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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 26 Jan 2013 (Saturday) 10:20
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A New Bare Bulb Flash Arrives

 
dmward
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Jan 27, 2013 12:20 |  #31

tetrode wrote in post #15539783 (external link)
This is really key, David. As I've written in several PMs since yesterday, The CL-180 with an Apollo type modifier is truly a match made in heaven. While I do have the 120cm x 120cm Apollo clone, that modifier is quite large and requires some additional mounting hardware though it does work beautifully with the CL-180. I'm finding the CL-180 with its add-on umbrella mount along with the 90cm x 90cm softbox to be the most useful, most portable, and easiest to set up and take down combination. This is a typical configuration:

QUOTED IMAGE

To give you an idea of what kind of performance the 90cm square + CL-180 pairing will yield, I performed a test this morning comparing output of two Nikon SB-800s in the 90x90 vs. one CL-180. At 60" from the front baffle, ISO 200, the two SB-800s metered f/8.3. The single CL-180 metered f/11.7.

Regarding thermal protection: Yes, the CL-180 has it. Originally it was fairly agressive kicking in after 50 full power flashes in rapid succession (meaning at 3-5 second intervals). This was felt to be a potential problem and was raised as an issue during beta testing with the manufacturer. In response, the limit was increased to 75 full power flashes in rapid succession before thermal protection kicks in. There's a thermometer icon on the flash LCD to indicate protection has been triggered. The flash can still be fired at that point but recycling is slowed to 10 seconds or so.

Dave, I like the offset adapter you crafted. The piece that fits on the lightstand and the cold shoe are easily recognizable. What is the metal offset? Something you crafted or a purchased item?

Looks like the tilt can be well past 45* with a bit of jiggling the shaft position in the holder on the CL-180.

Did you take the time to measure the evenness of the light across the face of the diffusion panel on the front of the box?

Three of these could be a really nice, portable, portrait setup.


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dmward
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Jan 27, 2013 12:43 |  #32

Some additional thoughts about Godox High Speed Sync.
I spent a little time on eBay looking at descriptions of Godox Cells II triggers. They're the ones that look like a PW plus II with a hot shoe.

They also claim 1/8000 sync speed with Canon HSS "support".

The device has all the pins on its foot, so should be able to receive signals from camera related to early fire for HSS. The hotshoe that a remote flash would sit on only has a center fire pin.

This implies that Godox is using HSS to imply what Pocket Wizard calls "Hyper Sync" and what Yongnuo calls Super Sync" on the YN-622 when used with studio strobes.

Since Godox has hot shoe flash units that support TTL its possible that they have incorporated the circuitry required to do the strobing required for true HSS into the CL-180. We'll have to wait for confirmation from testing.


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tetrode
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Jan 27, 2013 12:51 |  #33

Wilt wrote in post #15539844 (external link)
I see thermal protection does not kick in until over 2.5x the number of flashes of the lower output 580EXII. Nice.

As for output power, some comparative numbers (metered values, not computed per typical inflated manufacturer GN claims) -- admittedly not apples-to-apples comparison into an umbrella with metalized reflector as the CL-180 figures...

  • Dynalite M500 500 w-s into Dynalite 1020 head with standard reflector (covers 140 degrees) nets GN 135 at ISO 200 or f/27 (vs. CL-180 f/11.7)
  • Dynalite M500 in a 24"x36" softbox would yield f/16 at 4', or GN64. The softbox with white interior and diffusion panel was losing about -1.25EV
  • The Metz 54MZ with zoom head 50mm lens coverage angle (which is only about 50 degrees) and Full power = GN70, f/11.6 at 6' or f/14 at 5'.

If you'd like another data point, the metered output of the CL-180 into a 43" Lastolite silver umbrella (using the CL-180's umbrella mount and umbrella reflector) at ISO 200, 5' is f/22.7.




  
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dmward
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Jan 27, 2013 13:25 |  #34

tetrode wrote in post #15540013 (external link)
If you'd like another data point, the metered output of the CL-180 into a 43" Lastolite silver umbrella (using the CL-180's umbrella mount and umbrella reflector) at ISO 200, 5' is f/22.7.

That's impressive.
Measured from the light or the face of the umbrella. I'm guessing the light.

Do you have a mid-sized soft silver PLM? I image that could offer some nice light.

I'm thinking about modding one of the PLM mounts with an S type adapter and using the Cheetah bracket. Or I guess I could use my Kacey bracket with the Elinchrom adapter on it with one of the Elinchrom PLM mounts I have. Should be able to get the bulb to just about the optimum point.


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Wilt
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Jan 27, 2013 13:45 |  #35

tetrode wrote in post #15540013 (external link)
If you'd like another data point, the metered output of the CL-180 into a 43" Lastolite silver umbrella (using the CL-180's umbrella mount and umbrella reflector) at ISO 200, 5' is f/22.7.

Now I am puzzled about the difference from what you reported earlier, " At 60" from the front baffle, ISO 200, ... The single CL-180 metered f/11.7"

f/11.7 vs. f/22.7 :confused:

120cm x 120cm Apollo clone vs. 43" silver Lastolite ?


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tetrode
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Jan 27, 2013 13:54 |  #36

Wilt wrote in post #15540192 (external link)
Now I am puzzled about the difference from what you reported earlier, " At 60" from the front baffle, ISO 200, ... The single CL-180 metered f/11.7"

f/11.7 vs. f/22.7 :confused:

I don't think it's all that puzzling, Wilt. The Lastolite umbrella is VERY reflective and there's' no front baffle. The interior of the 90cm x 90cm Apollo clone is more of a soft silver plus there's the light-eating front baffle.




