Hullo,
Anyone knows how to get this effect
using curves in PS?
TIA
Mar 31, 2013 10:56 | #1  Permanent banHullo, 'The success of the second-rate is deplorable in itself; but it is more deplorable in that it very often obscures the genuine masterpiece. If the crowd runs after the false, it must neglect the true.' —Arthur Machen
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ssim POTN Landscape & Cityscape Photographer 2005  10,884 posts Likes: 6 Joined Apr 2003 Location: southern Alberta, Canada More info | Mar 31, 2013 13:01 | #2 I don't see anything really special about this image other that it appears to be a scan of a print or negative. What is it that you want to apply to one of your images. My life is like one big RAW file....way too much post processing needed.
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Lowner "I'm the original idiot"  12,924 posts Likes: 18 Joined Jul 2007 Location: Salisbury, UK. More info | Mar 31, 2013 13:17 | #3 It says its originally a B&W film. If true, its been artificially coloured so the result is entirely down to personal choice. Richard
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Mar 31, 2013 15:43 | #4 Permanent banssim wrote in post #15775638 I don't see anything really special about this image other that it appears to be a scan of a print or negative. What is it that you want to apply to one of your images. The toning. I was aiming for someone giving me a hint about which channel to play with. 'The success of the second-rate is deplorable in itself; but it is more deplorable in that it very often obscures the genuine masterpiece. If the crowd runs after the false, it must neglect the true.' —Arthur Machen
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Scatterbrained Cream of the Crop  8,511 posts Gallery: 267 photos Best ofs: 12 Likes: 4607 Joined Jan 2010 Location: Yomitan, Okinawa, Japan More info | Mar 31, 2013 16:02 | #5 If you have ACR/Lr you can start by over warming the image and then pulling down the saturation on the yellow channel. Then pull up the bottom of the tone curve just a smidgen and add some clarity. This is one of those things I find quicker in Lr. If you want to do it with curves you'd have to remember that lifting a channel boosts it's color, while pulling down swings to it's opposite. So pulling down on blue will introduce yellow.
The Adobe Photo Shoppe by tltichy, on Flickr VanillaImaging.com
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Mar 31, 2013 16:53 | #6 Permanent banCapital. Thanks, I'll start there. I was thinking of the split toning controls, but your way looks better. 'The success of the second-rate is deplorable in itself; but it is more deplorable in that it very often obscures the genuine masterpiece. If the crowd runs after the false, it must neglect the true.' —Arthur Machen
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 | x 1600 |
| y 1600 |
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