I thought it might have something to do with that. So far, I've been around 50 feet max, so I've been able to use it.
What's your preferred method of syncing? I put both tracks on headphones and adjust them until there is no difference between the two. I've never been taught how to do it, necessarily; someone on YT kinda got me started by showing me the 'Clap hands, audio spike' method, but I can't exactly stop live music and go "Wait, stop! Gotta clap my hands!"


Much more editing, and I might be able to read lips; I've done four hours of production (real time) and produced a DVD from the first two. Need to get the last two onto DVD.
The first DVD of the (Live) show seemed amazing to me at first, but the more I watched it, the more I realized how shaky it was. The Christmas show is a different story... I took a 'Zero Shake' policy. Some still made it in, due to me editing on a small screen... Any shake is more than I like, but no one but an expert or I would notice.
Yeah, you wouldn't believe what a difference the smallest fractions of time make when syncing!
And I also can't believe how much faster light travels than sound! I guess that's why some people look bright until they start talking!

Do yourself a favor a buy PluralEyes 3. It is the quickest and easiest solution to syncing audio.

