LowriderS10 wrote in post #15426731
Yeah, I knew stopping down was an option, but I'm loving the look of pictures wide open...I tend to use my fast lenses wide open only, so I'm trying to work around that...

Yeah, which is why I keep things a bit stopped down with a wide aperture lens with those situations!
That being said, I have done some "creative experimentation", although with mixed results.
Here are a couple decent shots taken at f/1.2 (with my 5DC and the 85 f/1.2L) at an event last year, just because I felt that the composition/subject could benefit from the wide aperture (but I was sitting down and concentrating on a steady shot):
I switched over to f/2.0 later:
But, for most of the event, I was at f/2.8 (with the 5DC/85L combo and then my 1DM3 and 24-70 combo) and was pretty happy:
But, seriously, I rarely even go as wide as f/2.8 when it involves "active" scenes. In fact, if you look at my first shot I posted from that event, you can see that I've struggled even with that!:
http://www.pbase.com …mar_5_11_clark_co_pow_wow
tracknut wrote in post #15427171
Frank, there's an implication in this, that back-button focusing does not continue right up until the shutter trips? Would you mind explaining that?
Dave
Back button focusing works "differently" for different people. Frank is describing the fact that back-button focus can be "inconvenient" if you want to quickly shift from focusing, focus lock, and taking the shot, since you are "juggling" two buttons.
In practice, I do like to use the shutter button focus and One Shot AF for stationary subjects when it's convenient, but I do tend to leave the camera in rear-button focus -- to lock, I just take my thumb off the button and I find the focus pretty reliable. If I think of it and it's appropriate I'll switch to AI Servo, and really rarely get around to switching to shutter button AF, but yeah, Frank's comment has merit!
LowriderS10 wrote in post #15428734
Hmm...well that's the thing, is that "standing still" is a relative term...we both may be standing/sitting, but humans are rarely as still as telephone poles. And just the natural movement of two people (as I've said, half an inch from one person, a quarter from the other) is enough to achieve incorrect focus with such a shallow DOF.
So if AI Servo isn't the answer (or the whole answer) I think I might try putting the camera on burst mode and rattling off a few shots, and hoping that one will be bang on. Of course, the problem is that I'm trying to go as unnoticed as possible, and a camera firing away at +/- 4 fps won't help with that haha
First off, I try to make a habit of good "steadying" techniques...I'll either lean on things and tuck my elbows in, crouch or sit and lean elbows on my thighs, or whatever, unless I'm in good light and can get the right exposures. I've done a lot of street photography where "on the fly" photographing is pretty much a "rule of the road". Those are scenarios where I very much depend on an f/5.6 aperture!
And, for me, another "rule of the road" for a lot of my photography is short "bursts" -- 2-or-3-shot bursts are not "cheating" or "spraying and praying", it is simply a technique when hand-held shooting of difficult scenes to give you the best chance of capturing your vision!
I think another problem of mine is that I don't always focus and trip the shutter right away...sometimes I focus and then make sure the composition looks good/I get a facial expression I like and then I trip the shutter...with that, I think Servo would be much better...I'll definitely work on that...
Yeah, an ongoing challenge and "balancing act"! It's all about "judgement calls" that become effective from a lot of experience and learning by "trial" and, especially, "error"!