Good.... Subscribed as well. Really hope this lens be the best
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You won't be disappointed 
Apr 07, 2014 11:30 | #6257 lovely background, looks like a painting Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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Lihto Hatchling 6 posts Joined Mar 2013 More info | Apr 07, 2014 11:47 | #6259 Hello from Croatia F/2.0 IMAGE LINK: https://flic.kr/p/mSmbn6 F/1.4 IMAGE LINK: https://flic.kr/p/mSmdRp F/2.0 IMAGE LINK: https://flic.kr/p/mSmgnB F/1.4 IMAGE LINK: https://flic.kr/p/mSnXQ9 F/1.4 IMAGE LINK: https://flic.kr/p/m4LHzT 5D iii + Σ35A +Canon 40mm+ Canon 85mm 1.2 II
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mrk Member 129 posts Joined Dec 2004 Location: UK More info | Apr 07, 2014 12:11 | #6260 Much appreciated! It's always hard to decide on a lens when you don't really see a good variation of images of the stuff you're likely to be shooting so you don't get a rough idea of what to expect - I found that to some degree when looking to buy the 35mm Sigma but I knew what I could do with it having already owned the 50mm 1.4 and 85mm 1.4 - I've always been a huge fan of the 35mm "pop" that this focal length gives to subjects in focus. I suppose I like shooting different things all the time from multiple genres instead of just sticking to architecture or portraits. Aressem wrote in post #16815978 Another thumbs up, man! Stellar work. I love love love it! Do you edit every image individually without actions? Each image has it's own awesome feel to it. I want to know more about how you're PP'ing these. I'm feeling inspired after viewing your images! ![]() I have accumulated presets over time and built up my own. I'll tell you what it was, I've always been a fan of the 70s film photography look given to portraits, there are Flickr pages dedicated to vintage 70s portraiture and city shots that have that look, old skool Kodak film/Fuji and so on where the blacks have been pushed to give a faded but vintage look. I know this look is really popular at present with many and in some cases is done quite extremely (a bit like how the HDR phase started out) but I liked the medium range of the vintage look so set out to create a Lightroom preset to get a look similar and in many ways I got close, but not perfect. Facebook
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Aressem Goldmember More info | Apr 07, 2014 12:15 | #6261 mrk wrote in post #16816134 Much appreciated! It's always hard to decide on a lens when you don't really see a good variation of images of the stuff you're likely to be shooting so you don't get a rough idea of what to expect - I found that to some degree when looking to buy the 35mm Sigma but I knew what I could do with it having already owned the 50mm 1.4 and 85mm 1.4 - I've always been a huge fan of the 35mm "pop" that this focal length gives to subjects in focus. I suppose I like shooting different things all the time from multiple genres instead of just sticking to architecture or portraits. At least for me anyway it keeps me busy and not getting bored of shooting the same thing - I know others out there are perfectly at home shooting just portraits or just street which is all cool ![]() I have accumulated presets over time and built up my own. I'll tell you what it was, I've always been a fan of the 70s film photography look given to portraits, there are Flickr pages dedicated to vintage 70s portraiture and city shots that have that look, old skool Kodak film/Fuji and so on where the blacks have been pushed to give a faded but vintage look. I know this look is really popular at present with many and in some cases is done quite extremely (a bit like how the HDR phase started out) but I liked the medium range of the vintage look so set out to create a Lightroom preset to get a look similar and in many ways I got close, but not perfect. Once VSCO preset packages came out I saw their samples and knew those were where I wanted to start so bought their range and chose a preset there to work with and from the adjustments in those I used in my own and the results above are the kind of styles you see. Every photo does get fine tuned. As good as any preset is it cannot account for every variable in a scene so some fine tuning is needed for colour, highlight and shadow detail and split toning if monochrome. It's quite laborious at times but it's worth it I think. I still don't think the work above is the best it could be but I see each shoot as a learning curve and take something away from it for use in the next session and to that end I guess we could say that the learning experience never ends and that's the beauty of what we all do isn't it? We share ideas and our experiences and showcase what we have ![]() Well said, and thanks for the reply! You have a new fan on FB now Ryan Mackay WEBSITE
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Apr 07, 2014 12:22 | #6262 IMAGE LINK: https://flic.kr/p/mRRsfP Patrick
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LVMoose Moose gets blamed for everything. More info | Apr 07, 2014 12:42 | #6263 |
Apr 07, 2014 12:43 | #6264 |
LVMoose Moose gets blamed for everything. More info |
mrk Member 129 posts Joined Dec 2004 Location: UK More info | Apr 07, 2014 12:55 | #6266 Mesmer wrote in post #16816064 Ballet Tulip https://photography-on-the.net …681921&stc=1&d=1396888319 This is really nice, creative, minimal, it's a useful photo and catchy too! Aressem wrote in post #16816141 Well said, and thanks for the reply! You have a new fan on FB now . Would you care to elaborate on what you mean by split toning when working with B+W's? Feel free to send me a PM here or on FB Thanks in advance. - Ryan I don't mind PMing but if it helps others get some ideas on how to process their own shots in a similar way then I'm more than happy to post here too If I convert the photo to BW and then add some tone to the highlight area then I get this subtle difference: ^ Notice I chose to use a very neutral shade to tone with, even though it looks like it won't make a difference, a small value for the saturation does indeed make a subtle and worthwhile difference. Whereas just BW by itself looks like this: If I then add some tone to the shadow area, let's say a very light shade of blue edging into grey then I get this: It's worth playing around with this in conjunction with the contrast and black level sliders in the main exposure module as you can get some nice results with various combinations ![]() Facebook
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blackjack999 Goldmember More info | Apr 07, 2014 13:49 | #6267 |
Apr 07, 2014 13:54 | #6268 mrk wrote in post #16816228 This is really nice, creative, minimal, it's a useful photo and catchy too! blackjack999 wrote in post #16816375 Really like it. Very creative! /° Thanks. The wife wanted to do this shoot so I jumped at the chance, and bought her a bunch of flowers. I don't ever turn down a willing model. InstaGram
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jonneymendoza Goldmember 3,794 posts Likes: 391 Joined Apr 2008 More info | Apr 07, 2014 14:13 | #6269 mrk wrote in post #16815346 .... hiya Canon 5dmkIII | Canon 85L 1.2 | Sigma 35mm ART 1.4|Canon 16-35mm L 2.8 |Canon 24-70mm L f2.8 | Canon 70-200mm F2.8L MK2 | Canon 430EX MK2 Flickr
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