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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 26 Jan 2013 (Saturday) 10:20
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A New Bare Bulb Flash Arrives

 
abbadon31
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Oct 14, 2014 09:42 |  #5191

EmaginePixel wrote in post #17212038 (external link)
For that modifier, Phottix multi-boom is the best choice. Here's a post from awhile ago.

https://photography-on-the.net …p=16746872&post​count=3913

QUOTED IMAGE


I find if you already have a boom stand you don't need this at all.


I AM SHOM

  
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bryzf1
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Oct 20, 2014 08:50 |  #5192

Sorry if this has been covered before, but am I able to trigger the CL-360 along with my Canon flashes with a YN-622C?


Bryan
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dmcgoy
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Oct 20, 2014 09:32 |  #5193

bryzf1 wrote in post #17222926 (external link)
Sorry if this has been covered before, but am I able to trigger the CL-360 along with my Canon flashes with a YN-622C?

http://flashhavoc.com …dio-trigger-alternatives/ (external link)




  
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Oct 20, 2014 18:13 |  #5194

^Thank you


Bryan
A7iv | A9 | 12-24G | 24-105 f/4 | 24 f/1.4 | 28 f/2 | 35 f/1.4 | 50 f/1.2GM | 85 f/1.4GM | 135 f/1.8GM | 100-400GM

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pomjac09
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Oct 21, 2014 00:15 |  #5195

I have just receive 4 Godox AD-360 and wanted to share how thrilled I am.

Ivan




  
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mmmfotografie
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Oct 21, 2014 06:00 |  #5196

Welcome to POTN pomjac90 and have fun with the flashes and make beautiful pictures.




  
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pomjac09
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Oct 21, 2014 13:46 |  #5197

mmmfotografie wrote in post #17224789 (external link)
Welcome to POTN pomjac90 and have fun with the flashes and make beautiful pictures.

Many Thanks, A lot of reading until now and very interesting :)




  
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abbadon31
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Oct 21, 2014 16:04 |  #5198

pomjac09 wrote in post #17224556 (external link)
I have just receive 4 Godox AD-360 and wanted to share how thrilled I am.

Ivan


Only 4 why stop there. ;)
I'm sure you will be happy with them


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Left ­ Handed ­ Brisket
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Oct 21, 2014 16:17 as a reply to  @ abbadon31's post |  #5199

Scott, mmmfoto mentioned that your work on a modeling light for the 360 had been stopped. Not sure if your development was tied to godox/cheetah, but does this mean that there is nothing in development that might eventually hit the market?

Curious about the remote head or whatever you were calling the lightbulb on a cord too


PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20

  
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mmmfotografie
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Post edited over 8 years ago by mmmfotografie.
     
Oct 21, 2014 18:33 |  #5200

A little update on the development of posing light.

I have ordered me better LED lights with 150 lumen/Watt which 50% more efficiency than the current ones I use. Also bi-metal switches are on their way so that if I forget to switch of the light it will do it by itself before any damage can occur. A second fuse will protect when the bi-metal switch does not his job and that one has to be replaced when triggered.

I have new bars for the ordered lights and I have replaced the metal screw inside the bar for a aluminium one so the weight is as low as possible. In my prototype I have glued the thread in so no heat would be transferred between the softbox and the light. In the new one there will be heat transfer due to the thread is now screwed in the bar and glued with heat transmitting glue, same glue as for glueing the LED on the aluminium bar. Heat-sinks that I can glue on the bar when needed are also on their way so it seems that I can produce a final version within three weeks.

Next Thursday I will have shoot and I think that I will have to use the prototype during that shoot, because I don't think the main bulk of the parts are in then and build the new versions.

Had to do also a modification on the receiver for the remote and changed the resistor, which became to hot, for one with a higher Ohm rating and now it get only slightly warm when the light is switched off. When switched off the current usage is now 200mA and I will try a to bring that down even more.

The cable between the driver (power converter) for the LED are more important than I first taught and I have used now a thicker cable so the loss is kept to a minimum and also copper ones because that seems to be better than the metal wires. I tried different cables and was pleased that the driver was adapting it current and voltage to the used cable to keep the LED in their optimum range. So getting a thicker cable results in lower voltage and current to be sent to the LED lights but the light output is higher or the same and in that way increase the lifespan of the LED.

I have only between 10 and 12 Volt from the powerpack so I have to take care the driver is working in his best range and no power is wasted in heat. That is also the reason that I keep close to the native voltage output of the powerpack and not have to boost it to a higher voltage what produces heat.

Previous posting: https://photography-on-the.net …p=17212023&post​count=5196
Next posting: https://photography-on-the.net …showthread.php?​p=17249247




  
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Drk ­ Orange
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Oct 21, 2014 22:00 |  #5201

For those wondering how to mount modifiers to their 360's, why not mount the 360 to the modifier?

IMAGE: https://farm6.staticflickr.com/5601/15597111715_8b11cd72cc_z.jpg

The bracket is something I whipped up a number of years ago to allow me to mount a speedlight to an ebay softbox so I had to bend it a little to fit the 360. (which is why it doesn't look pretty)

Was simple to make...

