're mixing and matching lens technology and the digital revolution. They are not necessarily the same.

The only electronic revolution in the lenses is AF & IS. Everything else is back in the 60's. I would agree, that now, most lenses could have IS as an option. Outside of that, I don't know of much that would make the process "cheaper".


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I ­ Simonius
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Dec 22, 2005 18:05 |  #57

MDJAK wrote:
We all know, I believe, that technology marches along at an incredible pace. Whether it's processor power, memory, miniaturization, lighter weight materials, amazing strides are constantly and continuously being made on many fronts.

Alas, except one. Lenses. I just received my latest issue of EOS Magazine. It's a feature-filled periodical with articles of great interest. One such is on Canon's tilt shift lenses, a topic which I keep trying to understand. But I digress.

The magazine came with an insert which is a list of every Canon Camera and Lens ever made, along with a description of same and year of production.

Damn, lenses are old. While there are a few new ones, many, many of the lenses we buy today, brand-spankin' new, came out five or more years ago. I can't imagine that these can't be updated, at least in terms of materials to save weight, etc.

Just as an example:

100-400, introduced in Nov. '98
Even the vaunted 70-200 f2.8 IS, which is newer than the non-IS, came out in August of '01.

As far as primes are concerned, the story is even older:

300 f2.8L IS USM July of '99, six years old. Ancient by today's standards.

The revered 14 f2.8, Canon's widest prime, which costs a pretty penny, came out in December of -- are you ready? 1991. Fourteen years ago.

Yes, I realize it still does the job, that's not my point. I just don't understand, and it's probably because of my simple mind, how in all this time manufacturing techniques have not improved so as to bring the costs down and the yields up.

Any comments?

Cost going down happens BECAUSE yeilds are up, and the 14mm was obviously never that much in demand, also it's very difficult tro make any significant improvement on a lens like that without costing a LOT more, whhich isn't wrth doing as even less people would buy it , whereas new zooms cover that FL,( or neaer enough) and often with better quality. That means to even sell ANY of those old lenses now people need a good reason NOT to get the zoom instead.


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Wavy ­ C
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Dec 22, 2005 19:10 as a reply to  @ post 1017214 |  #58

buze wrote:
...
Sometime I get the impression that Canon makes a new lens, build 10 millions of them, store them in a large warehouse and ships them for 20 years afterward.
Otherwise, standard manufacturing processes would *scream* to stop making "version 1" IS electronics when you already have a "version 2" and "3" too. It would be cheaper to adap the lens to use the new version than dedicate part of the manufacturing force to continue making obsolete (and therefore more expensive) stuff.

Ha, intriguing thought!

My 85mm f1.8 was purchased in 1983 and has been used fairly regularly ever since. After 12 years of being hauled around and being used/stored in all kinds of unfavourable environments it's still preforming well - not bad! I've often wondered, however, if Canon does any kind of 'silent updates' to its lenses as improvements in manufacturing techniques become available - or is my lens exactly the same as the ones they are selling today? (I guess the box design has changed from the my original which has one corner set at an angle).

This is a great discussion with many interesting points. I must admit I loved my old FD lenses with their smooth and damped focusing rings, but have to agree with the earlier point that this would probably make it difficult for the autofocus motor to turn.



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MrChad
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Dec 22, 2005 19:24 as a reply to  @ Wavy C's post |  #59

Wavy C wrote:
This is a great discussion with many interesting points. I must admit I loved my old FD lenses with their smooth and damped focusing rings, but have to agree with the earlier point that this would probably make it difficult for the autofocus motor to turn.

Well the L USM's have a well damped focus ring and a fast AF system, best of both worlds. Some may argue the cost is high, I'll argue add up the price of all the EF consumer primes in the 24-70 f2.8 or faster range and suddenly it doesn't look so bad to carry around one superb lens. That is unless your cat sees all the eggs in one basket and takes your L out of use for you....


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epolevne
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Dec 22, 2005 20:11 as a reply to  @ MrChad's post |  #60

I'm pretty sure Canon doesn't update the IS in lenses for a few reasons:
1. to prevent customer confusion
2. to help the lenses retain their value
3. to not incur any additional R&D/Manufacturing/QC cost for a lens that will sell without it


Epolevne

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