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Thread started 08 Jan 2006 (Sunday) 21:43
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f2.8 vs. f4

 
René ­ Damkot
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Jan 10, 2006 05:44 |  #31

Possibly ;) To get back to the original question:
f/2.8 Pros: Better AF, shallower DoF, brighter VF, 1 stop faster SS.
f/4 pros: price, weight.
The 'quick and dirty' answer would be: 'If you'ld need it you'ld know' :p


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uktrailmonster
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Jan 10, 2006 07:44 |  #32

I was debating in another thread whether or not the 300 F2.8 L IS was worth 4 times as much as the 300 F4 L IS. For a pro shooter who can make it pay then yes. For a multi-millonaire then yes why not. For the rest of us NO F*@**@ WAY!!!


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uktrailmonster
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Jan 10, 2006 07:45 |  #33

Similarly I don't think the 16-35 F2.8 L is worth twice as much as the 17-40 F4 L


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tessina
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Jan 10, 2006 20:08 |  #34

but if shallower DOF,better AF,better to stop action with,are the pros of a f2.8 lens,how is it most 'wildlife lens'(eg.100-400,500 etc)start with at least f/4?
after all,you do want to stop motion(arent animals moving most of the time:D),shallower DOF(to put the creature in sharp focus with a very blur backgd)and faster AF,to capture the action asap?


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Calzinger
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Jan 10, 2006 20:42 |  #35

I am very confused on this issue as well. f/2.8 is double the price of f/4, but is the difference in light worth THAT much of a difference?

On the kit lens, and this probably isn't even a fair comparison, f/3.5 and f/5.6 yield me only one quicker shutter stop. Even at the same shutter speed, the amount of light was noticeably brighter at f/3.5 but nothing to justify that sort of price, especially when it didn't even yield me a much higher shutter stop.

Would it not be better to just get a slower IS lens? The IS would take care of the light since you can have longer exposures.

Bah, now that I think about it, I think I see why. The quicker lenses will allow you to use faster shutter speeds to "freeze" the action while still sucking in sufficient light. IS would just allow you to lower the shutter speed to get your light which could easily end in a blurry subject.

Still though, I'd like to see a comparison of the same scene with an f/2.8 and a f/4 with the same shutter speed, just to see how much more light you are actually getting.


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cdifoto
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Jan 10, 2006 20:45 as a reply to  @ Calzinger's post |  #36

Calzinger wrote:
Still though, I'd like to see a comparison of the same scene with an f/2.8 and a f/4 with the same shutter speed, just to see how much more light you are actually getting.

If you have the 50mm f/1.8 you can do that yourself. Not being smart...I don't know what you actually own....I'm just too lazy to set it up and do it. :p


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Calzinger
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Jan 10, 2006 20:48 as a reply to  @ cdifoto's post |  #37

cdi-ink.com wrote:
If you have the 50mm f/1.8 you can do that yourself. Not being smart...I don't know what you actually own....I'm just too lazy to set it up and do it. :p

Well would ya look at that, just put my "equipment" in my signature.
But like said, I tried the test with f/3.6 to f/5.6 with the stock lens. I certainly was not convinced. The amount of light was useless, only yielding me one quicker shutter stop which was hugely unnecessary at 18mm when I could easily shoot at 1/8.

Perhaps it's the focal length. Maybe at 200mm f/4 and f/2.8 make a huge difference, but at 18mm, bah!


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MDJAK
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Jan 10, 2006 21:20 as a reply to  @ Calzinger's post |  #38

My question, for the cognescenti here, is similar to one asked above, but more to the point.

Putting aside the difference in light gathering ability and its benefits, if you took the 300 f2.8 and the 300 f4 and used both at f8, would there be an appreciable difference in picture quality?

thanks
mark




  
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cdifoto
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Jan 10, 2006 22:14 as a reply to  @ Calzinger's post |  #39

Calzinger wrote:
Well would ya look at that, just put my "equipment" in my signature.
But like said, I tried the test with f/3.6 to f/5.6 with the stock lens. I certainly was not convinced. The amount of light was useless, only yielding me one quicker shutter stop which was hugely unnecessary at 18mm when I could easily shoot at 1/8.

Perhaps it's the focal length. Maybe at 200mm f/4 and f/2.8 make a huge difference, but at 18mm, bah!

1/8th shutter speed versus 1/15th or so isn't really going to change much. HOWEVER...if you're shooting sports, it can mean the difference between 1/250th (not really enough to freeze tennis) and 1/500th (enough to freeze at least most portions of tennis). Focal length has nothing to do with freezing action...although it can have an impact on camera shake.


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cdifoto
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Jan 10, 2006 22:15 as a reply to  @ MDJAK's post |  #40

MDJAK wrote:
My question, for the cognescenti here, is similar to one asked above, but more to the point.