1. Find bolt to screw into softbox bracket. (I recall it was already threaded, maybe about 3/8th" - if not, thread one of the unused holes)
2. Bend aluminium strip to required shape. (1" x 1/8th")
3. Drill hole to allow it to be bolted to softbox bracket.
4. Acquire 1/4" bolt to mount flash. (I used one off an old umbrella mount)
5. Drill hole for flash mount screw. (I did one slightly smaller than 1/4" which allows me to screw it in so it is captured)
6. Power rangers, Assemble!
7. Use existing 1/4" mounting point on light box bracket to mount to lighting stand/tripod.
9. What happened to 8?
8. Oh, here it is.


If I were to make one specifically for the 360 units, I would use the mountpoint at the flash hinge rather than the base, I suspect it is a lot stronger than the base. (which is only held on by 4 tiny screws)



  
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Drk ­ Orange
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Oct 21, 2014 22:12 |  #5202

mmmfotografie wrote in post #17226048 (external link)
A little update on the development of posing light.

I have ordered me better LED lights with 150 lumen/Watt which 50% more efficiency than the current ones I use. Also bi-metal switches are on their way so that if I forget to switch of the light it will do it by itself before any damage can occur. A second fuse will protect when the bi-metal switch does not his job and that one has to be replaced when triggered.

I have new bars for the ordered lights and I have replaced the metal screw inside the bar for a aluminium one so the weight is as low as possible. In my prototype I have glued the thread in so no heat would be transferred between the softbox and the light. In the new one there will be heat transfer due to the thread is now screwed in the bar and glued with heat transmitting glue, same glue as for glueing the LED on the aluminium bar. Heat-sinks that I can glue on the bar when needed are also on their way so it seems that I can produce a final version within three weeks.

Next Thursday I will have shoot and I think that I will have to use the prototype during that shoot, because I don't think the main bulk of the parts are in then and build the new versions.

Had to do also a modification on the receiver for the remote and changed the resistor, which became to hot, for one with a higher Ohm rating and now it get only slightly warm when the light is switched off. When switched off the current usage is now 200mA and I will try a to bring that down even more.

The cable between the driver (power converter) for the LED are more important than I first taught and I have used now a thicker cable so the loss is kept to a minimum and also copper ones because that seems to be better than the metal wires. I tried different cables and was pleased that the driver was adapting it current and voltage to the used cable to keep the LED in their optimum range. So getting a thicker cable results in lower voltage and current to be sent to the LED lights but the light output is higher or the same and in that way increase the lifespan of the LED.

I have only between 10 and 12 Volt from the powerpack so I have to take care the driver is working in his best range and no power is wasted in heat. That is also the reason that I keep close to the native voltage output of the powerpack and not have to boost it to a higher voltage what produces heat.

You should start a thread - this is too good to be hidden in here.




  
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pomjac09
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Oct 22, 2014 04:26 |  #5203

abbadon31 wrote in post #17225803 (external link)
Only 4 why stop there. ;)
I'm sure you will be happy with them

Love your videos on Youtube, by the way.

For my work I usually use 3 and like to have a spare on, just in case.

Just sold Elinchrom BXRI500 and this a new "era" for me.

I hope to post some pictures shortly.

Regards from sunny Mallorca, Spain :)

Ivan




  
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mmmfotografie
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Oct 22, 2014 05:31 |  #5204

Drk Orange wrote in post #17226416 (external link)
You should start a thread - this is too good to be hidden in here.

Thanks and my intention was to make a PDF file with the used parts and were to get it. Building instructions and warnings for pitfalls.




  
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mmmfotografie
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Oct 22, 2014 05:39 |  #5205

Drk Orange wrote in post #17226403 (external link)
For those wondering how to mount modifiers to their 360's, why not mount the 360 to the modifier?

Picture....

The bracket is something I whipped up a number of years ago to allow me to mount a speedlight to an ebay softbox so I had to bend it a little to fit the 360. (which is why it doesn't look pretty)

Was simple to make...

1. Find bolt to screw into softbox bracket. (I recall it was already threaded, maybe about 3/8th" - if not, thread one of the unused holes)
2. Bend aluminium strip to required shape. (1" x 1/8th")
3. Drill hole to allow it to be bolted to softbox bracket.
4. Acquire 1/4" bolt to mount flash. (I used one off an old umbrella mount)
5. Drill hole for flash mount screw. (I did one slightly smaller than 1/4" which allows me to screw it in so it is captured)
6. Power rangers, Assemble!
7. Use existing 1/4" mounting point on umbrella to mount to lighting stand/tripod.
9. What happened to 8?
8. Oh, here it is.


If I were to make one specifically for the 360 units, I would use the mountpoint at the flash hinge rather than the base, I suspect it is a lot stronger than the base. (which is only held on by 4 tiny screws)

The base is designed to hold the body+head+umbrella. When using the umbrella mount you put the weight of the body on the metal pin and plastic plate with holes in the head.

The four tiny screws in the metal plate at the base is a very strong connection.




  
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A New Bare Bulb Flash Arrives
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