Possibly
To get back to the original question:
f/2.8 Pros: Better AF, shallower DoF, brighter VF, 1 stop faster SS.
f/4 pros: price, weight.
The 'quick and dirty' answer would be: 'If you'ld need it you'ld know'
RenéDamkot Cream of the Crop 39,856 posts Likes: 8 Joined Feb 2005 Location: enschede, netherlands More info | Jan 10, 2006 05:44 | #31 Possibly "I think the idea of art kills creativity" - Douglas Adams
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uktrailmonster Senior Member 466 posts Likes: 1 Joined Oct 2005 Location: UK More info | Jan 10, 2006 07:44 | #32 I was debating in another thread whether or not the 300 F2.8 L IS was worth 4 times as much as the 300 F4 L IS. For a pro shooter who can make it pay then yes. For a multi-millonaire then yes why not. For the rest of us NO F*@**@ WAY!!! Canon 7D, Canon D30, Canon G2, EF 24-85 F3.5-4.5, EF 75-300 F4-5.6 IS, EF 300 F4 L IS, EF 85 F1.8, iMac 24" + Canon i9100
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uktrailmonster Senior Member 466 posts Likes: 1 Joined Oct 2005 Location: UK More info | Jan 10, 2006 07:45 | #33 Similarly I don't think the 16-35 F2.8 L is worth twice as much as the 17-40 F4 L Canon 7D, Canon D30, Canon G2, EF 24-85 F3.5-4.5, EF 75-300 F4-5.6 IS, EF 300 F4 L IS, EF 85 F1.8, iMac 24" + Canon i9100
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Jan 10, 2006 20:08 | #34 but if shallower DOF,better AF,better to stop action with,are the pros of a f2.8 lens,how is it most 'wildlife lens'(eg.100-400,500 etc)start with at least f/4? Tess
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Calzinger Goldmember 1,798 posts Joined Jan 2006 Location: New York More info | Jan 10, 2006 20:42 | #35 I am very confused on this issue as well. f/2.8 is double the price of f/4, but is the difference in light worth THAT much of a difference? "That building in the background is distracting."
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cdifoto Don't get pissy with me 34,092 posts Likes: 48 Joined Dec 2005 More info | Calzinger wrote: Still though, I'd like to see a comparison of the same scene with an f/2.8 and a f/4 with the same shutter speed, just to see how much more light you are actually getting. If you have the 50mm f/1.8 you can do that yourself. Not being smart...I don't know what you actually own....I'm just too lazy to set it up and do it. Did you lose Digital Photo Professional (DPP)? Get it here
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Calzinger Goldmember 1,798 posts Joined Jan 2006 Location: New York More info | cdi-ink.com wrote: If you have the 50mm f/1.8 you can do that yourself. Not being smart...I don't know what you actually own....I'm just too lazy to set it up and do it. ![]() Well would ya look at that, just put my "equipment" in my signature. "That building in the background is distracting."
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My question, for the cognescenti here, is similar to one asked above, but more to the point.
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cdifoto Don't get pissy with me 34,092 posts Likes: 48 Joined Dec 2005 More info | Calzinger wrote: Well would ya look at that, just put my "equipment" in my signature. But like said, I tried the test with f/3.6 to f/5.6 with the stock lens. I certainly was not convinced. The amount of light was useless, only yielding me one quicker shutter stop which was hugely unnecessary at 18mm when I could easily shoot at 1/8. Perhaps it's the focal length. Maybe at 200mm f/4 and f/2.8 make a huge difference, but at 18mm, bah! 1/8th shutter speed versus 1/15th or so isn't really going to change much. HOWEVER...if you're shooting sports, it can mean the difference between 1/250th (not really enough to freeze tennis) and 1/500th (enough to freeze at least most portions of tennis). Focal length has nothing to do with freezing action...although it can have an impact on camera shake. Did you lose Digital Photo Professional (DPP)? Get it here
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cdifoto Don't get pissy with me 34,092 posts Likes: 48 Joined Dec 2005 More info | MDJAK wrote: My question, for the cognescenti here, is similar to one asked above, but more to the point. Putting aside the difference in light gathering ability and its benefits, if you took the 300 f2.8 and the 300 f4 and used both at f8, would there be an appreciable difference in picture quality? thanks mark At f/8...probably not. BUT these lenses aren't purchased with the intent to stop down anyway...they're built to use wide open and achieve superb results. You can take a fairly cheapo consumer zoom and stop down to f/8 and get good if not excellent results. Did you lose Digital Photo Professional (DPP)? Get it here
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Incredirebelz wrote: I tried indoor highschool basketball (not as fast as university teams) with my 70-200 with f4 @ iso1600 without flash and was able to freeze most actions maybe... 75% of the time. Touched up after noise ninja left me with some very clean impressive action shots. I also tried dim lighting indoor party pictures with f4 and 580ex flash and have no issues of subject blur. Your experience is not typical of high school indoors sports. I have found that f/2.8 is often not fast enough to freeze action. I tend to use f/2 or faster glass for high school indoor sports. There are a couple of gyms that I can push to 3200 ISO and shoot with my f/2.8 glass. I did some of that today and the results weren't as good as the faster glass. I think that f/2.8 is fine for college and above. I just shot a college game saturday and using a 70-200 IS wide open at f/2.8, I needed to go to ISO1600 to properly expose. And, there was full TV coverage by 4 networks at this game. So, I think the high school you refer to has an unusually bright gym. Mike
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Incredirebelz Member 91 posts Joined Aug 2005 Location: Winnipeg Canada More info | convergent wrote: Your experience is not typical of high school indoors sports. I have found that f/2.8 is often not fast enough to freeze action. ... So, I think the high school you refer to has an unusually bright gym. I think you're prolly right. I was really quite amazed by how much i get out of the f/4 glass without flash.... BUT, f/4 was really at its limit... i was shooting iso1600 (without flash). Canadian RebelXT
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RenéDamkot Cream of the Crop 39,856 posts Likes: 8 Joined Feb 2005 Location: enschede, netherlands More info | tessina wrote: but if shallower DOF,better AF,better to stop action with,are the pros of a f2.8 lens,how is it most 'wildlife lens'(eg.100-400,500 etc)start with at least f/4? That's because they're all long lenses. "I think the idea of art kills creativity" - Douglas Adams
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Jan 11, 2006 21:00 | #44 so then,a quick summary,anything else that could be appended to the list? f/2.8 Pros 1) Better/Faster/More accurate AF 2) Shallower DoF ability, more DoF control 3) Brighter VF 4) 1 stop faster shutter speed (ability to stop/freeze action) (ability to reduce effects of camera shake) 5) Better image quality when stopped down to f/4 vs. a f/4 lens wide open 6) When shooting with flash in E-TTL, the extra stop can also help improve recycle rates since flash isn't being taxed as heavily for each shot. 7) Ability to use ambient light in low lighting conditions f/4 pros 1) Cheaper, at times half the cost 2) Lens usually much lighter and less bulky 3) Up the ISO by one stop to compensate for one stop difference in aperture 4) Can use flash to counter low light conditions to make up for the one stop difference Tess
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grego Cream of the Crop 8,819 posts Likes: 2 Joined May 2005 Location: UCLA More info | Jan 11, 2006 22:22 | #45 Yes, that's a pretty good summary to generalize. Go UCLA
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