Putting aside the difference in light gathering ability and its benefits, if you took the 300 f2.8 and the 300 f4 and used both at f8, would there be an appreciable difference in picture quality?

thanks
mark

At f/8...probably not. BUT these lenses aren't purchased with the intent to stop down anyway...they're built to use wide open and achieve superb results. You can take a fairly cheapo consumer zoom and stop down to f/8 and get good if not excellent results.


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convergent
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Jan 10, 2006 22:27 as a reply to  @ post 1066726 |  #41

Incredirebelz wrote:
I tried indoor highschool basketball (not as fast as university teams) with my 70-200 with f4 @ iso1600 without flash and was able to freeze most actions maybe... 75% of the time. Touched up after noise ninja left me with some very clean impressive action shots.
I also tried dim lighting indoor party pictures with f4 and 580ex flash and have no issues of subject blur.

Your experience is not typical of high school indoors sports. I have found that f/2.8 is often not fast enough to freeze action. I tend to use f/2 or faster glass for high school indoor sports. There are a couple of gyms that I can push to 3200 ISO and shoot with my f/2.8 glass. I did some of that today and the results weren't as good as the faster glass. I think that f/2.8 is fine for college and above. I just shot a college game saturday and using a 70-200 IS wide open at f/2.8, I needed to go to ISO1600 to properly expose. And, there was full TV coverage by 4 networks at this game. So, I think the high school you refer to has an unusually bright gym.

All of that said, it really depends on what you intend to shoot. Often, around the house shooting candids, f/2.8 still isn't fast enough and I use flash. But, the f/2.8 will let you keep from getting the flashed out look you might get when your background isn't exposed properly.


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Incredirebelz
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Jan 11, 2006 01:12 as a reply to  @ convergent's post |  #42

convergent wrote:
Your experience is not typical of high school indoors sports. I have found that f/2.8 is often not fast enough to freeze action. ... So, I think the high school you refer to has an unusually bright gym.

I think you're prolly right. I was really quite amazed by how much i get out of the f/4 glass without flash.... BUT, f/4 was really at its limit... i was shooting iso1600 (without flash).
Perhaps if anyone's interested, please click on this link to check out the best ones i got from the game...
http://www.pbase.com/i​ncredirebelz/ (external link)

overall, I managed to snap quite a few actions and was happy with what i got... (i m easy to impress tho)... so i think overall, the f4 lens for sport is NOT ideal, but nothing like mission impossible either...

:)


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René ­ Damkot
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Jan 11, 2006 06:17 as a reply to  @ tessina's post |  #43

tessina wrote:
but if shallower DOF,better AF,better to stop action with,are the pros of a f2.8 lens,how is it most 'wildlife lens'(eg.100-400,500 etc)start with at least f/4?

That's because they're all long lenses.
You may have noticed Canon did produce a 50/1.0; 85/1.2 and even 200/1.8 once, but longer lenses get slower: 300/2.8; 400/2.8; 500/4.0.
That's because the aperture is the relation between focal length and width: The longer the FL, the larger the opening needs to be for the same f stop. That's why these fast lenses require massive pieces of glass.
Also it means that the bayonet on the camera becomes a limiting factor. I don't think it's possible to make a 50mm lens faster then 1.0 using this bayonet. Simply no room...
Also longer FL's give shallower DoF, so at 500mm you get pretty shallo DoF with f/4. With a 28 mm you might want too use f/2.8 to get any kind of shallow DoF.
And yes, in some cases the extra stopp is worth twice (or more) the price. It might make the difference between getting the shot, and getting a blurry mess. OTOH, you can always get a decent prime, which will probabely be half the price and twice the speed of a zoom.


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tessina
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Jan 11, 2006 21:00 |  #44

so then,a quick summary,anything else that could be appended to the list?

f/2.8 Pros
1) Better/Faster/More accurate AF
2) Shallower DoF ability, more DoF control
3) Brighter VF
4) 1 stop faster shutter speed (ability to stop/freeze action) (ability to reduce effects of camera shake)
5) Better image quality when stopped down to f/4 vs. a f/4 lens wide open
6) When shooting with flash in E-TTL, the extra stop can also help improve recycle rates since flash isn't being taxed as heavily for each shot.
7) Ability to use ambient light in low lighting conditions

f/4 pros
1) Cheaper, at times half the cost
2) Lens usually much lighter and less bulky
3) Up the ISO by one stop to compensate for one stop difference in aperture
4) Can use flash to counter low light conditions to make up for the one stop difference


Tess ;)
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grego
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Jan 11, 2006 22:22 |  #45

Yes, that's a pretty good summary to generalize.


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