This is really key, David. As I've written in several PMs since yesterday, The CL-180 with an Apollo type modifier is truly a match made in heaven. While I do have the 120cm x 120cm Apollo clone, that modifier is quite large and requires some additional mounting hardware though it does work beautifully with the CL-180. I'm finding the CL-180 with its add-on umbrella mount along with the 90cm x 90cm softbox to be the most useful, most portable, and easiest to set up and take down combination. This is a typical configuration:

To give you an idea of what kind of performance the 90cm square + CL-180 pairing will yield, I performed a test this morning comparing output of two Nikon SB-800s in the 90x90 vs. one CL-180. At 60" from the front baffle, ISO 200, the two SB-800s metered f/8.3. The single CL-180 metered f/11.7.
Regarding thermal protection: Yes, the CL-180 has it. Originally it was fairly agressive kicking in after 50 full power flashes in rapid succession (meaning at 3-5 second intervals). This was felt to be a potential problem and was raised as an issue during beta testing with the manufacturer. In response, the limit was increased to 75 full power flashes in rapid succession before thermal protection kicks in. There's a thermometer icon on the flash LCD to indicate protection has been triggered. The flash can still be fired at that point but recycling is slowed to 10 seconds or so.
Dave, I like the offset adapter you crafted. The piece that fits on the lightstand and the cold shoe are easily recognizable. What is the metal offset? Something you crafted or a purchased item?
Looks like the tilt can be well past 45* with a bit of jiggling the shaft position in the holder on the CL-180.
Did you take the time to measure the evenness of the light across the face of the diffusion panel on the front of the box?
Three of these could be a really nice, portable, portrait setup.









