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Hermelin wrote in post #19152457
SOOC, negative classic, with sharpness -3 and grain strong and small. I did however missed the focus slightly so it's a bit soft, I still really like the colors.

IMAGE LINK: https://flic.kr/p/2k6Q​nKQ DSCF3176 by Filip Hermelin, on Flickr

I'll be honest, and this is completely a compliment - It is hard to believe that image is SooC! I've never tried the (-) sharpness, but that really seems to work.

My X-T3 finally arrived in the mail! Only one outing with it so far but I'm really happy with it.

IMAGE LINK: https://flic.kr/p/2k6V​RQs

IMAGE LINK: https://flic.kr/p/2k71​gET

IMAGE LINK: https://flic.kr/p/2k6V​RCU

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Up the 'front yard' about 30 min's in the canoe.
Last shot of the lake before the ice and snow hit.
My first real use of the 16/2.8 for landscaping. Had it in a pocket with the 100400 on the body looking for critters.

IMAGE LINK: https://flic.kr/p/2k73​Zoy

GlimmerMan wrote in post #19152592
I'll be honest, and this is completely a compliment - It is hard to believe that image is SooC! I've never tried the (-) sharpness, but that really seems to work.

Thank! That's the magic of the negative classic simulation.

Negative Classic is probably the most dramatic simulation of all while the others I feel are a bit more subtle (except maybe Velvia). The reason for my -3 on sharpness is because I'm trying to get a more filmic look, and I'm thinking/hoping the grain (which isn't even noticeable at this size or maybe flickr can't it), will be more noticeable.

If I do any "postprocessing" I only use the camera engine in fuji x raw studio and change from, but for this case I didn't have to change anything. Just put sharpness -3, strong grain (forgot if it was small or large, but I think small), and negative classic.

I've been pretty busy with work and unmotivated to look at my images from my travels a couple weeks ago but I processed a couple more when I visited the Columbia River Gorge.

Hermelin wrote in post #19152457
SOOC, negative classic, with sharpness -3 and grain strong and small. I did however missed the focus slightly so it's a bit soft, I still really like the colors.

IMAGE LINK: https://flic.kr/p/2k6Q​nKQ DSCF3176 by Filip Hermelin, on Flickr

so is this pro negative? Sometimes I get fed up with processing raws and just want to get the images straight up. I like pro neg high lately but applying to the RAW image in capture one

aladyforty wrote in post #19154068
so is this pro negative? Sometimes I get fed up with processing raws and just want to get the images straight up. I like pro neg high lately but applying to the RAW image in capture one

No. It's "negative classic".

I shot both in raw and JPEG but I only use the camera engine so use STUDIO X RAW if I want to change simulation or anything else, but the goal is always to get it right from the beginning.

Familiar chat in my garden. Was a cloudy late afternoon so the excellent OIS on this lens came in handy.

Made a new vid about tethering with Capture One Express (the free one). Shot on my XPRO2 and 18/2.

Thanks if you watch the vid ߓذߓ

Yesterday in between meetings and work I went to the park next to our house and tried my Canon 24mm TSE on the GFX.Just a test shot, nothing much. I like what these TS-E can do, easy vertical lines which you can fix in PS but more was changing the view point which you can't adjust in PS.

IMAGE LINK: https://flic.kr/p/2k8m​8Yz

A couple images of Mt Adams from 3 weeks ago.

bobbyz wrote in post #19154506
Yesterday in between meetings and work I went to the park next to our house and tried my Canon 24mm TSE on the GFX.Just a test shot, nothing much. I like what these TS-E can do, easy vertical lines which you can fix in PS but more was changing the view point which you can't adjust in PS.

IMAGE LINK: https://flic.kr/p/2k8m​8Yz 20201118_TSE_Test_0004 by Vishi A, on Flickr

Glad to see that set up working. When I had my 50s I was tempted to get the 24 tse ii that I traded in when I switched from canon to Fuji a few years earlier. That lens is otherworldly.

Kirk

Image I shot a year or so ago. I miss being able to do these, up close to people shots, & it was most of my work.