Brelly wrote in post #15781202
Yeah that makes sense really. How noticeable is this 'x pattern'? Yeah it is a lot cheaper as well by the looks of it.
I'm basically hoping to do some land/seascapes and hopefully some waterfalls if I come across any, an some sun rises/sets too, but really just anything I can have a play about with! Thanks guys!
would you mind just showing me the exact kit I'm looking at just so I know exactly what I'm looking for as I'm still not 100%
The X pattern can be very noticeable, the wider your lens gets the more visible it is (since telephotos only see the middle part of the filter, you won't see as much of the X) and the more ND you dial in, the more visible it gets.
For that type of stuff, definitely go for a square filter kit unless you are happy blending exposures afterwards.
My landscape kit is this:
1x Lee 3 stop hard graduated ND
1x Lee 3 stop soft graduated ND
1x Hitech 3 stop reverse graduated ND
1x Lee 3 stop solid ND
1x Hoya slim CPL
Typically I just use the hard or soft GND depending on the horizon to darken the sky. For seascapes, a hard GND will do fine. A reverse GND is great for seascape sunsets or other sunsets where the horizon is relatively flat. The soft GND is good for when there are mountains or trees along the skyline. The solid ND is perfect for waterfalls (keep in mind that you may not want the water to be completely smooth and featureless, you might want to keep the shutter speed a bit higher so you can make out some "movement" in the water).
The CPL I haven't actually used much for landscape, just to remove reflections from water so far. I need to try and use it more.
Here are some examples of the results from using filters:
This was using the soft GND only, the sky was quite dark due to the clouds anyway, so 3 stops was fine, and soft due to the rocks and hills sticking up into the sky.
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I believe this one was with the reverse GND and the soft GND, the sun was quite low which meant I needed to darken the sky near the horizon and the buildings to stop them from blowing out, but I also needed to stop the upper part of the sky from going completely white.
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This was with 3 filters, I don't remember exactly which, one was the solid ND to get a slow SS, one was the hard GND and I forget if the 3rd was the reverse or the soft GND for the reflection on the water (most likely the soft, I only use the reverse when the sun is actually out).
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This is with the CPL to remove reflections in the pool.
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