^Regardless of how it was created, I loved the shot! This one is great too 
I totally got what you were going for and I think you nailed it, so keep up the great work! 

EverydayGetaway Cream of the Crop More info | Jul 15, 2014 12:23 | #12226 ^Regardless of how it was created, I loved the shot! This one is great too Fuji X-T3 // Fuji X-Pro2 (Full Spectrum) // Fuji X-H1 // Fuji X-T1
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Jul 15, 2014 14:28 | #12227 EverydayGetaway wrote in post #17033593 Except that in this case it is realistic... my understanding is that he took a shot of the moon with his 70-200mm, then from the same location took a shot with his 16-35mm and combined them in post to keep the details of the super moon... in my mind that is far from cheating. Where I am the moon looked about that big, so I don't see that as cheating at all, it's recreating the scene as he envisioned it, which is what art is imo... different trains of thought in what is considered cheating or not. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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sirquack Goldmember More info | Jul 15, 2014 14:52 | #12228 I am going to give my take, in this case, I don't think that by superimposing the same moon, taken from the same vantage point in the same location is adding a subject to the image. Name is Ron.
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Jul 15, 2014 15:11 | #12229 sirquack wrote in post #17034004 I am going to give my take, in this case, I don't think that by superimposing the same moon, taken from the same vantage point in the same location is adding a subject to the image. If the image had a moon shot taken from another image taken elsewhere, or even when a moon was not present, it would be more of an issue. Well on the flip side, why does the location of where I took the shot of the moon matter? Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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EverydayGetaway Cream of the Crop More info | Jul 15, 2014 15:41 | #12230 Charlie wrote in post #17034041 Well on the flip side, why does the location of where I took the shot of the moon matter? the moon will look the same regardless of where I shoot it from. So if I put it in an image where it makes the image look as dramatic as possible, why would it matter? or does it matter? ![]() He took the picture of the moon as he saw it that night and then put it on his image to do justice to the scene that he witnessed. He said he enlarged it slightly, but I think it looks fairly natural to the scene anyway. Fuji X-T3 // Fuji X-Pro2 (Full Spectrum) // Fuji X-H1 // Fuji X-T1
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Nick3434 Goldmember More info | Jul 15, 2014 18:28 | #12231 Charlie wrote in post #17032148 well that's an odd lens, didnt even know it existed. You can pickup the samyang 14 for pretty cheap as well, around ~200 or so second hand. Pretty damn capable:] Yeah, it is really worth looking into, I researched a lot before looking for a while to find one come up. I got it for interiors as it is way better than the samyang regarding distortion control, and AF is not as unwelcome as I thought with wide open shots at close range. The samyang is sharp for sure, but I wanted a more all around 14 that was not $2000 and so far so good. Everything is relative.
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ridedontslide Member 97 posts Likes: 4 Joined Nov 2013 Location: Loveland, CO More info | This is a 6D Owners Unite thread. Be the bigger person and self moderate yourself here - resist the urge to criticize images (there is a section of the forum for that) and debate the rights and wrongs of photography (this debate will never end). Canon EOS 6D ... EF 70-200L f/2.8 IS II ... EF 24-70L f/2.8 L II ... EF 17-40L f/4 ... EF 40 f/2.8
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Sage Member 158 posts Joined Mar 2012 Location: Dubai More info | Jul 15, 2014 21:20 | #12233 EverydayGetaway wrote in post #17033573 Get off your high horse. If you don't want to create composites than it's your business, but don't belittle anyone else's work for it, history will be the judge of who's got the more powerful image and to my eyes that composite is one of the best I've seen on this site in a good while.. Sorry, didn't know we were not allowed to provide our opinion, the photographer himself took my feedback as well as all others. Canon 5D MarkIII | 60D | EF-S 10-22mm f/3.5-4.5 | 16-35mm f/2.8 L | 24-70mm f/2.8 L | 70-200mm f/4 L | 135mm f/2 L | EF-S 17-85mm f/4-5.6 IS
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PhotosByDlee Cream of the Crop More info | Jul 15, 2014 21:39 | #12234 Sage wrote in post #17034746 Sorry, didn't know we were not allowed to provide our opinion, the photographer himself took my feedback as well as all others. But just for you ... yes, great picture! move on. Out of curiosity, are you a Ken Rockwell fan? Sony Alpha A7 Mark IV - Sony FE PZ 16-35mm f/4 G - Sony FE 35mm f/1.4 GM - Sigma 85mm f/1.4 DN Art - Sigma 105mm f/2.8 Macro - Sigma 50mm f/2 DG DN
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kiwichris I forget how I didded that! More info | Jul 15, 2014 21:57 | #12235 Hmmmmmm, no I'm not going to fix things either as I do feel that everyone who has posted is correct, and there have been times when I have wondered myself, with considerable cogitation I came to this conclusion... photograph comes out of a camera, when stuff from another photograph, picture or software effects (ie pencil shading etc) is added, it then becomes a picture. Post them up guys. I want to see the pictures coming out of this camera. It does not say 'pictures coming out of Photoshop, DXO etc.' Panasonic Lumix G9 and some lenses
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FarmerTed1971 fondling the 5D4 More info | Jul 15, 2014 22:01 | #12236 Back to 6D photos please.... Getting better at this - Fuji X-t5 & X-t3 - 16 1.4 - 35/50/90 f2 - 50-140 - flickr
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NCHANT Goldmember More info | Jul 15, 2014 23:00 | #12237 Friends from the ocean ![]() 6D x 2 | TM SP 35mm ƒ1.4 | 50mm ƒ1.8 | 85mm ƒ1.8 | 24-105mm ƒ4L USM | 135mm ƒ2L | 200mm ƒ2.8L II | 17-40mm ƒ4L | Sy 24mm ƒ1.4 | Sy XP 14mm ƒ2.4 Flickr
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Trench301 Member 145 posts Likes: 77 Joined Apr 2013 Location: Baltimore, MD More info | Jul 15, 2014 23:00 | #12238 6D, 135 f/2 with 2xiii telecon, processed with NIK silverfx 5D3, 6D, 70D, 11-24 f/4L, 16-35 f/4L, 24 TS-E F/3.5L, 24-70 f/2.8L ii, 24-105L, 70-200 f/2.8L IS ii, 100 f/2.8L Macro, 100-400L, 135 f/2.0L, 200 f/2.8L, 50 f/1.4, 40 f/2.8, 1.4xiii, 2xiii, 430exii
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PhotosByDlee Cream of the Crop More info | Jul 16, 2014 04:34 | #12239 |
jonrmoore Senior Member 400 posts Likes: 7 Joined Oct 2012 Location: Vancouver, WA More info | Jul 16, 2014 04:36 | #12240 http://jontakesphotos.com
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