  
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Jan 27, 2013 13:55 |  #37

I updated post 35...120cm x 120cm Apollo clone vs. 43" silver Lastolite...after re-reading your earlier posts.


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Jan 27, 2013 14:05 |  #38

dmward wrote in post #15540120 (external link)
That's impressive.
Measured from the light or the face of the umbrella. I'm guessing the light.

Measured from the front edge of the umbrella, David.

Do you have a mid-sized soft silver PLM? I image that could offer some nice light.

No, David, I do not. I have the extreme silver 86" and 64" and the white 51". The 64" is just too heavy for the CL-180s on board umbrella mount. I have tested with a 60" Photek umbrella using the integral mount:

IMAGE: http://farm9.staticflickr.com/8196/8417229641_6bf641ef7a_b.jpg

It works but the flash isn't really happy with the load. A Speed Pro or Kacey bracket would be required to handle something like the mid-size PLM. On the other hand, my 51" white PLM was fine on the CL-180's native mount and I am tempted to get the 51" soft silver version.



  
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tetrode
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Jan 27, 2013 14:08 |  #39

:p

Wilt wrote in post #15540239 (external link)
I updated post 35...120cm x 120cm Apollo clone vs. 43" silver Lastolite...after re-reading your earlier posts.

Is that a request for me to meter the 120cm x 120cm or asking if that's what produced the f/11.7 reading?




  
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ramin.ma
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Jan 27, 2013 14:24 |  #40

tetrode: Could you please confirm the 75 full power pop with no over heating on the flash and the battery unit? : http://www.ebay.com …ashes&hash=item​4abfb34ec9 (external link)




  
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Jan 27, 2013 14:30 |  #41

ramin.ma wrote in post #15540320 (external link)
tetrode: Could you please confirm the 75 full power pop with no over heating on the flash and the battery unit? : http://www.ebay.com …ashes&hash=item​4abfb34ec9 (external link)

I have tested (and confirmed) that multiple times. After 75 full power pops, the thermal protection feature triggers.




  
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Jan 27, 2013 14:32 |  #42

tetrode wrote in post #15540275 (external link)
:p

Is that a request for me to meter the 120cm x 120cm or asking if that's what produced the f/11.7 reading?

asking confirmation of what produced the f/11.7 reading, as it sounded to me as if you used the 120x120, but then later you speak of a different size the 90x90.


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Jan 27, 2013 14:47 |  #43

dmward wrote in post #15539919 (external link)
Dave, I like the offset adapter you crafted. The piece that fits on the lightstand and the cold shoe are easily recognizable. What is the metal offset? Something you crafted or a purchased item?

David, you made my day by noticing the offset adapter. Sometimes it's the little things :D

For those of you who hadn't noticed, this is what David is referring to:

IMAGE: http://farm9.staticflickr.com/8355/8421497578_5c691e69d6_b.jpg

The flash shoe is offset 1 inch to the right of the riser column. The reason for this is to compensate for the CL-180's umbrella tube which is offset 1 inch to the left. The off-center positioning of the umbrella tube resulted in the square Apollo clone listing ever so slightly to port (so to speak). The few degrees of tilt was, truthfully, of no practical consequence but, still, it really bugged me. What can I say? That's me. Anyway, with the offset shoe, the umbrella tube is now exactly over the riser column and the softbox is perfectly level.

And, David, I made the offset arm from a piece of aluminum:

IMAGE: http://farm9.staticflickr.com/8494/8421497572_8fba7b3172_b.jpg

Looks like the tilt can be well past 45* with a bit of jiggling the shaft position in the holder on the CL-180.

There's no shortage of "solutions" for tilting Apollo-type softboxes (as you well know). I think I've tried them all. Even though it isn't the lightest of options, for me, by far the best and most flexible solution relies on a grip head and length of 5/8" aluminum rod. Here's my setup without the softbox:

IMAGE: http://farm9.staticflickr.com/8055/8421497626_8d811959bc_b.jpg

Did you take the time to measure the evenness of the light across the face of the diffusion panel on the front of the box?

No, I haven't. Heavily underexposed images of the front of the softbox look good with the only apparent anomaly being the shadow of the flash unit on the front baffle.




  
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tetrode
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Jan 27, 2013 14:50 |  #44

Wilt wrote in post #15540343 (external link)
asking confirmation of what produced the f/11.7 reading, as it sounded to me as if you used the 120x120, but then later you speak of a different size the 90x90.

This is what I wrote in post #28:

"To give you an idea of what kind of performance the 90cm square + CL-180 pairing will yield, I performed a test this morning comparing output of two Nikon SB-800s in the 90x90 vs. one CL-180. At 60" from the front baffle, ISO 200, the two SB-800s metered f/8.3. The single CL-180 metered f/11.7."

It says "90cm square" right there.




  
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tetrode
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Jan 27, 2013 15:35 |  #45

dmward wrote in post #15539603 (external link)
I had a Norman collapsible Octa for my QFlash that was essentially the same as the one offered by Godox. It was a nice modifier but its still only 19" which is marginal.

The Godox/Cheetah folding octa is indeed very similar to the ones available under the Norman, Quantum, and SP Studio Systems names:

IMAGE: http://farm9.staticflickr.com/8351/8420401291_196fd036d7_b.jpg

It does have one unique trick up its sleeve, though. It comes with a metal deflector that screws onto the end of the umbrella shaft turning it into something beauty dish like:

IMAGE: http://farm9.staticflickr.com/8082/8420401279_aaf15f7ded_b.jpg

The deflector in the photo is an early prototype. The production version is convex.

The little octa does, of course, come with a Velcro'ed front baffle but the diffusion sock from a 22" beauty dish, I find, works just as well and is less fussy to put on and take off.



  
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